sábado, 24 de mayo de 2014

Novedades y reposiciones / New & Restocks


Todo el catálogo aquí...
Catálogo Discos Regresivos

Bienvenidos a un nuevo boletín de Discos Regresivos.
Espero que en estos meses hayais ahorrado lo suficiente para poder gastaros algo, que debajo de la cama ya no me cabe nada.

En cuanto al sello, en breve espero tener listas tres referencias que me hacen mucha ilusión y que harán las delicias de las orejas más exquisitas.
DR11 Radio 77 - Terrorismo Juvenil LP (Reedicción)
DR12 Nuevo Orden Mundial EP (Punk desde Madrid)
DR13 Morroplastia EP (Punk desde Madrid)

Además he rebajado los precios de las referencias anteriores, así que aprovechad para haceros con ellas.
CONCEPCIÓN GLORY BOYS CUANDO SUEÑES ELLOS TE AYUDARÁN AYTO DE MADRID LP 3€
SNAP MAQUETAS 1988-1991 LP 9€
STASI, LA LA ÚLTIMA ESPERANZA DE LA LOCURITA LP 7€
STASI, LA LLAMANDO AL MANZANARES LP 3€
ZORRAS ADOLESCENTES AULLOLUNASOLO LP 7€
COPYCATS MISS THE STRANGE ANTI GUAYS 7" 4€
STIFFS, THE EXTREEMAGER ANTI GUAYS 7" 2,5€


Y ahora a la distri (como siempre hay que cosas que están de camino, así que a lo peor tardan un pelín en llegar).
Aparte de las novedades echad un ojo a todo el catálogo, seguro que hay algún disco que te sorprenderá.

¡¡Primero lo nuevo del sello hermano Paramecium Records!!
A 6 eurillos cada single..
CIRCLES, THE OPENING UP
NEGATIVES, THE SKATE OUT

****** 1 COPIA ***********
BRIEFS, THE-Steal Yer Heart BYO LP 11€
TRANZMITORS-Busy Singles LP 13€
TRANZMITORS-Tranzmitors LP 12€
GASOLINE - KILLER MAN 7" FAN CLUB 6,5€
SKREWDRIVER - ANTI-SOCIAL 7" FAN CLUB 6,5€
VICTIMS - TELEVISION ADDICT 7" FAN CLUB 6,5€

Y todo lo nuevo y reposiciones de algunos discos...

#1'S SHARON SHOULDN'T ALIEN SNATCH 7" 5€
ABOUT BLANKS, THE IGNORE THIS PRODUCT P TRASH LP 11€
ALLVARET TÄNK PA DÖDEN ERSTE THEKE TONTRÄGER LP 11€
ANORAK GIRL CYBERSEX DAMAGED GOODS 7" 5€
ARTIC FLOWERS REVERIES SABOTAGE RECORDS LP 10€
AUTISTIC YOUTH NONAGE TAKEN BY SURPRISE LP 11€
AUTISTIC YOUTH GRAVES TAKEN BY SURPRISE 7" 5€
AVERAGE TIMES S/T P TRASH LP 13€
BAD DOCTORS, THE BURNING CITY P TRASH LP 11€
BEAVER S/T DR STRANGE LP 11€
BILLY CHILDISH ARCHIVE FROM 1959 - THE BILLY CHILDISH STORY DAMAGED GOODS LP 20€
BITE THE RIGHT DOWN YOUR ALLEY B-CORE DISC
BLITZKRIEG BOP STUDIO STUFF RAVE UP LP 11€
C.O.M.A. CLINIK ORGANIK MUSAK ANATOMIK DANGER RECORDS LP 13€
CANADIAN RIFLE DEEP ENDS TAKEN BY SURPRISE LP 11€
CANGUROS, LOS UN SALTO ADELANTE (1986-1990) B-CORE DISC
CHEMICALS / P.R.O.B.L.E.M.S. SPLIT TAKEN BY SURPRISE 7" 5€
CRY!,THE DANGEROUS GAME TAKEN BY SURPRISE LP 11€
CRY!,THE S/T TAKEN BY SURPRISE LP 10€
DONKEYS TELEVISION ANARCHY DETOUR RECORDS 2xLP 14€
ESTRANGED, THE TYPE FOUNDRY SESSIONS VOL. 1 SABOTAGE RECORDS LP 11€
ESTRANGED, THE S/T SABOTAGE RECORDS LP 11€
FAITH KEEPERS, THE SOON YOU'LL DIE BLACKULA RECORDS 7" 5€
FEAR LOVING IN THE CITY FAN CLUB 7" 6,5€
FINDERS, THE FINDERS KEEPERS CHEAP REWARDS LP 13,5€
GEARS, THE ROCKIN' AT GROUND ZERO DIONYSUS LP 11€
GENITAL HOSPITAL STREET MUMMY P TRASH LP 11€
GENTLEMAN JESSE & HIS MEN LEAVING ATLANTA DOUCHEMASTER RECORDS LP 11€
GIUDA RACEY ROLLER DAMAGED GOODS LP 11€
GREG ASHLEY ANOTHER GENERATION OF SLAVES TROUBLE IN MIND LP 13€
HEAD, THE STILL NOTHING TO DO IN A TOWN LIKE LEATHERHEAD DETOUR RECORDS LP 11€
HEADCOATS,THEE DOWN DAMAGED GOODS LP 11€
HEADCOATS,THEE THE KIDS ARE ALL SQUARE - THIS IS HIP! DAMAGED GOODS LP 11€
HELEN LOVE LOVE AND GLITTER, HOT DAYS AND MUISK DAMAGED GOODS LP 11€
HELEN LOVE RADIO HITS VOL.3 DAMAGED GOODS LP 11€
HELEN LOVE FORMULA 1 RACING GIRLS DAMAGED GOODS 7" 5€
HELEN LOVE BUBBLEGUM DAMAGED GOODS 7" 5€
HELEN LOVE & RICARDO AUTOBAHN AND THE SALVATION ARMY PLAYS DAMAGED GOODS 7" 5€
KIDS, THE NO MONARCHY DANGER RECORDS 7" 6€
KILLERMETERS ARE YOUN READY? DETOUR RECORDS 7" 5€
KILLJOYS, THE JOHNY WON'T GET TO HEAVEN DAMAGED GOODS 7" 5€
KLAUS JOHAN GROBE TRAUMHAFT TROUBLE IN MIND 7" 6€
KNOTS HEARTBREAKER LAST LAUGH RECORDS 7" 6€
KOHU-63 SOTAA 81-82 HOEHNIE RECORDS LP 11€
LIMIT, THE S/T CHEAP REWARDS LP 14€
LIVERPOOL ECHO S/T SING SING RECORDS LP 13€
LONG TALL SHORTY COMPLETELY PERFECT DETOUR RECORDS 2xLP 14€
LOOSE HEART PARIS 1976 DANGER RECORDS 7" 5,5€
LUMPY AND THE DUMPERS GNATS IN THE PISSER TOTAL PUNK 7" 5,5€
MANATEES SEEK HELP TOTAL PUNK 7" 5,5€
MANDATES, THE S/T TAKEN BY SURPRISE LP 11€
MAX LOAD S/T RERUN RECORDS LP+CD+DVD 16€
MODERN PETS DEFORMED KIDS P TRASH 7" 5€
MOTHER'S CHILDREN LEMON TAKEN BY SURPRISE LP 11€
NAME, THE WHAT'S IN A NAME? DETOUR RECORDS LP 11€
NEIGHBORHOOD BRATS TOTAL DEMENTIA DIRTNAP RECORDS 7" 5€
NO PROBLEM ALREADY DEAD TAKEN BY SURPRISE LP 11€
NOVICE, THE WHAT YOU WANT DIRTNAP RECORDS 7" 5€
NUBS JOB LAST LAUGH RECORDS 7" 6€
OMIT VOMIT DATE RAPE EPISODE SOUNDS 7" 6€
PISS TEST BIGGEST BAND IN EUROPE TAKEN BY SURPRISE LP 11€
PROTEX STRANGE OBSESSIONS SING SING RECORDS LP 11€
PSYKIK VOLTS TOTALLY USELESS DAMAGED GOODS 7" 5€
PUMPHOUSE GANG S/T SING SING RECORDS LP 11€
PURPLE HEARTS , THE SMASHING TIME DETOUR RECORDS 2xLP 14€
RADIOACTIVITY BACK TO ME ALIEN SNATCH 7" 5€
RANK/XEROX S/T SABOTAGE RECORDS LP 11€
RED DONS NOTES ON THE UNDERGROUND TAKEN BY SURPRISE 7" 5,5€
RIDE, THE MASTURBAZIONE MENTALE RAVE UP LP 11€
RUBINOOS, THE THEME SONG BLACKULA RECORDS 7" 5€
SHIVVERS, THE S/T SING SING RECORDS LP 14€
SHOCKED MINDS S/T HORIZONTAL ACTION LP 12€
SKREWDRIVER YOU'RE SO DUMB FAN CLUB 7" 6,5€
SMALL HOURS, THE THE ANTHOLOGY DETOUR RECORDS LP 11€
SMALL WORLD JULIA DETOUR RECORDS 7" 5€
SONIC AVENUES TELEVISION YOUTH TAKEN BY SURPRISE LP 10€
SONIC AVENUES TELEVISION YOUTH TAKEN BY SURPRISE LP 10€
SPECTRES NOTHING TO NOWHERE SABOTAGE RECORDS LP 10€
SPIVS, THEE TAPED UP DAMAGED GOODS LP 11€
TEENAGE HEAD PICTURE MY FACE FAN CLUB 7" 6,5€
TESTORS COMPLETE RECORDINGS 1976-1979 ALIEN SNATCH LP 23€
TURBIOS, LOS / FURIOSOS, LOS SPLIT BLACKULA RECORDS 12" 9€
UNNATURAL AXE IS GONNA KICK YOUR ASS [Recordings 1978 - 1988] ALTERNATIVE ACTION LP 11€
URGENT KICKS, THE IN THE WRONG PLACE COMMON PEOPLE 7" 6€
USERS SICK OF YOU DAMAGED GOODS 7" 5€
V/A BORED TEENAGERS VOL7 DETOUR RECORDS LP 11€
V/A SOUNDS THE ALARMS!! MAXIMUM ROCK'N'ROLL LP 14€
V/A RADIO READY - LOST POWER POP HITS 1979-1982: WISCONSIN, VOL 2 CHEAP REWARDS LP 17€
V/A KILLED BY DEATH #33 REDRUM RECORDS LP 11€
V/A CHAOS IN CATALONIA LP 11€
VÅNNA INGET INGEN BOTTEN P TRASH LP 13€
VIDEO JOIN (JOIN THE) HATE WAVE TOTAL PUNK 7" 5,5€
VIOLATORS SINGLES 82/83 VOMITO PUNK ROCK RECORDS LP 12€
WATER CLOSET YOU AND ME EPISODE SOUNDS 7" 6€
WINTER BEAR JUMP INT HE FIRE HORIZONTAL ACTION 7" 5,5
YOUR PEST BAND OTHER BORE EPISODE SOUNDS 7" 6€

Cómo Pedir / How To Order

Esta es una distri y sello duit yurself ,hazlo tù mismo o cómo la quieras llamar, así que el método es bien fácil. Mándame un correo, a discosregresivos@yahoo.com, con los discos que te interesan, te respondo con lo que tengo y listo.
Los gastos de envío son los de correos, y si eres de Madrid pues te los puedes ahorrar.

Hay una entrada para los singles y otra para los elepés con descripciones de los discos y su portadas.

También puedes descargar el listado de todos los discos:
Catálogo Discos Regresivos

For foreign punks, shoot me an email to discosregresivos@yahoo.com with the records that you want... and i let you know about availability, shipping costs and payment options.
Download here the complete catalogue:
Catálogo Discos Regresivos

Lista de LPs/10"



NO QUEREMOS VUESTRAS PLAYAS [] 2013 Punk (ESP) CD + FANZINE

El verano pasado, mientras algunos comentaban la rabiosa (suponemos) actualidad del Pank, en irrepetibles post, estuvimos grabando a una multitud (19) de bandas, con las que solemos coincidir en alocadas noches. No son las únicas, ni el modelo por el que medir un sonido. Ni se pretende. Tan solo son un puñado de canciones, desde el corazón del Malévolo Aparato del Imperio Fascista y Opresor del Estado. Gente que cree en una manera diferente de ejercer su ocio, sin ayudas, ni atenciones especiales.
Los culpables:
Sudor,Ejército De Desertores,Suzio13,Nueva Autorida Democrática,x-Prays,Rey Muerto,ROBO,Penetrazion Sorpressa,Morroplastia,Gruppo Paralelo,Puerto Banús,Halifax,Los Americanos,Donantes Sanguinarios,Espermatozombies,Vigilante Gitano,Bit Of,Grupo Sub-1,La STASI
Todo esto va acompañado de un fanzine de 36 páginas, a bello collage con las idas de olla, nuestras y de las bandas, B/N, Din a5.
Y todo por 3€!! Copias limitadas a menos de 100 unidades.

3 EUR

100 FLOWERS - S/T [SUPERIOR VIADUCT] 2013 Punk (USA) REISSUE

100 FLOWERS (previously known as THE URINALS) were a power trio whose sole 1983 album is an enduring document of the Southern California underground. Based in crime-ridden '80s Los Angeles against the backdrop of juvenile hardcore and vapid hard rock, 100 FLOWERS crafted a sound that rests between the inspired bursts of THE MINUTEMEN and the pastoral jangle of THE DREAM SYNDICATE with similarities to the equally oblique MONITOR and THE GUN CLUB (who even included a URINALS cover in their set).
The trio wielded a gripping visual aesthetic and hyper-literate lyrical content that reflected their art-school backgrounds, while a ferocity and frustration borne out of their bleak urban environment permeates their songs. Strains of UK post-punk can be heard on "All Sexed Up" and skittish tension on "Presence of Mind." A far cry from the beach punk and surf rock of their contemporaries, album closer "California's Falling into the Ocean" contains all of their signature qualities: off-kilter delivery, subversive sentiments, and an irrefutable pop sensibility that reflects their immersion in LA's burgeoning Paisley Underground scene. The band splintered shortly after the release of this album, but time has only intensified the urgency of 100 FLOWERS' music.
In 1996, the band reformed as THE URINALS, releasing a CD of new material in 2003.
"Cool musicality with critical intelligence. And they thrash on a high level." Thurston Moore
"This stuff both ignites my pilot light and blasts my boiler." Mike Watt

14 EUR

A GIANT DOG - FIGHT [TIC TAC TOTALLY] 2012 Punk (USA)

Just off the presses too!! Hot wax from diggity-dogs A GIANT DOG is unleashed. A great chunk of meaty punk sizzlers, and flat out head-scratchingly overdue for these vets (get it! VETS!!!! Do-oi-oiii...). Female pipes yowlin' on top o' dissonant hooks knee deep in country-fried, blues-tinged LA punk musicality a-la THE EYES and FLESH EATERS in ye olde songwriting department is on point. I guess the inevitable comparison here is to X, but swap Billy Zoom's pretty production with the drunken scuzzy sheen enlisted to do the master's bidding! Oh, and Sabrina Ellis delivers ten-fold as front woman. Great pipes serving her rendition of a less-throaty Exene but with way more range and great, creeping, soulful yowl. What a bitch (Get it!!! A FEMALE DOG!!! Ooofffff!!!!). It all wickedly compliments the lyrical content of Cashen/Ellis' tunes/blasted punk rocking underneath. This 15-track long player SMOKES! Overloaded like the mothafuckin dog kennel! YOOoowww!!!!! LP includes download, and record includes the music!

12 EUR
ABOUT BLANKS, THE - IGNORE THIS PRODUCT [P TRASH] 2014 (ALE)

2nd LP, and better than ever!! Think MODERN PETS & LATEX LOVERS meets BRIEFS or BUZZCOCKS!!!

11€

ABOUT BLANKS, THE - S/T [P TRASH] 2011 Punk (ALE)

Bandmembers for the LP: Jasper Hood (Black Jaspers, Shakin Nasties, Moorat Fingers), Daniel Distration (Frantic Romantics), Lotze (The Shocks), Chris Blank (The Bottrops), now with new live drummer John Boy Adonis (King Kahn & The Shrines)! If this is how boredom sounds....well then let me dwell in Bore-o-Rama forever SHAKIN' my NASTIES, compulsively fidgeting with my MOORAT FINGERS in forbidden privates and blasting this record while trying not to stain Vanessa del Rio's shirt like a FRANTIC ROMANTIC. Jasper Hood and Daniel Distraction have been dauntless Knights of Kings Assi's Round Punkrock Table since the beginning of time. Together with Don Lotzo of the SHOCKS and Chris Blank of THE BOTTROPS they ride once more as THE ABOUT:BLANKS and do what they do best: Unsheate the Punkrock sword to kill the mainstream dragon with some fabulous '77 sound that oozes with sticky melodies and snotty vocals. We all grew up listening to the traditional ditties of the BUZZCOKS, THE SEX PISTOLS and COCK SPARRER and today the MODERN PETS, THE BRIEFS (and all their follow-up projects) and the ABOUT:BLANKS make sure we will always go back to blank in our heads. Let's all surrender to insanity while ''Kill your boyfriend'', ''Your pretty face is going to the jobcentre'' or ''I don't wanna be a homosapien'' fill the white space of our padded cell. The last song ''Come again'' even has some SPITS like synthie lines that are suitable for funeral play. Seriously boring shit THE ABOUT:BLANKS come up with on this record that will help you empty out your exciting life, Punk!

11 EUR

ACID MESS - CREEDLESS [ODIO SONORO] 2013 ROCK (ESP)

Oviedo Power Trio Heavy Psych 70's Masters!!!
http://acid-mess.bandcamp.com/
Green vinyl limited to 300 copies worldwide

8 EUR

ALLVARET - TÄNK PA DÖDEN [ERSTE THEKE TONTRÄGER] 2013 PUNK (SUE)

If anyone would ask me if I was serious about releasing this record from a totally unknown Swedish band, I would totally say yes. Why is ETT going to release Allvarets debut LP "Tank pa doden"? Not just because Allvaret means "serious" in Swedish, but because this LP is seriously great. Hailing from the Swedish underground punk scene, this catchy phenomenal guitar lines can only be written by Swedish guys and sound so perfectly vintage! Allvaret emerge from a fertile musical ferment to deliver some totally off the hook KBD punk with tunes that will stick in your head after just one song. The guitar sounds so Scandinavian – Masshysteri and The Vicious say Hello. The driving rhythm section with the harmonic drum and bass parts remind me of some kind of early UK street punk, without sounding stupidly Oi! The most important part is the awesome voice of Sushila, with Swedish lyrics matching perfectly together. A bag full of diamonds for sale, even if you don't speak Swedish, this record will make you want to start the kind of dance action you haven't had since that childish days way back then!

11 EUR

ANHREFN - LIVE [INCOGNITO RECORDS] 1991 Punk (UK)

2 live-sets ("powerhouse london" and "reithalle bern"). much more powerful versions than on the studio-lps.

6 EUR

APACHE DROPOUT - BUBBLEGUM GRAVEYARD [TROUBLE IN MIND] 2012 POP (USA)

Hasta que esta banda de Indiana no vió su single editado en Trouble in Mind para mi eran unos perfectos desconocidos.Éste es su segundo trabajo grande, (su primer disco se lo auto editó la banda) con una portada que puede recordar a las Emanaciones Lisergicas de los Fuzztones en vena pop. Tras escuchar  Archie's Army,  el tema que abre el disco, uno no puede dejar de pensar en este artefacto porque  con una extraña mezcla de sonidos consiguen un fórmula  en donde psicodelia, pop, garage, glam rock  y teatrismo vocal conviven a la perfección. Por momentos pueden recordar en las voces a Jeff Lescher de (Green) con esos amagos de falsete vocal o pueden ser perfectamente capaces de prender fuego al tema de 1910  Fruitgum Company 1-2-3 Red Light, además de hacerse pasar por la mas flipada banda psicodélica tejana cuando las guitarras vuelan en ese Quaaludes 68 .Además reviven el sonido de las semilla invocando a Sky Saxon en Ghost Stories, inquietan con Lady Blood, se fijan de soslayo en la época en RCA de mis idolatrados Kinks cuando ejecutan Robbin, the bank, tanto en el sonido como en la ironía del las escuetas letras, y firman pequeños pedruscos de garage psicodélico como Katie Verlaine que se escapan a los clichés del genero. Cierran con una joyita a medio tiempo con guiño, de nuevo, a los hermanos Davies como es Hey Valentine. Me temo que este este disco va a terminar de desgastar, definitivamente, la maltrecha aguja de mi tocadiscos.(Oscarkotj-2012)

12 EUR

APURTU- TIK TAK [HOEHNIE RECORDS] 2012 Punk (ESP)

Despues de varios albumes en K7 y CD y mas de 20 años en la carretera llega por fin el primer album en vinilo de esta banda de culto. Encontraras punk con grandes melodías con un aire al punk del 77. Edición limitada a 300 copias, incluye CD de regalo. las copias están volando.

10 EUR

ARRIVALS, THE - MARVELS OF INDUSTRY [RECESS RECORDS] 2007 Punk (USA)

Of all the great albums released this year so far, this is the one that surprised and grabbed me the most. This is the first full release I've heard from these guys and they remind me of many of my favourite bands, but at the same time not sounding exactly like any other band. Think powerful, no bullshit punk rock with a heavy Leatherface/Jawbreaker influence, especially vocal-wise. The melodies and harmonies are so spot-on that it really is the perfect fast-paced summer record everyone hunts for each summer. Yes, Paddy from D4 plays bass on this record, and no, I'm pretty sure he has not contributed any vocals. The funny thing is that their singer's voice is so clear yet mumbly that it really doesn't matter that only Paddy's bass abilities are on this one. On first listen, I say the last two songs were the only ones that were really special ("Dangerous" and "The Joke"), but after spin number eight or so, it all seems infectious, every song stuck in my mind and never to leave. The band doesn't necessarily stick to the exact same style all the way through the album, too -- there's one song that reminds me of a certain Irish psychobilly band. The Arrivals have delivered one of 2007's punk rock gems with Marvels of Industry. Marvelous.

10 EUR

ARRIVALS, THE - VOLATIL MOLOTOV [RECESS RECORDS] 2010 Punk (USA)

The Arrivals-Volatile Molotov LP with gatefold jacket Free download with the LP as well! CD packaged in the bossest digipak! Modern intelligence ain't really much to write home about. The sad thing is that it doesn't take much to NOT be a total dumbshit in this climate. I think, more than i probably should, to myself Why aren't The Arrivals the biggest band in the world?!. They write some of the greatest songs with some of the best hooks ever. The lyrics to these masterpieces are, gulp, er, actually intelligent. Not just exclusively book intelligent, and not just street smarts neither. I guess something vital and relevant for and by 30-something punks that can translate and inspire anyone at any age. And I'm not talking about Rectospective granulator cosmopheric ramulator shit, but stuff we can all understand like THE END's You may anticipate the end With great devotion You may worship and defend a source to every motion. It gives me goosebumps because I know what Isaac Thotz is talking about and the hook is easily appetizing. What I'm saying here is that I don't need to be pumped up with watered down political sloganeering for 12 year old's.Volatile Molotov includes paranoia, desperation, and even some humor. 3 great ingredients for an album. If anyone is listening, I wanna be buried with a copy of this album! Black vinyl copy will be just fine. So it could be that we don't know how to sell records or people are just too stupid. Or maybe both. Should we tell em to just dumb it down? It's not like they are unaware of the fact that rock n roll, itself, is a dumb thing to be involved in. They could get career type jobs and move on. They collectively and individually have done some dumb stuff. And like The Beatles did with Ringo, they even let Ronnie sing!

11 EUR

ARTIC FLOWERS - REVERIES [SABOTAGE RECORDS] 2011 POST-PUNK (USA)

One of the most well known of Portland’s fertile post punk influenced scene, Arctic Flowers follows up their well received debut EP and split with Spectres. Their sound builds on the foundation of UK anarchopunk meeting their previous work with such bands as Signal Lost and The Observers. This 12? has 8 songs leaning more towards the hardcore end of the spectrum while throwing in the occasional Mob influenced bit of melodic punk.

10 EUR

ATTENTION!, THE - GETTIN' ALL [SCREAMING APPLE] 2012 RHYTHM'N'BLUES (AUT)

Two years after the release of their highly acclaimed self-titled debut-album the ATTENTION! from Vienna, Austria return with a BANG! delivering their brandnew longplayer 'Gettin' all ...' to those who are desperately waiting for more insane dance action and give the bleached out face of classic r'n'b a bright new robe. Those guys celebrate the mod-aesthetics of the swingin sixties in perfection. Stylish from head to toe they deliver a frantic mixture of traditional blues, soul, beat and r'n'b to all the smart dancers worldwide and re-create a sound which hasn't been heard since those glory days of acts like Bo Diddley, the ANIMALS, the YARDBIRDS, THEM and the SPENCER DAVIS GROUP.Did you ever shake your tailfeather to the sound of Rock'n-Roll!? Well, here's your chance THE ATTENTION! - five lads, armed with their love for Rhythm&Blues, fuse their infectious beats, catchy riffs and haunting melodies into an explosive, one-of-a-kind mix, that makes you wanna shout and shimmy! These five hipsters learned their lessons in bluesy licks, soulful shouts and pumping rhythms frighteningly well. So watch out for the heatwave that is called THE ATTENTION! rolling over your town. Make sure to put on your finest pair of dancing shoes and celebrate!-Just a handful of bands like THE JAYBIRDS, THE WHAT...FOR! and THE MOVING SOUNDS were able to capture the spirit of the distinctive r'n'b sound as precise as THE ATTENTION! YOU WILL SHOUT AND SHIMMY!!!

11 EUR

AUTHORITIES - PUPPY LOVE [GET HIP] 1983 PUNK (USA) REISSUE

Remastered reissue of the Get Hip-EV 1996 release in high-quality 180-gram vinyl! The Authorities explode with 14 fast, short ones on this album. Recorded in 1982 1983 and sounding a bit like early Descendents without the juvenile or pop sensibilities, this Stockton, CA band falls into the punk rock vein as opposed to hardcore. The very popular Killed By Death series brought attention to some obscure Punk bands that otherwise would have been totally ignored. One of these bands is the Authorities, a Californian early 80's Punk combo. Their almost classic single I Hate Cops/Radiationmasturbation was featured in Killed By Death Vol. 1 and created a great interest among punk collectors. Well, now a full length release is available for everybody to enjoy. The 14 tracks included here were recorded in 1982 and 1983 in Modesto, Ca. and Stockton, Ca.

12 EUR

AUTISTIC YOUTH - NONAGE [TAKEN BY SURPRISE] 2014 PUNK (USA)

Reigning from the burbs of Portland in late 2003, Autistic Youth has spent the past 10 years touring and releasing records in North America and Europe.
After almost three years since their last full length record, Autistic Youth is releasing their junior LP. Drawing from both classic and obscure influences, "Nonage" is more refined, yet remains true to the sound they've had for so many years.
"Nonage" was recorded and produced by Autistic Youth, Adam Becker and Matthew Morgan at Red Lantern studios in Portland, OR this past winter.

11 EUR

AUTISTIC YOUTH - IDLE MINDS [TAKEN BY SURPRISE] 2010 PUNK (USA)

We've come a long way, baby... Long awaited 2nd album from hardworking PDX youngsters, following up Landmine Beach LP, as well as singles. Driving, melodic punk/hardcore (but NOT melodic hardcore if ya get the distinction) with dark, swirling undercurrents. Catchy but not at all vapid. Sounding like a cross between Portland, Southern California, and Copenhagen, you could compare this to bands like THE OBSERVERS, NO HOPE FOR THE KIDS, REAGAN YOUTH, or ADOLESCENTS.

10 EUR

AUTISTIC YOUTH - LANDMINE BEACH [TAKEN BY SURPRISE] 2009 Punk (USA)

Hailing from Portland, Oregon these 4 youngsters are influenced heavily by classic 80's bands like the WIPERS or ADOLESCENTS but also more recent outifts like THE OBSERVERS or THE EXPLODING HEARTS. On this LP they deliver 11 songs of anthemic and heartfelt punkrock that will make you dance dance dance! The first press will be 1000 copies, 800 on black and 200 on orange vinyl. All of them will have a silkscreened cover. In cooperation with the cool cat from SABOTAGE RECORDS

10 EUR

AUTONOMIA - NECROLOGIA: DISCOGRAFÍA 2002-2006 [CORROSION CEREBRAL] 2007 Punk (PER)

Discazo de de esta banda hardcore punk politiko de peru que fue grabado entre los años 2002 y 2006 que rekopila todo el material ke ha grabado esta banda, empezaron a tocar en 1989 y durante todos esos años grabaron dos kasets, 3 splits 7", un 3 way LP, un CD discografia y muchas participaciones en compilatorios en varias partes del mundo.

6 EUR
BAD DOCTORS, THE - BURNING CITY [P TRASH] 2014 (USA)

A few years back I picked up a local Philly comp LP “Bloodstains across Philadelphia” featuring a bunch of local punk and hardcore bands. While listening I was taken in by the track “Sisyphus And The Gate” by “The Bad Doctors”. It had a great post punk / dark 80's pop vibe that stood out among the other music on this comp. Instantly my ears were in love. The band followed this up with a self released LP “Distractions”, and while the band was clearly still finding their sound, this record just further proved to me this band was one of the best that Philly had to offer. Fast forward to early 2013 and the release of the “Spit it Out” 7? released by Philly label “Eaglebauer Enterprises”. This single really showcased the bands move deeper into a world of synth driven, post punk, new wave. As soon as the needle hit this slab of vinyl I could not remove the record from my turntable for the next month. I knew almost instantly I wanted to work with this band.
Over the past half a year the band has been hard at work crafting a new record. The band recently finished the sessions for the upcoming full length record “Burning City” that will be released on Vinyl, CD, and MP3 in Spring 2014. This upcoming release will be out on FDH records in North America while P.Trash will issue a Euro edition.

11€

BAD SPORTS - BRAS [ALIEN SNATCH] 2013 PUNK (USA)

Bad Sports consciously channel the grimy spirit of late 1970s New York City on their upcoming third album, Bras. The Texan garage-punk trio — composed of OBN IIIs' Orville Neeley (guitar/vocals), Daniel Fried (bass/vocals), and Gregory Rutherford (drums) — count vintage CBGB regulars such as the Dictators, the Dead Boys, and Television among the inspiration behind their latest bubble-crud effort. Produced by Mark Ryan and Jeff Burke (of fellow Denton misfits the Marked Men), the 12-track LP also wallows in '50s swoon ("Free Spirit"), celebrates power-pop enthusiasm ("Terrible Place"), and surges with proto-punk grit ("Eddie Bender"). Elsewhere on the record, Bad Sports claim they "don't wanna live a life back in time," but Bras communicates the exact opposite — it's a filthy, broken-down jukebox that doubles as a time machine. Stream it below.

12 EUR

BAD SPORTS - S/T [DOUCHEMASTER RECORDS] 2009 PUNK (USA)

Denton TX punk! Features TV's Daniel from Wax Museums and Greg Rutherford from High Tension Wires. Kinda like if the Marked Men veered back towards a more Reds style sound with a nod to the Boys.

11 EUR

BADDAT FOR TRUBBEL - DET HÄR ARINTE NEW YORK [1-2-3-4 GO! RECORDS] 2012 PUNK (SUE )

Baddat For Trubbel "Det Här Är Inte New York" LP. Finally a US issue of this modern Swedish punk classic. Now with their ISO 9004 7" added. 20 songs total now blazing through in just 28 minutes. There are 100 Clear vinyl copies for mail order. 500 on Black for this run. Now in a full color cover with an insert that translates the swedish lyrics in to english!

11 EUR

BALLANTYNES, THE - LIQUOR STORE GUN STORE PAWN SHOP CHURCH [12"-LA-TI-DA RECORDS RECORDS] 2013 GARAGE SOUL (CAN)

12"-The Ballantynes make beautiful nighttime noise. On their latest release, Liquor Store Gun Store Pawn Shop Church, the garage soul outfit sermonizes on longing and love, vice and sin, good times and bad. Notes of 50s diner rock appear in the roiling keys and back alley choir support, and especially in the him-and-her vocals: his with a froggy twang reminiscent of The Sonics, hers a scarlet soulful growl. Church is a bewitching six-song spread of bouncing rhythms and singalong infectiousness. With this album The Ballantynes have made the perfect companion to a 3AM walk home, wandering through blinking stoplights and lonely streets, a little companionship to keep you warm until you fall into bed.

10 EUR

BARRERACUDAS - NOCTURNAL MISSIONS [DOUCHEMASTER RECORDS] 2011 POWER POP (USA)

The city of Atlanta and the DMR gang are happy to announce the release of the Barreracudas appropriately titled debut record. Somewhere between The Heartbreakers (Petty) and The Heartbreakers (Thunders), the Barreracudas found a well of inspiration just deep enough to produce one of the biggest foot tappers of the year. Their sound shouldn't come as a great surprise as most of these guys have been playing with Gentleman Jesse and His men for the past couple of years. While you wont find them dressed like their Heartbreaking predecessors, The Barreracudas have bound elements of 70's dirt and glam with the radio friendliness of the likes of Dwight Twilley and Phil Seymore. You'll discern no Pulitzer worthy poetry in the lyric sheet, but you will find eleven original tracks with hooks more infectious than encephalitis and a pretty sweet cover of Cheap Trick's Come On, Come On.

13 EUR

BEAT, THE - LIVE 1979 [LADY KINKY KARROT] 2012 POWER-POP (USA)

Lady Kinky is beyond honored to present to you an amazing live show from 1979 by The Beat, feat. Paul Collins of The Nerves and The Breakaways, Mike Ruiz (drummer for Milk n Cookies), Steven Huff and Larry Whitman. Classic powerpop songs, played to perfection by The Beat at an exciting period in their career, when they were first starting! The show was played at the Palladium on December 13, 1979. One side only! 500 Handnumbered copies.

11 EUR

BEAVER - S/T [DR STRANGE] 2013 HC-PUNK (USA)

REISSUE.A great release of 1981 US punk. Beaver was the first (recorded) band of Government Issue's Tom Lyle. This LP contains the songs of their 7-inch plus unreleased demo tracks. Edition of 500 copies on ass kickin' black vinyl, plus download. For fans of early '80s HC in the vein of SOA, Void, Teen Idles and, of course, Government Issue.

11 EUR

BELLEVUE - DISCOGRAPHY [STATIC AGE RECORDS] 2011 PUNK (SUIZA)

A really nice release compiling the complete works from Bellevue. Bellevue were from Switzerland and were from the same scene that spawned Kleenex/Liliput, Sperma and Neon among others (members of Liliput actually play on this) and released two obscure 7"s at the start of the 1980's, both are reproduced here alongside some unreleased songs and some great quality live tracks (that actually add to the release and are not typical rave-up esque filler!). Bellevue sang in German and English, lyrically dealing with issues such as government surveillance, the army, drugs and genetic engineering. This is definitely an interesting release and worth checking out if you have any interest in post punk, or if you are a fan of bands like Kleenex.

11 EUR

BIG BOYS - FUN FUN FUN [540 RECORDS] 2011 PUNK (USA)

If you were to find a person unfamiliar with the Big Boys, they would be one lucky son of a gun because they would be about to have their whole trip turned inside out. Fun, Fun, Fun... is the gateway to whole new world of empowerment. Anything in life is possible as long you have a positive attitude and this 12" to sing along to. You wanna skate ditches? Let's go! You wanna paint outside the lines? Do it loud! You wanna rock? Go start your own band! Fx3s got all the things to move your ass, a short HC ripper, a couple funk numbers (complete with horns - necessary) and the oh-so-important infectious anthemic tracks that tie the whole scene together. Part Kool & the Gang, part Angelic Upstarts, Black Flag and John Coltrane, they drew from a wide vein of musical inspiration in their quest to open minds and instill a creative, uplifting, socially aware ethos. All that being said they did the whole thing with a smile the size of Texas itself. Fun, Fun, Fun... A gift so nice, they named it thrice. -- Jensen Ward (all copies also include an AMAZING 24 page 12x12 booklet of old fliers and photos)

16 EUR

BIG EYES - ALMOST FAMOUS [GRAVE MISTAKE RECORDS] 2013 PUNK (USA)

The highly anticipated sophomore full length from Seattle's BIG EYES! With a solidified West Coast lineup, BIG EYES have stepped up their game with a more definitive sound and unified vision. "Almost Famous" finds the band drawing even more of a hard rock influence, while maintaining both the pop sensibility and punk edge that you've come to know and love.

13 EUR
BILLY CHILDISH - ARCHIVE FROM 1959 - THE BILLY CHILDISH STORY [DAMAGED GOODS] 2014 (UK)

3xLP.Billy Childish has been releasing records, painting, writing poetry and generally doing his own thing for the past 32 years.
He first took to the stage back in October 1977 with seminal punk garage band The Pop Rivets, they split after two years and from there he joined The Milkshakes along with fellow Pop Riveter Bruce Brand and local lads Micky Hampshire & Russ Wilkins, after that came Thee Mighty Caesars, Thee Headcoats, The Buff Medways and right up to date with his two current ensembles The Musicians Of The British Empire & The Chatham Singers.
This 51 Track compilation is a look back at the more Rock N Roll aspects of his musical career which is why there’s no spoken word or poetry on this album.
In amongst these more well known bands are tracks he recorded solo and with other artistes like The Delmonas, Thee Headcoatees, Singing Loins, Kyra Rubella etc.
Over the years Billy has been championed by lots of great bands and musicians including Beck, Mudhoney and Kurt Cobain and more recently by Eddie Vedder & The White Stripes. Even with that praise Billy has been largely ignored by the music press in this country which is really surprising as he has now released over 120 albums (including 4 on one day!).
Many of the tracks on this compilation have been unavailable for ages and some also have never appeared on CD as well as many unpublished photos on the cover and 12 page booklet.
Lois Wilson (Mojo) has writing the sleeve notes and there will also be a deluxe triple vinyl version as well as a double CD digipak deluxe package.
Now seems to be the perfect time for people to catch up with what he has been doing for the last 32 years.

20€

BITE THE - RIGHT DOWN YOUR ALLEY [B-CORE DISC] 2014 PUNK-MOD-POWERPOP (ESP)

Los lemas grabados en los pupitres, garabateados en las puertas de los lavabos, en las barandillas de goma de las escaleras mecánicas, en las mesas de formica de las bodegas; las frases forradas en las carpetas, escritas en las chapas, estampadas en las camisetas y en la piel. Berreadas en los conciertos, en las manifestaciones, en la cola del Inem, en la cola de la panadería y canturreadas en las salas de espera y hasta en las reuniones del AMPA. Coreadas en los portales con Xibeca antes, gritadas en el escenario siempre, recordadas durante los vermús de ocho horas, pinchadas en barbacoas con tocadiscos y susurradas a los hijos que acaban de nacer, aquí y ahora. Las cosas que importan, verdades por las que no pasa el tiempo. Ayer y mañana, ayermañana: las canciones de The Bite.
SÍ: a decir sí, a decir yeah, a los coros en clave de la y a los cánticos en clave de lo, a ir siempre al centro de las cosas, a buscar la acción, a los niños raros que brillan, a los perdedores que ganan, a la cerveza del viernes por la tarde, cuando el mundo secreto sale a la luz y hay gresca y tintineo de quintos, a las Rickenbacker trucadas, a Secret Affair y a Sugar Minott, a Orwell escuchando las trompetas precarias de sus compañeros, a tocar por el placer de tocar, de tocar más rápido, de tocar más puro; sí a cuidar de ti mismo, a cuidar de los tuyos, a pertenecer, a una idea que no se gasta, a una idea que es como un insecto en una bola de ámbar: brilla y durará milenios; sí también a decir No.
NO: a decir siempre sí, a pensar que todo es relativo, a los ricos sin caries de genética privilegiada, a los cenutrios vigoréxicos con cerebro de nuez, a su pavoneo fascista, a los tertulianos que funcionan a monedas como las teles de los hospitales públicos, al doblepensar de Orwell y a las cámaras de vigilancia en la plaza Orwell, no a los ukeleles con flores y a los charlatanes y veletas y trepas; no de no pasarán, no a dejar de tocar, nunca.
The Bite han vuelto con Right Down Your Alley y dicen todo eso y más. The Bite son casa, la orquesta de nuestros momentos mejores, el karaoke de la algarada, los riffs que nos convierten en caniches de Pavlov enloquecidos: que nos hacen mover la cola, pedir cerveza, chasquear, salir a la calle, marchar, abrazar cosas simples y hermosas. Como sus canciones. Canciones que son un mordisco: duras, pequeñísimas, pero que dejan sabor y eco.
¡The Bite han vuelto, larga vida a The Bite!
Miqui Otero.

14 EUR

BLACK HUMOR - LOVE GOD - LOVE ANOTHER ONE [SUPERIOR VIADUCT] 2012 PUNK (USA) REISSUE

BLACK HUMOR was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.Existing in a parallel universe to other bands of the era, BLACK HUMOR's music is filled with jarring images of urban decay and desperation, bass-driven melodies, and layers of dissonant guitar and percussion. And perhaps the only known recording of a parrot that was taught to say "Fuck You."This first time reissue uses the originally intended artwork for the album cover. Fully authorized and mastered from the original analog tapes. Includes new insert with liner notes by singer George Miller and engineer Tom Mallon.

11 EUR

BLACK FEET - S/T [DIRTY FACES] 2012 PUNK (ALE)

This quartet, formed around the talents of former KAMIKATZE-member Tess Torner, presents its first album containing ten enchanting songs that mix punkrock, garage and powerpop. And there even are appealing flashes of late '70s new wave.

10 EUR

BLITZKRIEG BOP - STUDIO STUFF [RAVE UP] 2014 PUNK (UK)

Wow…finally the Blitzkrieg Bop’s anthology on Rave Up!!! Formed in Teeside, England in February 1977, they released three amazing singles. These were "Let's Go"/ "Bugger Off" / "9 Till 5" (Mortonsound - June 1977); "Let's Go" (re-recorded) / "Life Is Just A So-So" / "Mental Case" (Lightning - December 1977); and "(You're Like A) UFO" / "Viva Bobby Joe" (Lightning - September 1978). The core line-up of the band (John Hodgson aka Blank Frank, Alan Cornforth aka Nicky Knoxx & Damian (Dimmer) Blackwell aka Telly Sett) evolved from a rock band called Adamanta Chubb who started in 1974. The band played opening for bands such as Ultravox!, Radio Stars, The Saints, Penetration, Roogalator, X-Ray Spex, Generation X and Slaughter & The Dogs. Amazing british punk rock, be fast to grab your copie!!!! only 400 available!!!!

11 EUR

BOHEMIAN BEDROCKS, THE - S/T [SCREAMING APPLE] 2013 Garage (USA)

Hasta hace unos meses no tenía ni la más remota idea de que esta banda hubiera existido. Demos un paso en el tiempo y situémonos en  la gran manzana. La escena de garage en NY esta que arde con unos Fuzztones ganando adeptos a pasos agigantados, tras la estela de estos hay bandas como Outta Place, Tryfles, Twisted, Morlocks, Cheepskates o los recordados Optic Nerve que nos sorprendieron con dos magníficos ep para Cryptovision. The Bohemian Bedrocks fueron la banda que precedieron a los Optic Nerve y este lp es el legado de Bobby Belfirore, Ira Elliot y los hermanos Portnoy, diez temas atrapados en un cuatro pistas, sonidos que se movían con el aire que soplaba en aquel NY del año 1984, ecos de los  13Th Floor Elevators, Eyes ó  Q65 en rugosas y correctas lecturas de temas como You're to much, She lives (in a time of her own) o I got nightmares, pero lo que es interesante son las composiciones de Bobby Belfiore, desde You really think you're someone que ya dejaba constancia de la manera de componer de este hombre, Wish we never met que parece salida del Aftermath de los Stones, una primeriza y rugosa interpretación de ese temazo titulado Ain't that a man que me sigue sonando increíble y es que  las guitarras de I'll give you lovin' desprenden la magia de los Byrds y I see the truth es pura reverberación psicodelica con la bendición de Roky Erickson. La banda duro muy pocos meses, pues Elan e Ira se embarcaron con Rudy Protrudy hacia Europa en el primer tour de los Fuzztones por el viejo continente, pero dejaron un magnífico documento sonoro  para completistas recuperado gracias Screaming Apple. (Oscarkotj-2013)

11 EUR

BRAT FARRAR - DEBUT [P TRASH] 2013 GARAGE-PUNK (AUS)

Follow up to the 45 "It's On Me" out thru P Trash, Sam Agostino (DIGGER AND THE PUSSYCATS, RUSSIAN ROULETTES, KAMIKAZE TRIO) is stepping out this 12 song debut LP on his own under the solo moniker BRAT FARRAR. Moving from WIPERS to JAY REATARD inspired punk through to noisy psychedelic rock like BUTTHOLE SURFERS or the classic BEAUREGARDE 1st LP with a 17 years old GREG SAGE on guitar and industrial influenced punk with a modern New Wave touch like THE SPITS, at the core of the record is Agostino's trademark songwriting and guitar stylings. All tracks written, performed, recorded, mixed and mastered by BRAT FARRAR.

11 EUR

BRIEFS - STEAL YER HEART [P TRASH] 2004 PUNK (USA)

4th Album

11 EUR

BROMA DE SSATAN, LA - ASÍ HICIMOS LA GUERRA [RADIKAL 1977] 2008 PUNK (ESP)

MITICO DISCO KE SE EDITO DE LA BROMA DE SSATAN EN EL AÑO 1982 , CON EL DISEÑO KE EL GRUPO KERIA KE SE HUBIESE EDITADO Y DISCOS VICTORIA LES CENSURO. INCLUYE LIBRETO HECHO EN IMPRENTA DE 12 PAGINAS TAMAÑO DIN A4 CON LETRAS,FOTOS,COMIC& PUNK 80´S

8 EUR

BURNING ITCH - S/T [TIC TAC TOTALLY] 2011 PUNK (USA)

Three dudes from Knoxville, TN where the GG Allin runs like the shits and the water is tainted with moonshine piss. Burning Itch are pure, unadulterated punk rock inspired as much by getting fucked up as they are by obscure, KBD-private-press vinyl. S/T is their first LP and does not disappoint...so long as you WANTED a payoff on the promise of their "machine-gun-toting" self-released 7", and the subsequent ragers on both Goodbye Boozy and Leather Bar. Yessir, the boys n girls with a hankering to get drunk to some loud, completely unpretentious punk rock ought to get their rocks off on this bad boy just fine. Recommended pairing: goes great with shooting fireworks off the Smokey Mountains at college students.

11 EUR

CANADIAN RIFLE – DEEP ENDS [TAKEN BY SURPRISE] 2014 PUNK (USA)

Deep Ends is the second LP from Canadian Rifle, arguably Chicago’s best melodic hardcore band. The band plays confessional punk with brash vocals (reminiscent of Leatherface and early Jawebreaker) with themes that range from crossing lines when you know you shouldn’t, trying to keep something alive when you’re running on empty, as well as struggles with addiction. Needless to say, it’s pretty bleak in its lyrical and musical approach, but played with an angered energy that’ll keep you fist pumping for the duration. Pretty fucking great for a band with no dreams and no goals.
"For a band that's literally been flying the banner "No Dreams, No Goals" for about eight years now, these guys sure have made a lot of music. Deep Ends keeps with the melodic (don't call it pop-punk, motherfucker!), Midwest punk that they're known for. This is music that's less for the 'shirts off, dudes on' crowd and more for the 'loner glowering in the back of the bar, leave me the fuck alone' set." - MAXIMUM ROCKNROLL

11 EUR

CANGUROS, LOS - UN SALTO ADELANTE (1986-1990) [B-CORE DISC] 2013 MOD-POWERPOP (ESP)

Los Canguros eran un grupo singular, incluso desde la perspectiva actual. Sus composiciones incorporaban elementos de muchos lugares lindos y ciertamente modescos (Makin’ Time, nueva ola, Tamla, Los Brincos, The Barracudas, pop 80’s raro, Petula Clark, The Prisoners, sonido de Rickenbackers...) pero, al igual que la mayoría de bandas mod de los primeros ochenta, trascendían sin angustias la influencia sixties que se les presuponía. Los Canguros eran extraños y pioneros y no encajaban muy bien en la escena que les vio nacer, y esos son atributos comunes en cosas que merecen la pena: los que son raros entre los raros. Dentro del culto mod –por aquel entonces enfrentándose a sus primeros cismas y guerras civiles- eran una estupenda anomalía: versionaban a Pere Ubu, The Cure y Booker T & The MG’s cuando algunas voces reclamaban ya cerrar filas por el lado sosainas. Acarreaban un órgano Farfisa la mar de ye-yé, es cierto, pero el cacharro era manipulado con intenciones perversas: algunas de sus canciones recordaban más a The Fall o Blue Orchids (lo veo ahora) que a Spencer Davis Group o Small Faces.
Texto: Kiko Amat
Todo el material seleccionado pertenece a las diversas maquetas grabadas por Los Canguros entre 1986 y 1990. La formación original, formada por Joaquín Felipe, Joan Quesada, David Parra y Kiko Santamaría, grabó dos maquetas entre finales del 86 y principios del 87, una de ellas en los estudios de TV3, que incluían las canciones “Cinco años”, “El sentido de la vida”, “El hombre de piedra”, “MCPR” y “En mi sueño”. Estas dos últimas aparecieron por sorpresa en una cinta magnetofónica cuya etiqueta indicaba otros títulos, y constituyen uno de los mayores hallazgos arqueológicos de este disco. La incorporación al grupo del guitarrista y compositor Sergi Arola (procedente de los Interrogantes), la cantante Charo Boix y el batería José Manuel González (ambos procedentes de Kamenbert), dio como fruto dos maquetas más, A way of life, grabada en Sabadell el 9 de agosto de 1987 y que incluía los temas “Eldorado Whisky Club” y “Yo-yos y boomerangs”; y Un salto adelante, con “El día que vuelvas”, “Un home mort”, “Un tipo raro” y “Como una mariposa”, grabada y mezclada por el guitarrista de los Negativos Robert Grima en verano de 1988. Durante una ausencia temporal de Felipe, el resto del grupo grabó en el local de ensayo la canción “El eco de las olas”, cantada por Sergi, y que ha sido recuperada in extremis días antes de la finalización de este proyecto. A la marcha definitiva de Felipe le siguió la grabación de tres canciones producidas por Jaime Stinus y que fueron publicadas en el disco recopilatorio Barcelona Húmeda (Urantia Records, 1989). De esta sesión hemos rescatado únicamente el tema “Tomás”, debido a que los otros dos, “Un tipo raro” y “Eldorado”, no superaban las versiones anteriores. Finalmente, ante la inminencia de un contrato discográfico que nunca llegó a concretarse, el grupo reclutó al guitarrista Manel Miquel y al productor Álvaro M. Maluquer (ex Distrito 5) para maquetar en el local el futuro disco. A estas sesiones del año 90 pertenecen “El regreso”, “Entre recuerdos”, “Levanta María”, “La música de la ciudad”, “Celos” y “Óyeme gritar”. Fue entonces cuando Los Canguros, cuyo único superviviente original era ya el bajista Joan Quesada, decidieron separarse, aunque años más tarde se reunieron para dar algunos conciertos, coincidiendo con la inclusión de “El día que vuelvas” en el disco recopilatorio Mi Generación (Al·leluia Records, 1995).
Texto: Ricky Gil

15 EUR

CAPITÁN ENTRESIJOS - FURIA CHICHARRA [BIG BLACK HOLE] 2008 PUNK (ESP)

Nuevo artefacto del Capitan para Beat Generation bajo el titulo Furia Chicharraen el que la energía, potencia y duración del disco forman unos ingredientes básicos en la confección de este nuevo trabajo. Sonidos punkoides en los que el Capitán refleja el excelente estado de forma en el que se encuentra y yo me marcho directamente a la playa nudista.

5 EUR

CASE - AIN'T GONNA DANCE [DAMAGED GOODS ] 2011 SKA-PUNK (UK)

This is the first ever album of recordings by legendary UK band CASE, formed in Croydon in 1979 after being introduced to each other by Slimy Toad from Johnny Moped. Case played the pubs of south London and finally released their one and only 7, the Wheat From The Chaff' EP in 1983, it reached the top of the independent charts and led to them being played heavily on BBC radio including plays by John Peel, Janice Long & Kid Jensen. They recorded a live Radio 1 In Concert' which was broadcast twice.Originally, in 1980, CASE played primarily at a (fairly rough) pub in North Croydon, called The Star and built quite a following there before larger, occasionally more salubrious, venues beckoned. They famously played at The Rainbow in November 1981 - where smoke flares and buckets of maggots flew into the crowd as the band played, the Marquee Club (where they were banned for playing an encore the only band to be banned for this since the Rolling Stones), Hammersmith Palais, 100 Club, the BBC Paris Theatre, ICA, & the Woolwich Tram Shed (and Chislehurst Caves!) amongst other less-prestigious venues. With better management who knows where CASE may have ended up as it is - they retain a legendary status among the legions of punk/ska fans...and graffiti historians.Back in 1981 case had a vociferous and die-hard following who, in substantial numbers, took to daubing the walls with graffiti championing their support for the band. These expressions of support for the band are now the stuff of social commentary see, for example, the New Cross item at transpont.blogspot.com.Something about CASE seemed to attract fanatical fans, several claiming to have seen every gig, since the early days in Croydon, and one in particular who, whilst working in London, spent his lunchtimes visiting public toilets all over the city - unrolling the rolls of toilet paper and writing CASE on each sheet on the roll, with a biro, before rolling them up again. These were strange times.

9 EUR

CAT PARTY - RHAPSODY IN BLACK [SABOTAGE RECORDS] 2011 POST-PUNK (USA

Cat Party started in 2007. They are a post-punk band from Orange County, CA. Since then they're released a hanful of records and been playing shows non stop. They've played up and down the west coast states as well as the southwest. This year their send full length entitled "Rhapsody In Black" is being released. Sticking to their DIY roots the band is releasing limited versions of the cd while Sabotage records out of Germany is handling the vinyl. Release date for the new record is scheduled to be May 16, 2011. Rhapsody In Black was recorded at Cal State University, Domiguez Hills. Our friend Josh McKendry (Jisaw Thoughts 7", The Aftertaste/Cut City split 7", Heartache Over Headache EP) was finishing up school, getting his bachelors in sound engineering. We recorded everything there as part of his final project and later fixed up 25% of the record (bass/vocals) down in San Clemente at Jasmine Studios. This record was done entirely by Ryan and Roger, Roger on drums and Ryan handling guitar, bass, and vocals. We are very proud of this record. There's some typical Cat Party tunes on here as well as some songs that took on a new direction/approach. I hope everyone enjoys the record, we worked extremely hard on this one.

10 EUR

CHEAP TIME - WALLPAPER MUSIC [IN THE RED RECORDS] 2012 ROCK (USA)

Hailing from Tennessee, Cheap Time has been around in one incarnation or another since 2006. The nucleus has always been Jeffrey Novak, who writes and sings in addition to playing guitar and keyboards. The band began with members of the band Be Your Own Pet rounding out the lineup theirs was a sound of a teen punk band with more attitude than musicianship, owing more than a little to early Redd Kross. By the time Cheap Time recorded their debut album, the personnel had changed drastically and, in addition to improved musicianship, Novak brought in influences of '70s glam and power pop acts like Sparks and The Quick. The band followed this with more lineup shuffles and a sophomore album, Fantastic Explanations (and Similar Situations), that was darker, moodier and more complex than its predecessor. Despite the many changes, however, Cheap Time has always been a sum of its parts. A quintessential ingredient is the low-fi bombast with which they scuzz up their otherwise lightweight brand of simplified 1970s glam punk, packing an impressive amount of adolescent snottiness into two-minute blasts of sound with both precision and melody. Cheap Time are now back with their third and by far strongest record to date. Recorded in Novak's new home studio, Wallpaper Music distills perfectly all the phases through which the band has passed to date. Retaining both the punk moves and pop-damaged glam jams, the band delivers their most realized, cohesive record yet. Songs like More Cigarettes and Another Time are Aussie-esque punkers in a Saints-like vein, while Underneath the Fruit Flies shows that Novak has found a happy medium between his punk tendencies and his desire to experiment. This latest installment will satisfy anyone who has been keeping track of this band's trajectory and make them look forward to what might come next.

13 EUR

CHOSEN FEW - THE JOKE'S ON US [GOING UNDERGROUND] 2011 PUNK (AUS) REISSUE

I was gonna go on some blathery spiel about how these Australians—best known for “Adolph, You Beauty!” i’d imagine—were the quintessential KBD band, when i realized that i hadn’t listened to the original first few “Killed By Death” albums since i had ‘em taped for purposes of listening to in my car whilst delivering pizzas twenty years ago, thus I should probably research this claim a bit, thus i looked up the contents of the first KBD comps, and, slap me silly and shoot the horse, these guys ain’t on ‘em, so what the fuck do i know anyway, and, without using examples, could i even define what it meant to be “KBD punk?” Sure, i’ll ‘ave a bash: “KBD punk” = the prevailing flavor of late 70’s/very early 80’s low-budget DIY punk, from the US and/or Canada but not England and/or the UK but possibly from Australia and/or New Zealand, that followed in the wake of the popular, major labelly stuff, but preceded the advent of hardcore as the dominant punkly paradigm. I’m not exactly sure why the sounds of the KBD era can’t be replicated, faked, or successfully imitated—given that the recordings of the era require no particularly special gear or period-specific talents—but, oddly, they can’t. Only the gen-u-wine article sounds like the gen-u-wine article, and i’ll submit to you that no article sounds gen-u-winer than the Chosen Few. These half a dozen songs, originally released in 1978, have stood the test of time, have seeped into our punkly collective consciousness, and will cling there, permanently, like a bacterial booger-mass, adhered forever to our cranial forecavity. I claim this because, if the Chosen Few weren’t on the original KBD albums, then i’m not really sure whence i know songs like “Adolph, You Beauty!” and “T.A.L.O.I.G.A.”—only that i do, indeed, know them quite well. A prudent observer might note that the presence of significant guitar leadage in this artifact indicates that the subjects were still running early influences like Blue Oyster Cult ((and whatever Michigan stuff Deniz Tek brought to the barbie)) thru the sonic reducer that was the first Ramones album, as opposed to the punkly situation of a few years later, where bands were running early influences like the Ramones thru the sonic reducers that were the first Circle Jerks or S.O.A. Records. There might be a lot of it going around, but a wise man gets whilst the gettin’s good. BEST SONG: “T.A.L.O.I.G.A.” BEST SONG TITLE: “(Do The Manic) To Kill Or Maim, Honey!” FANTASTIC AMAZING TRIVIA FACT: The actual label of the record makes use of both a zig-zag, AND the Lower West Side “shatter” font, the means by which we eventually DESTROYED THE SEVENTIES UTTERLY!!! –Rev. Norb (Going Underground)

11 EUR

CHRONIC SICK - CUTEST BAND IN  HARDCORE [NO WAY RECORDS-12"] 2010 Punk (USA)

REISSUE.12".Chronic Sick might well have been the first American punk band to go the direction of full-on irony. I think they were really trying to out-punk the punks. See, they caught a lot of flak in their day for dressing like fuckups (punk), flirting with with swastikas and other ignant symbology (really punk), and writing lyrics that pissed of the burgeoning hardcore scene across the land (PUNX). Mostly it was the first tune off this LP that caused the real controversy, "There Goes the Neighborhood," about some new folks moving to town "oh my god they're black!" But here's the thing, rather than being an actual racist anthem, these dudes were pointing out the ignorance embodied by bigotry. And in that light impersonating people you disagree with to point out their flaws (think Colbert) they're actually a brilliant band (The Landlords had a similar song about rape in the liner notes they annotated it with "some people actually think like this!"). The rest of the tunes follow similar lines; rather than saying precisely what they mean (a la early Minor Threat, say) you might have to flex your head a bit to get what's going on.

Not only that, but they play some mean riffs. Today, this might be considered pop-punk, or at least going that direction. At the time they were probably just more influenced by 70's punk more than Black Flag, so it comes out really melodic and approachable ironic, considering the title this EP claims for them. Anyway, sound quality's pretty good considering its age, and the content is just as applicable today. This is a real gem of a record.

10 EUR

CINEMA READ AND BLUE - S/T [WHAT'S YOUR RUPTURE?] 2010 Pop (USA)

Cinema Red and Blue is a pop music collaboration between members of Comet Gain and Crystal Stilts, with guest appearances by Gary Olson (Ladybug Transistor), Hamish Kilgour (The Clean), Linton(aislers Set) and a host of others. Heavy rec room vibes, lotsa booze, lots to do and little time to do it... the supersesh lives on, with a host of David Feck originals and a bunch of covers (the Chills, Julian Cope, Dead Moon, Len Bright Combo and Vic Godard), assembled in the belief that something good can come from the stored memories and shared experiences of friends who play music.

9 EUR

CLASH, THE - THE CLASH ON BROADWAY OUTAKES [FAN CLUB] 2011 PUNK (UK)

Rare, new, limited edition Europian Sealed vinyl LP. Tracklist: A) King Of The Road, Blonde Rock'n'Roll, White Riot, Know Your Rights, 1977, Overpowered by Funk (instrumental), Louie Louie, Garageland, House Of Ju Ju Queen (demo). B) YMCA Sing A Long, Rock The Casbah (w/Rankin' Rogre), Guns Of Brixton (outtake), Train In Vain (outtake). White Man In Hammersmith Palais (rock against racism studio version).

11 EUR

COLOURED BALLS - BALL POWER [SING SING RECORDS] 1972 ROCK (AUS) REISSUE

Coloured Balls were one of the best pure rock n roll groups to emerge from the early 70s Australian scene.  Sure, The Saints and Radio Birdman stayed together longer and released a slew of fine albums during the punk era but it was the Coloured Balls who pioneered the proto punk sound earlier in the decade.  Their wildcard was Lobby Loyde, Australias premier guitar hero whose pivotal roles in beat/psych/blues rock groups The Purple Hearts, The Wild Cherries and Billy Thorpes Aztecs made him a major home-grown star down under.  Ball Power is full of raw, hard guitar rock and proto-punk. It's not only the Coloured Balls greatest album but also the finest music of Lobby Loyde's long, fabled career. (Rising Storm) Release Country: Australia.Release Year: 1972 / Reissue Date: 12.12 Original Label: EMI

15,5 EUR

C.O.M.A. - CLINIK ORGANIK MUSAK ANATOMIK[DANGER RECORDS] 2013 PUNK (FRA) REISSUE

Pre-CHARLES DE GOAL. Official reissue and legitimate french avant garde/weird synth punk masterpiece. Leaded by Patrick BLAIN, singer/former of legendary 80s cold wave band, CHARLES DE GOAL. First and only self-titled, originally released in 1979. (LP)

6 EUR

COMMANDO 9MM - COMMANDO 9MM [BEAT GENERATION] 2013 PUNK (ESP) REISSUE

Editado originalmente en el 86 para La General, subsello de Fonomusic, Commando 9MM se presentaron en sociedad con este largo despues de su single editado por el ayuntamiento al ser finalistas del concurso Trofeo Villa de Madrid. Formados por miembros de La Uvi y Larsen, dos de las bandas mas importantes de la escena punk de Madrid en los 80, demostraron en este disco una coherencia y contundencia pocas veces antes vista. Punk ingles a raudales, macarrismo y espiritu ramoniano. Reeditado ahora por Beat Generation en una tirada de 500 copias, respetando el arte original y añadiendo un tema extra, "Odio en Sudamerica".

14 EUR

CONCEPCIÓN GLORY BOYS - CUANDO SUEÑES...ELLOS TE AYUDARÁN [AYTO DE MADRID] 2008 Punk-Mod Revival (ESP)

El Ayuntamiento de Madrid se enorgullece de presentar el LP debut de los madrileños Concepción Glory Boys.9 Gloriosos Himnos. El Mejor (Si no el único) grupo que reinvidica los sonidos más Punks del Revival (Sema 4, Chords, Crooks,...) y los más Pop del Oi! (Crack, Cock Sparrer, Guitar Gangsters...).Edición Limitada a 500 copias, las 30 primeras con regalo especial para ser un Glory Boy. Hoja interior con letras formato A3.

3 EUR

CONEJOS, LOS - S/T [AGAINST YOU RECORDS] 2012 PUNK (ESP)

 Los Conejos llegan para contagiarnos a todos la mixomatosis y hacer nuestras vidas más felices. Punkrock con toques new wave y postpunk. Odian a las liebres, la revolución será coneja o no será. 

8 EUR

CONNECTION, THE - LET IT ROCK [RUMBLE RECORDS] 2013 POWERPOP (USA)

If there ever was a power pop band that oozed coolness out of its pores it would be The Connection. This new full length LP hits the ground running with the mint single “Wrong Side of 25,” chock full of classic guitar riffage. The band’s sound has continued to define the edge half way between The Beatles and The Stones. Its un-apologetically retro, and they relish every note.
Another “radio-ready” hit is “She’s A Keeper” with an unbeatable hook that rivals The Wonders “That Thing You Do.” It then shifts the key to a surf styled “The Way Love Should Be,” and then blasts those guitars on “Crawling From The Wreckage (Of A Saturday Night).” A country-styled shuffle leads “Susan” and the tempo slows down for the garage psyche “Haze” and “Not How It’s Gonna Be.” Even the umpteenth version of “Johnny B. Good” sounds fresh as the title track. No filler here, and lead singer Brad Marino and guitarist Geoff Palmer hit it out of the park. It deserves a spot on your top ten for 2013, its definitely on mine.

12 EUR

CONSUMERS, THE - ALL MY FRIENDS ARE DEAD [IN THE RED] 2012 PUNK (USA)

The Consumers were originally just three guitar players with no rhythm section Paul Cutler, Mikey Borens and lyricist / lead singer David Wiley, all bonded by love of psychedelic Euro-prog jazz like Henry Cow, Gong and Robert Wyatt who'd stopped listening to rock 'n' roll after Bowie's Spiders from Mars came out around 1972. By '77 our guys had re-discovered rock through Britpunk pub raunch like The Sex Pistols and The Damned. Cutler and high school bud Wiley had even driven all the way to L.A. determined to hunt down a copy of The Pistols' Anarchy in the UK single. In the pre-Internet days there wasn't a record store anywhere in Arizona that had even heard of it, let alone stocked it. All My Friends Are Dead was The Consumers' fuck you to Phoenix since nearly all their gigs there ended in brawls with long-haired rockers and other redneck gnarlers pounding on the band for daring to play punk rock in public in 1977! It didn't take long to suss. Head on out. Just before they packed for L.A. in early '78 the band managed to get themselves on tape during a single session blow-out frenzy. All My Friends Are Dead successfully captures The Consumers as a pissed-off-yet-still-fun, no-frills, punk-rockin' band... exactly who and what they were during their extremely short and sweet existence. After a few months of violent and intense live shows at The Masque and other local punk dives, the band finally imploded. Some headed back to Phoenix and some stayed on in L.A. to form new bands. Cutler went on to form the goth / punk 45 Grave and still later joined the Dream Syndicate. Wiley formed the Pasadena art rock Human Hands. Sadly, today there are only two surviving members of The Consumers. Sadder still, what passes for punk rock today is easy listening when compared to All My Friends Are Dead.

13 EUR

CONSERVANTES ADULTERADOS - NECROFILIA [RADIKAL 1977] 2013 PUNK (ESP)

Conservantes Adulterados grupo punk de Jaen, grabaron un disco de estudio en el verano de 1983. Spansuls records dejo de funcionar y el disco de Conservantes Adulterados no llego a
editarse. 30 años después se edita por primera vez.Edicion limitada a 500 copias numeradas. Incluye insert impreso a 2 caras

12 EUR

CORDURA - EL INCENDIO MÁS LARGO DEL MUNDO [OJALA ME MUERA] 2010 ROCK (ESP)

Es el 3º disco de estos bilbaínos. Hacen Rock, algunos dicen que más Postharcore, Postpunk, Punk... El caso es que tienen alma propia y en éste sí que han logrado plasmar mejor como suenan en directo y han estrujado bien las canciones. Por si no les conocéis y queréis probar. Se puede bajar libremente, ellos mismos pusieron los enalces antes de que saliera a la venta. Y una recomendación personal, si pasan cerca vuestra y queréis vivir un concierto. Pasaros, yo me quedé acojonado tras verlos y me enganché del todo al grupo

8 EUR

CRUSADERS OF LOVE - NEVER GROW UP[DOUCHEMASTER RECORDS] 2010 POWER-POP (FRA)

Another power pop gem from DOUCHEMASTER RECORDS. Crusaders of Love are the real deal. Hailing from Lille, France and with members from another great band, HAPPY BURGER, on this, their debut LP, they bring us the perfect summer record. If you're into power pop just the slightest than this is a must have.

11 EUR

CRY!,THE - DANGEROUS GAME[TAKEN BY SURPRISE] 2014 POWER-POP (USA)

Portland, Oregon's powerpop sensation returns with their second album to date and for those of you who thought that they can't top their stellar debut, I'm sorry to disappoint you but on DANGEROUS GAME they are taking things to a whole new level. Ten new tracks of 100% pure pop drawing influence from all decades of Rock'N'Roll.
“A breathless collection full of high energy songs colored by a punk vocal aesthetic and good old-fashioned rock 'n' pop chops. The hooks are strong throughout; the backing vocals are top-notch; the album flows like fine wine with a kick. I predict big things for this album. Anyone with even a passing interest in high-energy pop 'n' roll is going to go crazy for your latest effort!” -Alan Haber Pure Pop Radio
First press is 500 copies on black vinyl. All records come with a coupon for free digital download.

11 EUR

CRY!,THE - S/T[TAKEN BY SURPRISE] 2013 POWER-POP (USA)

THE CRY! is a music sensation emerging from the eclectic arts scene of Portland, OR. With heavy power-pop influences like THE BEACH BOYS, EXPLODING HEARTS and THE SWEET, the band has re-crafted the 2 minute pop song for a new generation. THE CRY! effortlessly merges 50's style vocal harmonies and the jangle of 60's pop hooks with the raw punkish emotion of the PDX street culture from which they come.

10 EUR

CURASAN - CURASANGRE [OJALA ME MUERA] 2012 POST-HARDCORE (ESP)

Curasan es un cuarteto donostiarra con mucha solera, buenos músicos y mejores personas y capitaneados por el espiritu del haztelo tu mismo acaban de sacar un discazo de cojones, la presentación es digna de sibaritas.Un pedazo de vinilo con once temas, presentado con mucho amor, la carpeta hecha una a una junto a cuatro postales, una pegatina fluor de Chernobil con el codigo para que te lo descargues de la red.Un lujo para los tiempos que corren. Y si a parte de un bonito arte te ofrecen once temazos, que mas les puedes pedir, que no paren de sacar discos porque son unos jefazos.

8 EUR

CUTE LEPERS, THE - CAN'T STAND MODERN MUSIC [DAMAGED GOODS] 2008 Punk (USA)

Steve E Nix & The Cute Lepers debut album CAN'T STAND MODERN MUSIC' is released exclusively in Europe on Damaged Goods.It's an 11 track LP & CD, the LP will, in true Briefs style, be available in lots of different colour vinyl editions.The album is very poppy-punk mix of influences from Mod, Power Pop and New Wave, think of The Cars first two singles, The Jag's Back of my hand, The Boys first two albums with a good measure of The Chords thrown in and you'll get the idea.Also lookout for a 7 of Out Of Order' (damgood305) which has an exclusive b-side called Lonely Boy', a cover of the Sex Pistols Cook n' Jones classic.The LP will be on lots of different colour vinyls no exact details yet&The CD won't.The Cute Lepers are heading over to Europe for a full tour in May 2008 including a date at Londons 100 Club on the 6th of May.Who are the Cute Lepers I hear you ask...?Formed by Steve E Nix & Kicks from The Briefs (who are taking a break for the next year or so) along with Zache Out on Guitar, 'Tude & Yelps, Josh Blisters, Drums and children, Bent Rewd Leper III on Vox, Tambo, Big Handclaps, Analisa Leper, Vox, Tambo, Medium Handclaps & Miss Meredith, Vox, Tambo, Little Handclaps

10 EUR

CUTE LEPERS, THE - SMART ACCESORIES [DAMAGED GOODS] 2010 Punk (USA)

Smart Accessories  is the second album from Seattle's Cute Lepers who, as I'm sure you know, are a six/sometimes seven-piece band from Seattle, WA equally influenced by first wave punk, mod-revival, power pop, with the spirit of Johnny Thunders... together with occasional hints of doo-wop, early 60's rock 'n' roll and a load of female back-up vocals. Led by chief songwriter Steve E. Nix & Kicks (yes that's Steve E. Nix & Kicks from seminal Seattle band The Briefs!). After a couple sold out singles and lengthy tours of the United States and Europe, summer 2008 their debut album "Can't Stand Modern Music"  was released on DG in Europe and Blackheart Records (yeah... the label Joan Jett started up a few decades ago!), it combined the attitude of punk rock, the style of mod, and the polished sound of pop. The album went on to win the Best Punk Album category in the 8th Annual Independent Music Awards. Now their back with their second album Smart Accessories follows much the same path, 13 new tracks including the recent single Berlin Girls' along with 12 other future punk-pop classics. The band will be doing a lengthy European tour throughout November and December. Lookout for more tour news and singles soon. PRESS QUOTES Their Pop sensibilities shine through in their unashamedly retro tunes in short sugary blasts. - BIG CHEESE This is exactly the type of hook-laden short, sharp shock modern music needs at the moment a warning shot across the bows to all wannabe stadium rockers. POPMATTERS.com The Cute Lepers bring it all back, shaming any band that thinks all it takes to be a punk is a Mohawk and an amp. VENUS MAGAZINE A rather fine album, a boisterous treat RECORD COLLECTOR TRACK LISTING 1/Some Hits Hurt 2/Smart Accessories 3/Thanks For Not Showing Up 4/You Don't Have To Belong To The Religious Right 5/No Escape 6/Berlin Girls 7/Dirty Baby 8/Bob Forrest Song 9/What Happens Next10/World Of Suspense 11/Police Lights 12/Young Hearts13/Fall to Pieces  

9 EUR

CYANIDE PILLS - STILL BORED [DAMAGED GOODS] 2013 Punk (UK)

The most talked about band at last year's Rebellion Festival was without a doubt Cyanide Pills. They took to the stage unsociably early on the Saturday afternoon and gave a truly amazing performance that cemented their reputation as one of the country's best, kick-ass live punk pop/new wave bands. Their self-titled debut LP came out in 2010, and now the lads' second album Still Bored is ready to hit the shelves. It's a storming 17 track punk pop blast dealing with alienation, despair, politics and impotence. There's also a punk rock/geography/history lesson with Johnny Thunders Lived In Leeds. Cyanide Pills will be doing a mini tour in the UK in April with dates in Germany to follow in May. Like the previous album, Still Bored was recorded at The Billiard Room in Leeds by Wedding Present producer Carl Rosamond. ng their eponymous debut album on the 5th July 2010, with another single Conquer The World' a couple of weeks after.

11 EUR

CYANIDE PILLS - S/T [DAMAGED GOODS] 2010 Punk (UK)

The Cyanide Pills may just be the greatest band in the world&but we could be wrong& So far we've released three 7 singles by the Leeds Based punk band, all of which are quite frankly brilliant! First came the catchy punk pop blast of Break It Up, followed by future classic Suicide Bomber and finally Conquer The World' all of which are on 7 snotty coloured vinyl.This all started after receiving their demo which was the best demo we've heard in years. Think of The Boys, Buzzcocks, The Briefs and you won't be far out. We'll be releasing their eponymous debut album on the 5th July 2010, with another single Conquer The World' a couple of weeks after.

10 EUR

DAVILA 666 - LIVE AT THIRD MAN RECORDS [THIRD MAN RECORDS] 2011 GARAGE (PUERTO RICO)

DJ COVER WITH RINGWEAR (CAME THAT WAY FROM THE LABEL) Live recording from the performance at Third Man Records on 03.06.11 Setlist Si Me Vez... Obsecionau Cobre Y Amor La Pingorocha Y La Diva Rockera La Kilel Bitch Robacuna Hanging on the Telefone Me Va Mul Mal Basura Mala Ratata Patitas Noche De Terror El Lobo

12 EUR

DAVILA 666 -12" EP [ROB'S HOUSE RECORDS] 2010 GARAGE (PUERTO RICO)

rhr058: DAVILA 666 - '12" EP' Review: davila 666 [website] are in full-on take no prisoners mode. we asked them for a couple songs for a 7" and what we got was 5 near perfect pop anthems that would never fit on a 7". of course we wanted them all so we threw them on a 12" and what youre getting is probably their best release to date. these songs are instantly addicting but unlike other puerto rican imports consumption is no crime, it's encouraged! on top of that their live show is one of the best around and their constant touring has left a path of amazed fans. its no wonder that when we booked the atlanta mess around the legendary urinals asked specifically not to be placed after davila 666 in the lineup!! who in their right mind would want to follow davila 666? ...better to follow 'em with a shot of something equally strong. Release Date: May, 2010. Pressing Details: 700 pressed; black vinyl. 200 repressed; 150 repressed; black vinyl. Track Listing: Ohhh, Dos O Tres, Mariel, La Killer Bitch, Y Me Pregunto.

9,5 EUR

DEAD NITTELS  - EARLY SONGS 1981-1983 [RAVE UP] 2013 Punk (AUT)

Formed in 1980, in order to show them all! The Schaeffer brothers Josef (bass ) and Manfred (drums) brought Herbert "Lörkas" Langer (guitar) on board, who had recently quit the Punk combo Pöbel. With singer Hannes the first line-up was complete. After the HEINZ NITTEL assassination (city councilor of the social democratic party in Austria who was murdered by palestine group ABU NIDAL on the first of may on his way to town hall) the band name was an obvious choice - DEAD NITTELS (following our musical heroes the DEAD KENNEDYS). The space in the Wiener Gassergasse (referred to as GAGA) offered by the autonomous youth centre was used as a rehearsal room. GAGA soon would become the nucleus of [close] viennes punk. A lot of legendary DEAD NITTELS concerts took place in that time. Their first concert however was a gig as a supporting act for the female punk band A-Gen53. after several reshuffles considering the position of the singer, Christian Koczera, nicknamed Hulk, took over. With him a second guitarist in the person of Michael Neumann, joined the band. In this line-up the DEAD NITTELS recorded the so- called green Kassette AntiNewWaveLiga. CRUDE AND STRONG EURO PUNK!!!

12 EUR

DECIBELIOS - OI! [MUNSTER RECORDS] 1985 Punk (ESP) REISSUE

.The title says it all. One of the pillars of the Spanish Oi! music scene, originally released in 1985. Decibelios are one of the pioneers and main reference points when talking about Oi! music in Spain. Formed in 1980 in Barcelona, their beginnings mixed late 70s punk and hard rock but they gradually introduced ska elements into their sound, always accompanied by a combative and in-your-face attitude. The culmination of that sound and attitude took shape in the 1984 LP "Caldo de pollo" and the mini-LP "Oi!" from 1985, reissued now on vinyl for the first time. The latter presents the band and their proposal at their peak and is one of the essentials records of Oi! music recorded in Spanish. It contains fierce highlights from the band's repertoire such as 'Viento de libertad' and 'Subversión', ska gems like 'Ningún nombre de mujer' and a tremendous cover of The 4-Skins' 'Chaos'.

14,5 EUR

DEFECT DEFECT - S/T [TAKEN BY SURPRISE] 2010 Punk (USA)

Fighting their way out of the basement comes Portland's DEFECT DEFECT with their best record to date! After two quality Eps and constant touring, Defect Defect hit it just perfect with their catchy-as-hell melodic punk style that hits hard with Colin's spastic and blunt vocal style with Adam's excellent song writing. Tracks like Stolen Ground and Post Apocalypse are perfect bookends of this argent and essential LP. Featuring ex and current members of the Observers, Autistic Youth, the Minds, Clorox Girls and the excellent Arctic Flowers this record will stick out over the pile of vinyl coming out in 2010. Do not miss out on this exciting band! US version is out on the outstanding RESIDUE RECORDS out of Chicago, IL!!

9 EUR

DENTIST - S/T [MEMOIRE NEUVE] 2009 Punk (FRA)

Dentist is a french punk from Nice, founded in the late 70's. They played fast & they played well. Dentist chose superbly their covers ranging from Otis to Radio Birdman, from The Stooges to Question Mark, essential songs exclusively... Even more, Dentist got to writing their own material inspired by the models that they were caught up in, producing an original sound that was neither ridiculous or immature. The A side of the album presents the 1978 session and on side B their 1979 session. Sliding towards a more 60's sound which was an early sign of things to come and the end of the group. Late 1980, Dentist split to leave space for another story: Les Playboys. All in all a classic punk rock tune.

13 EUR

DERBY DOLLS - EXTREME PROBLEM [P TRASH] 2011 Punk (ALE)

Exactly 30 years ago (in June 1981) the German NDW band NICHTS released their first LP "Made in Eile" on the independent record label Schallmauer-Records. With it they produced one of the earliest and most important NDW records, directly compared to "big names" like IDEAL and NEON BABIES... Already one year later the major label WEA signed them. Now it's that time again where a young German band with NDW punk roots releases an awesome hit record! After two split EPs here's finally a full length album from Tübingen's 4 head Powerpop/NDW Combo. 10 Songs between NICHTS, HANS-A-PLAST and BUZZCOCKS, sounding like the No Fun and Schallmauer Records stuff from the early 1980s. The mixed German/English lyrics shuttle between life doubts, adapted subjects and people on the go, always with an irresistible and beat-twitching tendency to drag you to the dancefloor. The weighty female lead vocal of Helen totally reminds you of NICHTS singer Andrea Mothes. Now come and check it out yourself right now! Limd. 300 black wax, yellow booklet.

11 EUR

DICK SPIKIE, THE - BEGINNNING OF THE END [HELEN OF OI!] 1998 Street-Punk (JAP)

THE DICK SPIKIE son una banda de streetpunk de Japón.

12 EUR

DIE SCHWARZEN SCHAFE - JETZT KOMMEN DIE JAHRE [CAMPARY RECORDS] 2010 Punk (ALE)

Die Schwarzen Schafe have been around since 1985 and have released more than 20 records, that's really impressive. They have probably influenced bands like Rasta Knast, Dritte Wahl and lot's of other german bands. "The Black Sheeps" is very energetic and melodic and there is almost some Oi! vibes in their music. Is the german punk scene underrated? I would say yes. The more I look for good band, the more I find. There is so much more than just Die Toten Hosen, a band I never have been very keen of. I wish my german was better because the lyrics are in German and they seems to be interesting. Please, translate them to english next time. I had never heard Die Schwarzen Schafe before so I don't know much about their earlier sound but I have read some other reviews of this album and it seems like many reviewers think that they just get better and better. Even if it's lot's of melodies is there a few tracks that is more aggressive like "Das ist nicht mein punk", "Schrei" and my favorite tracks "Nein nein nein".

9 EUR

DIE SCHWARZEN SCHAFE / NAKED AGGRESSION - SPLIT [CAMPARY RECORDS] 2012 Punk (ALE)

N.A. is great political female-fronted punk rock from USA. DSS is old-school punk rock from Germany.

9 EUR

DIGITAL LEATHER - MODERN PROBLEMS [FDH RECORDS] 2012 PUNK (USA)

Just in time for Valentine's Day, Digital Leather, the musical project of multi-instrumentalist Shawn Foree, is releasing his 5th LP Modern Problems. Written and recorded after a brief stint in Berlin following the death of his good friend, collaborator and former manager Jay Reatard, Modern Problems is an exercise in raw beauty, tender grieving and finding a way to move on. Recorded entirely on tape in his bedroom and usually in one or two takes as the Arizona native/Nebraska transplant Foree is want to do; the purity of sound in such an intimate setting permeates each song with a soulful immediacy often missing from the perfectly edited digital recordings in today's studios. Like your favorite scratchy record, Digital Leather's allure lies in the vintage-sounding keyboards and buzzy guitar as well as Foree's charmingly lonesome vocals. Passionately catchy beats and synthy punk-flavored hooks give ample levity to the weighty, personal lyricism of Modern Problems. Like I said, the LP comes out February 14th 2012 on FDH Records. Fittingly, as what is a valentine if not a poignant labor of rock n'roll love such as this?

12 EUR

DISPUTA - ÚLTIMO REDUCTO [GRITA O MUERE] 2009 D-Beat (ESP)

Trabajo debut de esta banda dis formada por un único componente, Tonyo Becerra, más conocido por ser el batería de los míticos Violent headache y otras mil bandas...dis y más dis es lo que vas a encontrar aquí, la portada ya prevee lo que vas a escuchar, la portada es una foto de todo de discos de míticas bandas d-beat punk del Estado y de todo el Mundo. 100% dischargero, letras cortas y sin pelos en la lengua...nada de tecnicismos y demás mierdas! auténtico PUNK!!

7 EUR
DONKEYS - TELEVISION ANARCHY [DETOUR RECORDS] 2004 (UK)

DLP.GREAT DOUBLE LP COLLECTION FEAT. ALL SINGLES 1978-1981 + ALTERNATE VERSIONS + 1978-1982 UNRELEASED TRACKS!

14€

EARTHMEN AND STRANGERS - S/T [FDH RECORDS] 2009 GARAGE-PUNK (USA)

Earthmen and Strangers - self titled LP - I love when bands bridge the gap between punk and indie without losing or getting lost in any of the above genre's charm. These Arizona boys come off as a lost treasure on flying nun records whilst taking in some of its neighbor's (RADIO BIRDMAN and the SCIENTISTS) hook-driven pull. I'd almost put my imaginary house on it these boys rock the CLEAN and the VERLAINES every second day whilst blasting the WIPERS in between. Not a single duffer; every track becoming an instant new fad, sounding old in the warmest sort of way, a beautiful tonic to the worst Monday bluesI've ever had. Now I'm off to spread the word: We have found this year's best record." -MRR Ryan Rousseau saw that Tokyo Electron was about to become a much less active band and started a new project. He recorded a handful of demo tracks and started to put together a new band. Well here is the result. 10 tracks recorded with his new band recorded and mixed at Cardiac Studio. This first offical output from the band will be limited to 500 copies (as a first press at least)

12 EUR

EGO SUMMIT - THE ROOM ISN'T BIG ENOUGH [540 RECORDS] 2013 PUNK (USA)

I can almost remember the day that Rep sent me the first issue of this LP. Taking it out of the package I glommed the title, looked at who was participating and snorted appreciatively. Ego Summit perfect! Don Howland, Jim Shepard, Ron House, Tommy Jay and Michael Hummel were all guys whose impact on the world of music (as it is known) was questionable, but all of them were well-known at the sub-underground level, and it was damn certain they all felt like kings! Between them they had created sounds and records that were legendary and influential, but the fact that they were all bums dedicated to living in Columbus, Ohio made the reality of their impact something that was hard to appreciate if you lived further away than Dayton (home of GBV). But as the years peeled away, oddball record collectors (and perhaps, even, the women who love them) have come to appreciate the insane form-moves this cabal of record collectors was up to. By the time of this release, they'd been putting out records for years, with bands as diverse as Gibson Bros, Bassholes, Vertical Slit, V-3, Great Plains, Mike Rep & the Quota, True Believers (OH), and in various solo incarnations of one form or another. Each had evolved a dinstinctive sound, redolent of every goddamn record he'd ever heard from Ramblin' Thomas to the Twinkeyz to Armand Schaubroeck Steals to Destroy All Monsters, and they were ready to roll it all out. Ego Summit functions like a download of everything they've ever really loved, from the VU's Live '69 to Quicksilver's cover of Buffy Ste. Marie's Codine, all piled up in a beautifully loose garage band jumble. I'm never sure whether my fave track is Ron House's Rise Sherry (with its lazy approximation of the original Contortions' slide guitar/bass dualism), Jim Shepard's abosultely blown talling-blues, We Got It All (the best experiment in the form since the Minutemen's History Lesson Part Two), or Don Howland's Wife Blues (a track that makes every motion by Spencer's Blues Explosion extraneous), but the whole goddamn thing is great. A totally superior listen, by a bunch of clowns who were their own best fans. And knew why. Now you do too. --Byron Coley

13 EUR

ENDS, THE - CONCRETE DISAPPOINTMENT [DIRTNAP RECORDS] 2004 Punk (USA)

Like trashcans hurled through plate-glass windows, the Ends' growling, old-school punk campaign is a cathartic gesture borne of seething desperation. To that end, "Pucker Up" jumpstarts the local quintet's second album with firecracker élan. The band's grimy twin guitar rabble is augmented with carnival-style piano and horns, while vocalist Ian End's raspy, Stiv Bators-baiting exhortations add back-alley excitement. Following up on such a grand, thoughtfully arranged stinkbomb of purpose is tough work, but "Workin' on Some Feelin'" manages to stumble toward tallboy salvation on the strength of an odd time signature. The closest thing to a love song is "Nice Quiet You," in which the Ends pay homage to bottled up emotions. Ribaldry quashes sentiment on "Animal," a sex bomb uniting class of '77 and Estrus-inspired garage punk impulses in the raising of an aural shrine to raw biology in action. Formed from the detritus of Austin's recent punk past, the Ends whip out a free-fire cover of the Chumps' "Sleazy" in honor of the Blue Flamingo. Concrete Disappointment crumbles to a close with the four-minute "Same Old Solutions," a near-anthem compared to its two-minute brethren. In spite of their well-trod scope, the Ends carry the torch with a gut-level swagger that can't be faked.

11 EUR

EPIDEMICS - WALKING UP THE DEAD [NY VAG] 2008 Punk (SUE)

BEWARE! The EPIDEMICS is spreading! What you hold in your hands is the debut album of EPIDEMICS, ex DISCONVENIENCE, from Umea / Sweden. Great super catchy Punkrock with female Vocals!! Waking up the dead was recorded in January 2008 at Tonteknik Studios (where among others REFUSED recorded their The shape of punk to come album) and produced by Inge Johansson from The (international) NOISE CONSPIRACY. EPIDEMICS' take on punk rock is an explosive mix of the energy you will find in a crowded, sweaty, loud hardcore show in someone's basement and that perfect pop song that you fell in love with the first time you heard it. Waking up the dead is a true story about social change, urban angst, electric shock therapy, zombies, pollution and warfare. This is passionate punk that will fill the dance floor, make your ear drums bleed and leave you wanting more more more!!!

8 EUR

ERGS, THE - THAT'S IT&BYE [DON GIOVANNI] 2008 Punk (USA)

Fuck the Ergs! Splitting up like that. They weren't ready to go. They left us with one classic long player, one hit and miss follow up, and a hodge podge of other bits and pieces. For such an awesome band, they were woefully inconsistent. Which is rather peculiar. This departing three tracker hints at what might have been. "Anthem for A New Armada" is a grown up pop punker. With wurlitzer (?), and typically Ergsian lyrics and Descendents-esque riffs / bass, it hits all the right spots and makes one somewhat misty eyed. It barely even comes to an end before they've started on "...and the true believers". Both of these songs would have been more than at home on their epic "Dork Rock Cork Rod" LP, which gives you some indicator as to their goodness. Wistful pop music of the very best kind. Things draw to a conclusion on Piltdown Man, who I believe is a fake caveman or something. Sadly, this song is not really that good, maybe because not the awesome vocalist sings. Oh well. The other two songs are shit hot at least.

Goodbye to the Ergs! Failures the world over will miss you very much.

10 EUR

ESCROTO DE RATA - PUNK ROCK SEX BASURA [LA VIDA ES UN MUS] 2011 Punk (ESP)

MUS51 ESCROTO DE RATA - Punk Rock Sex Basura LP ESCROTO DE RATA are in our humble opinion Barcelona's best kept secret. Their iconoclastic punk brings to mind bands like KGB, TNT or LARSEN. They have the most inspiring nihilistic lyrics we have come across in a long time and their art and approach to their existence is raw and even filthy.ESCROTO DE RATA play punk of the brand that punk bands used to play it before it became formulaic and sterile. Crunchy and under-produced yet catchy and timeless. They would fit perfectly in DRO's 1983 PUNK QUE PUNK? Compilation or in BLOODSTAINS ACROSS SPAIN. Punk Rock Sex Basura' is a repress of their second full length CD-R from 2008. LVEUM will also release their 3rd one after the summer and some new tracks before the end of the year.

11 EUR

ESCROTO DE RATA - PUNK ROCK SEX BASURA [LA VIDA ES UN MUS] 2012 Punk (ESP)

Por segunda ocasión LVEUM prensa en plástico una autoedición de estos punks afincados en Barcelona. Estos tíos no se han pasado al tecno pop, así que aquí tienes otra dosis de actitud punk que en lo musical va en la línea de Larsen, KGB y el sonido '83 del Punk qué Punk. Edición de 500 copias, carpeta doble.

11 EUR

ESPASMÓDICOS - DISCOGRAFÍA COMPLETA [BEAT GENERATION] 2013 Punk (ESP)

Recopilatorio de toda su discografia en estudio. Los temas de su single "Recomendado para molestar a los vecinos", los dos temas del "punk que? punk" y su maxisingle. Espasmodicos fueron la primera banda protohardcore de Madrid influida musicalmente por Dead Kennedys. Se reedita para Beat Generation en una tirada de 500 copias.

15 EUR

ESTRANGED, THE - TYPE FOUNDRY SESSIONS VOL. 1 [SABOTAGE RECORDS] 2014 POST-PUNK (USA)

This is a collection of THE ESTRANGED's 1st recording sessions at Type Foundry Studios in Portland. The LP contains 8 songs, all released as 7" tracks ("s/t", "sacred decay", "entranced", "pdx" compilation and split 7" with AUTISTIC YOUTH). Most of which are now out-of-print showcase the band's distinct style of omnimous, dark punk at their rawest and most urgent.

11 EUR

ESTRANGED, THE - S/T [SABOTAGE RECORDS] 2014 POST-PUNK (USA)

Formed in Portland, OR back in the summer of ‘06 by Mark Herman (vocals, guitar), Derek Willman (bass) and Keith Testerman (drums). After playing a handful of shows that summer/fall in their home of the pacific northwest they recorded their first session at the type foundry studios Portland. Resulting in 3 singles (self titled, sacred decay, entranced) along with a split 7” with Autistic Youth and a compilation track for a 7” in 2007. The session would later be issued on full length as the “Type Foundry Session 1” release (released in the u.s. by Dirtnap and Black Water records and in Japan by HG:Fact). Following this session they would release their debut LP "Static Thoughts" in 2008 on Dirtnap records in the U.S. and Sabotage in Europe. Supporting this release with a handful of tours including a full U.S. tour with friends, The Red Dons and a west coast tour with Spectres from Vancouver among others… Following these tours they would embark in a darker direction than the previous releases with their 2010 release titled "The Subliminal Man" (inspired by the story by J.G. Ballard). The songs took on a deeper and more complex sound incorporating more synths and experimental textures and sounds. In the summer of 2011 they made a 5 week tour of Europe in support of "The Subliminal Man". After their return from Europe they would begin writing/demoing more songs this time taking more time than in the past to create a more specific sound. The songs written during this 3 year period would be their best to date and would be appearing on their new Self-Titled album to be released in January 2014 by Dirtnap records and Sabotage Records. The Influences on their newest album ranging from the Echo & the Bunnymen/The Only Ones/These Immortal Souls to The Troggs/The Creation. Lyrically, on this new album The Estranged have more of an enduring angst ridden approach. Testifying to an account much more personal than in the past. Musically, they experiment with even more instruments/sounds, e.g., the use of a bow on guitar, feedback loops, piano, farfisa, backwards guitar, female back-up vocals, etc. As a result showing the bands continued maturity in their song writing and in the recording process..

10 EUR

ESTRANGED, THE - SUBLIMINAL MAN [SABOTAGE RECORDS] 2010 POST-PUNK (USA)

Past and present members of Portland, OR hardcore mainstays such as Remains Of The Day, Hellshock, Warcry, Lebenden Toten, etc. pull a 180 and dish out 10 tracks of icy, ominous post-punk. Since their last release, The Estranged have dialed back the explicit aggression of their early singles a bit, and dialed up the textured, atmospheric, layered sounds of prime '80s deathrock/post-punk. 'The Subliminal Man' was painstakingly, impeccably recorded at Type Foundry Studios in Portland and features eight new ones, a re-recording of 'Statue In A Room' (originally released as a split 7' with Autistic Youth) and a rather stunning cover of The Flys' 1978 classic 'Love And A Molotov Cocktail.' Vinyl version includes download.

10 EUR

ESTROGEN HIGHS - IRRELEVANT FUTURE [TROUBLE IN MIND] 2012 GARAGE-ROCK (USA)

The anxiously awaited follow up to the Estrogen Highs excellent self-released 2011 album "Friends and Relatives" is finally here and let us be the first to say that if you aren't already a fan of these guys, you are about to become one. After two LP's, one 12" EP, four 7-inches, and one cassette, the project that started as Stefan Christensen in 2007 playing and recording everything by himself has now fully jelled into a rock-solid, full-band quartet.

12 EUR

EXPLODING HEARTS - SHATTERED [DIRTNAP RECORDS] 2010 POWER-POP (USA)

vinyl issue of CD singles/rarities comp that came out last year on Dirtnap.

11 EUR

EXPLOSIVOS, LOS - GARAGE MEXICANO MUITO FUDIDO [GROOVIE RECORDS] 2011 GARAGE (MEX)

El sello Luso ya le había editado un single a estos mexicanos, que tras su paso por el sello de los Cynics, ven ultimado su nuevo lp para Groovie Records, grabado en tres días bajo la supervisión de Nick Nicotine en los King Studios de Barreiro. De nuevo Jorge Alderete viste por fuera el lp de cuyos surcos mana garage punk a destajo, con deuda de por vida a Kinks y Sonics. El pedal del fuzz reventado a pisotones y diez temas conjugados con versiones, que además del guiño a los hermanos Roslie, se codean con los Troggs en ese “Tu amor”. Recuperan a unos compatriotas suyos que ya encendieron mecha a mediados de los 60’s en México, hablamos de los Dugs Dugs y que estos jóvenes versionan en su “Smog” acercándose a las maneras de los Flamin’ Sideburns. Pero, puestos a elegir, me quedo con esa versión del “Perro negro” de los Three Souls in my Mind otra banda mejicana de los 70’s que los Explosivos resucitan de manera espectacular. Los temas propios como “Quiero más” que pueden perfectamente codearse con los más que recomendables Staggers. Y llegando a “No hay vuelta” nos empapamos con sonidos de alucinantes guitarras y ecos psicóticos, lo mismo que en “Gris” que son la confirmación fehaciente de que estos chicos han vendido su alma al diablo, esa alma que, aunque nos pese en muchas ocasiones, habita en el garaje que cada uno de nosotros tiene en el subconsciente. (Oscarkotj-2011)

11 EUR

EYE FOR AN EYE - KRAWEDZ [CAMPARY RECORDS] 2012 Punk (POL)

Vinyl version new album this great polish hardcore punk band with female vocal. Great stuff!!!!

9 EUR

EYE FOR AN EYE - CISZA [CAMPARY RECORDS] 2009 Punk (POL)

Great HC-Punk from Poland with female vocals!

9 EUR

FAB MODS, THE - S/T [CLOSE UP] 2011 MOD REVIVAL (FRA)

Formed in 1978 in London, The Fab Mods released their first LP in 1979, and were part of the New Wave Punk explosion in England with The Jam, The Clash , Stiff Little Fingers, The Members. One year later, please cut the crap!That's a big lie. In fact the Fab Mods are from Paris (France). The Band has just released its first vinyl LP in 2011: 14 tracks in the pure English Punk Rock style from the late 70's. Real songs with real melodies to be sang together or in the shower. Only if you take short showers (no longer than 3 min.). The four-piece band is quite famous for its explosive and full of energy live performances. They have been touring for more than a year in Paris and other parts of France with bands such as The Members, The Kits, The Last Killers, La Souris Déglinguée"The Fab Mods wear the fingers and voices out to offer what Rock should be: strong structures, catchy rhythmics and implacable melodies. But sometimes music is better than a thousand words, so listen to their music and sing their songs !The Fab Mods are: Laurent (lead singer), Yann (Guitars), RXC (Bass) and Yano (Drums). "

10 EUR

FABIENNE DELSOL - ON MY MIND [DAMAGED GOODS] 2011 POP (FRA)

The very welcome return of Fabienne Delsol with her 3rd solo album, a follow up to 2007's Between You And Me. Originally from Limoges in France, Fabienne was formerly the lead singer of legendary London garage band The Bristols and has been living and working in London with husband Liam Watson (Toe Rag Studios) since 1996. Put together in studio down-time and ably backed by Toe Rag's stable of musicians,On My Mind features Fabienne's customary mixture of both English and French lyrics sung with plenty of coquettish charm. With songs and production so authentically 60's they could have been taken from tapes gathering dust in Serge Gainsbourg's garage for the last 40 years. The album marks something of a departure from the jaunty beat-pop and ye-ye of her previous albums however, there's a definite autumnal feel to several of the tracks, putting you in mind of what the much mooted Francoise Hardy/Nick Drake collaboration might have yielded. Lyrically the bulk of the album deals with the melancholic side of love and has a slightly trippy and introspective edge. Most notably on Strange Shadows and the title track On my Mind with its phased drums and Strawberry Fields style moog motifs. You're unlikely to hear a better record this autumn!

10 EUR

FAMILEA MIRANDA - DRAMONES [OJALA ME MUERA] 2011 POST-ROCK (ESP)

Nuevo trabajo, cuarto de su carrera de este trío chileno afincado en Barcelona con un amplio bagaje a sus espaldas. Diez temas de enérgico y atronante post rock, delirantes ritmos de batería en armonía con envolventes riffs de guitarra que aislan tu mente, el bajo completa una perfecta sección rítmica. Vinilazo de 12" con amplio protagonismo de los intrumentos sobre las partes vocales.

8 EUR

FEAR - PARADISE STUDIO DEMO 1978 [BOOTLEG] 200? PUNK (UK)

FEAR, Paradise Studio 1978. These demos document the genius Lee Ving and his brother Spit Stix laying down some heavy punk rock blues. As noted in the previous post, FEAR have a special place in our hearts. Even though these recordings would never surface commercially, tape traders and bootleggers worldwide were clamoring to get their hands on these tapes. 30 years later, now you can hear why.

12 EUR

FINAL CONFLICT - NINETEEN EIGHTY-FIVE DEMO [540 RECORDS] 2013 PUNK (USA)

"Aaaarrgggh! Raging Madness strikes with this ferocious demo. New hot young band from the L.A. area who scorch out the speed and extreme rawness in the vein of ICONOCLAST and early FINAL WARNING. Intense lyrics with a boisterous shouter, backed by thrashing metallic grinds melting into overdrive. This grabs for the blast" -- Pushead - 1985.

15 EUR

FINDERS, THE - FINDERS KEEPERS [CHEAP REWARDS] 2013 POWER-POP (USA)

THE FINDERS continued the power pop path set by their previous incarnation, the Rockers. After solidifying a new line-up consisting of John Rock Perga, Phil Schraub, Bryan Allinsmith and John San Filippo, the band began working on a series of demos before entering the studio to record their first single featuring It's So Insane and Which Way.The band created a theatrical stage show which included John puking into a toilet during their song Bad Food, the B-Side of their second single. The A-Side was a track called Calling Dr. Howard, which paid homage to the Three Stooges. When Moe Howard's daughter saw the cover of the picture sleeve which illustrated John throwing up beside a poster of the Three Stooges, she had a cease and desist letter sent out which forced the band to change the cover image. Nonetheless, the song became a popular local radio hit and they even made a music video for it that saw rotation on MTV.The Finders later added a second guitar player named Mark Newcomb and went in the studio to record a full length album with former Move manager Tony Secunda producing. After completion, they found their label had gone belly up and things spiralled downhill from there with the band ultimately splitting up in the summer of 1983.The tapes from their last recording session sat in the Mobius Studios vault for over 20 years before Phil and Dennis rescued them. Now for the first time ever on vinyl, Cheap Rewards Records is honored to deliver the best recordings from those session along with quality studio and demo material in one great package.

13,5 EUR

FIX-IT - WHO'S THE PIG [P TRASH] 2011 Punk (FRA)

The Paris Punk Commune already Kill Kill Killed us with their superb entrée LP in 2008 and are now ready to dish up another main course tres tres formidable that will be instantly decorated with the maximum of 5 Trashelin stars. Spinning fast and relentlessly stirring the sauce, the boys only slow down a little on ''Blind'' and ''Before the storm'', which is refined with some melodic UK Mod-Punk and smacks of the young Jello Biafra singing. Tender WIPERS finish opens the ouevre with ''29'', followed by some fast, ratty and steady Punkrocking in ''Last call'', ''Broken'', ''Self destruction'', Hostile sex'' and ''Poor life'' and even salted with some dark synthie rafinesse in ''Slow down''. If your pleasure is to dine on the early US Punk of the ADOLESCENTS and DEAD KENNEDYS, the fast and melodic Canada Punk of STATUES and alikes, plus you enjoy those unforgettable moments de JAY REATARD. Then the hog for this record is you! And don't forget: If it ain't broken - FIX IT!

11 EUR

FLAMIN' GROOVIES - NOW [4 MEN WITH BEARDS] 2013 ROCK (USA)

FLAMIN’ GROOVIES Now released in 1978 and produced by DAVE EDMUNDS, put the Groovies back on the map as the band won fervent praise on both sides of the Atlantic for their follow up to Shake Some Action. They apply their fiery British Invasion-inspired sound to the Rolling Stones' Paint It Black, the Byrds' Feel a Whole Lot Better, the Beatles' There's a Place, and a bunch of original tunes. On 180 gram vinyl.

15 EUR

FOREIGN OBJECTS - NO SENSATION [VINYL RITES-12"] 2011 PUNK (USA)

Foreign Objects blast through eight songs of upbeat punk, somewhere between Dangerhouse, '77 pogo, riot grrl and early post-punk. They get compared to Wire and Bikini Kill a lot, I hear more Electric Deads and X.

8 songs on 45rpm. All copies on black vinyl with printed inner sleeve, full color cover and art by Meghan Minior.
10 EUR

FORGOTTEN, THE - CONTROL ME [TAANG] 2002 PUNK (USA)

Unseen/Casualties fans listen up! The Forgotten are here to claim their spot on the pedestal with their own style of fist-to-the-face punk rock! Featuring members of Lars Frederiksen and the Bastards, and The Transplants, THE FORGOTTEN are poised to conquer the world!

5 EUR

FRAMTID - CONSUMING SHIT AND MIND POLLUTION -THE EARLY DEMOS [540 RECORDS] 2013 PUNK (USA

Life has few certainties. Everything seems to change, usually for the worse. Death is inevitable, though when it will come can rarely be predicted. Amidst all the flux here is a certainty: Framtid plays ripping d-beat raw punk, and they will never change. At the same time as their new album is released, the first in over a decade, 540 Records presents a vinyl collection of their four early demo cassettes. Most remarkable is how consistent Framtid's vision has been, since first set down on a rehearsal tape in 1997. There is no chaff, nothing extraneous: just short, sharp bursts of feedback, noise, distortion, pummeling drums, and memorable råpunk riffs. This LP's release accompanied their first visit to the United States, some years after border authorities had halted a previously planned one. What many suspected then became clear in 2013: Framtid is the most powerful live hardcore band on the planet, playing with ferocity unmatched by their peers (particularly drummer Takayama, who it seems barely survives the all-out effort he gives). After first seeing them in Japan a friend remarked to me that the sensory experience was like living through trench warfare. Perhaps outsiders will never grasp how fans of a deeply anti-war outfit, whose lyrics barely stray from that single message, can crave such an experience. But for the initiated, it makes perfect sense. At last, the initiated legion (and others!) can easily obtain the band's crucial cassettes. The versions on this record, none ever before on vinyl, also include some songs that appear nowhere else. The band's third demo, in particular, was produced in a micro-edition. This LP's packaging is lavish, with a gatefold cover and a booklet of extremely difficult-to-find flyers, photos, and other material. -- Stuart Schrader.

15 EUR

FRONT - BITTE RECHT FREUNDLICH [DIRTY FACES] 2007 PUNK (ALE)

Front started in 2003 as a cover band devoted to early german punk bands like Male, Abwärts or S.Y.P.H. Soon they wrote some songs of their own and I am glad they did. They really managed to transpose the vibe of pre-deutschpunk german punk into today's pitch. With a mix of Mittagspause and Trend they play songs that simply kick ass as fuck. Their lyrics are awesome and totally authentic early 80s style just that they sing about up to date topics like this fucking new patriotism in germany, cctv and media bullshit. In a way it is so ironic that they complain about retro chic in hier liegt ein irrtum vor while they themselves sound like were casted directly from the bar at Ratinger Hof in 1979. Each song on this thing is a total hit and if they split up before I got to see them live and do massive fingerpointing to all these killer choruses I'm gonna be fucking angry. If you are into punk before 1984 at least the slightest bit you must love this.

10 EUR

FUNFUNS - SAME ONESIDE [P TRASH] 2013 PUNK (CAN)

Before The ZEBRASSIERES started to create their soundtrack for a lost generation, alpha zebra Andrew and black and white operatress Sarah were already punkin' and poppin' out with the FUNFUNS.
Pat Kearns, who already recorded the EXPLODING HEARTS, CLOROX GIRLS, RED DONS and REVISIONS recorded these 7 songs and sure wouldn't have been any fun fun if they had never gotten their groove tickled by your needle. Scheduled for launching on Going Gaga, it somehow never happened and they got stuck in the crevasse of oblivion.
Until now: The P.Trashcue Team recovered them and packed them in a silkscreened emergency blanket in a damn tiny edition of only 300 one-sided copies. The FUNFUNS were definitely less New Wave and more poppy Punk than the ZEBRASSIERS. Still, songs like ''My head'', ''Wait forever'' or ''Everybody likes you (I don't)'' also add a dash of organ, but everything is way more on the straight and catchy RAMONES-influenced Punk side, the sound you know and love from STEVE ADAMYK and the whole bunch of Canadians.

13 EUR

GAMES - GAMES [HORIZONTAL ACTION] 2013 POWER POP (USA)

This is one of those records you won't know how you've lived without, and you probably have no idea how bad you need it. A pristine, timeless pop album with all the subtleties and effervescence of those misty classics of the Pre-Punk Powerpop era, constructed and rebuilt into an airtight, flawless specimen of the original form. Not that you'd expect any less from the purveyor behind Sing Sing Records, but Jeremy Thompson has been honing this sound for years now, previously in the frantically jagged Busy Signals and the early incarnation of the Carbonas, along with longtime cohort Dave Rahn, whose production of the debut GAMES LP is nothing short of breathtaking. Taking the same cues as The Raspberries, Big Star, Rockin' Horse, Shoes, and Milk N Cookies did well before the codification of New Wave, GAMES is a crystal-clear shot in the arm to the current state of rock'n roll, a genuine reflection, an instant hit, and something for New Yorkers to be proud of. Along with such an compelling collection of original songs comes something you don't see as often as you used to, a couple of great covers that get your gears turning, digging in to check out the origins, a la the mid-90s punk explosion when every new record left a trail of breadcrumbs to discovering your next obscure 70s overlooked obsession. This is important, and all bands need to rethink this stance, not to mention sharing your bounty of knowledge on the rest of us, always starving for MORE. GAMES serves up two here, from Apostrophe and Sage, both with new life breathed into each, and both done up so well, so streamlined, they fit in perfectly with the sound GAMES is here to play, which means we all win. Victimoftime.com Recommended If You Like: Big Star, Raspberries, Scruffs, Shoes, Milk N' Cookies, Rockin'

13 EUR

GEARS, THE - ROCKIN' AT GROUND ZERO [DIONYSUS] 2011 PUNK (USA)

REISSUE.Reissue of legendary 1980 album from the final days of the original Los Angeles punk rock explosion of '77-'80. Simple, melodic and urgent rock 'n roll with the slightest rockabilly and surf influence! Also includes their ultra-rare three-track EP from 1979. New, improved punk rock cover art!

11 EUR
GENITAL HOSPITAL - STREET MUMMY [P TRASH] 2014 (CAN)

ZACK! The second album by one of Montreal's finest weirdos GENITAL HOSPITAL takes no prisoners. You get even 10 catchy forceful & rousing KBD-garage-punk tunes being mired in psychedelic intoxication. A bit like CARBONAS cover MODERN PETS or way around including gang-vocals, great busy riffs, thirsty pogo beat and sprinkles of CPC GANGBANGS and The B-SIDES.
Again a few tracks have a slightly southern touch owing to harmonica fills while others get driven by a simple but relentless organ vibe and cocksure all tracks kick ass – ""Verdammte Sheisse"". The whole damn thing is an all in all unique sounded smasher to burst any party - a really total boozy mess!
Recorded & mixed by Jean-Michel Coutu, mastered by Ian of DAGGER EYES & perfectly illustrated by Darren Merinuk – a killer cover for ""Street Mummy"", one he says may be his best ever!!

11€

GIRLS,THE - YES, NO, YES, NO, YES, NO [DIRTNAP RECORDS] 2008 Punk (USA)

Seattle's THE GIRLS play brisk, well-constructed synth-punk that splits the difference between the hookiness of British new wave, the slick professionalism of the Cars, and the weirder strains of synth-punk. Ten tracks of twitchy, keyboard driven poppy post punk.

11 EUR

GIUDA - LET'S DO IT AGAIN [DAMAGED GOODS] 2013 GLAM ROCK (ITA)

CLAP YOUR HANDS, STOMP YOUR FEEL…THE BOYS ARE BACK!.FREE GIANT POSTER WITH THE DAMAGED GOODS LP.Giuda (pronounced JEW-DA) are the Italian Glam/Glitter/Boot Boy band from Rome, born from the ashes of one of the finest European punk rock groups: Taxi.They play the most exciting kind of retro sounding pub rock and junk shop glam and they have the look of true working class heroes (boots, polos, chequered shirts, leather jackets and short or shaved hair)… actually they are the perfect party band, but with a tough attitude.We released their debut album 'RACEY ROLLER' last year and now the band are back with their second long player 'LET'S DO IT AGAIN'. 10 Foot Stomping new tracks including ‘Wild Tiger Woman’ ‘Fat Boy Boogie’ & Roller Skates Rule OK'.They will be touring throughout the world in 2014

11 EUR

GLOW KIT - S/T [FDH RECORDS] 2012 Garaje-Punk (ESP)

Based in Denmark and featuring members of Cola Freaks, Bliglad and Snow Kite, Glow Kit blasts thru a mix of Power Pop and Garage Punk with a touch of psych guitars that will have fans of LOVER!, The Manikins, and Carbones fans strip off their protective gear and dance in spasms in a lethal mushroom cloud. This debut LP follows up a 7 on P.trash records from Germany. This North American release is limited to 200 copies on reverse stock covers (The German release on P.Trash will have standard covers). This LP will find its way into the New Testament of the Garagepunk-Bible

13 EUR

GORILLAS - MESSAGE TO THE WORLD [DAMAGED GOODS] 2013 GLAM ROCK (UK) REISSUE

RE-ISSUE OF THE LEGENDARY DEBUT GORILLAS ALBUM FROM 1978
FIRST TIME ON VINYL SINCE 1978 LP on RED VINYL! (Ltd to 1000 copies).The Gorillas livened up the mid-70s rock scene like few others. They were the missing link between Hendrix, glam and punk.
Interest in Jesse Hector and The Gorillas (originally The Hammersmith Gorillas) has grown steadily in recent years in no small part due to Caroline Catz' documentary film, A Message To The World, the Gorilla Got Me compilation on Big Beat Records and the recent Crushed Butler albums re-released on Last Years Youth Records. The band also featured heavily in Wired Up!, last years' excellent book of proto-punk and glam record sleeves. Unavailable for some time, we're now re-issuing their debut album. On vinyl for the first time since 1978, our version features 3 BONUS TRACKS not featured on the original Raw Records release ("I'm Seventeen" "My Son's Alive" and the classic single "It's My Life".)

11 EUR

GOVERNMENT ISSUE - JOYRIDE [DR STRANGE] 2012 Punk-HC (USA) REISSUE

Repress of their 1984 classic! 12 songs, European sleeve pressing, a MUST have!

10 EUR

GOVERNMENT ISSUE - FUN NEVER ENDS [DR STRANGE] 2012 Punk-HC (USA) REISSUE

Repress of this awesome release from 1985 plus 4 unreleased bonus tracks!

10 EUR

GOVERNMENT ISSUE - S/T [DR STRANGE] 2012 Punk-HC (USA) REISSUE

Their 1986 classic lp with bonus tracks, remastered by Tom Lyle [guitarist] himself.

10 EUR
GREG ASHLEY - ANOTHER GENERATION OF SLAVES [TROUBLE IN MIND] 2014 (USA)

Greg Ashley has been melting minds since he was a teenager growing up in central Texas; first in his paint-peeling garagepunk band The Strate-Coats, then in lysergic psych band The Mirrors, and finally to great acclaim in his highly influential quartet The Gris Gris. If that weren’t enough, Ashley has peppered multiple solo albums in between all of these releases tracing along a path that veers to & fro from heady psychedelic freakouts to sensitive, folky tunesmithing.
“Another Generation of Slaves” is a bold step off that acid-soaked artery, the nine tunes herein are Ashley’s most directly poetic suite of songs both melodically & lyrically. “Another Generation...” FEELS different. Recorded in 2013 with a cadre of jazz musicians, the malleablity of his players belies dizzying results, allowing Ashley to focus on communicating the feeling of the tunes in addition to playing them. Lyrically, Ashley has never been one to mince words, but the songs are almost joyously direct.
Songs like “Brother Raymond” & “Prisoner #1131267” are character studies, while somber cuts like the folky opener “East Texas Plain” & the sultry “Patterns Of Days” are extremely insular tunes, unquestionably personal & beautifully unfolded. Ashley’s grown so comfortable in his ability to craft songs, that even the breezy “Awkward Affections”s brazenly honest lyrics don’t feels forced, but like another piece of the puzzle here. The stories fit together like Ashley’s own version of “Songs Of Love & Hate” or “Trouble Is A Lonesome Town”. A collection that doesn’t work unless the listener is fully immersed in it’s world, shackled to it’s narrative. The first vinyl edition is pressed on randomly mixed 150-gm vinyl, includes a printed inner sleeve with lyrics & a download code. All other pressings will be on basic black.
RIYL: Kurt Vile, Lee Hazlewood, Leonard Cohen, Nick Cave, Bill Fay, Mikal Cronin

13€

GREGOR McKENZIE & THE MISANTHROPES - TORTURE THAT GIRL [RAVE UP] 2007 Punk (USA)

Finally available the definitve anthology of Minnesota's Misanthropes! The band released four great and rare singles on the cult label Break'er Records between 1978-81. Some of these tracks appeared on various 'Killed by Death' and 'Hyped by Death' compilations during these last years. Their crude and weird music is a mix of influences that reminds The Gizmos, Residents and ... Frank Zappa! Absolutely non conventional sound! The album includes also many unreleased tracks. All studio material!!! Be fast, buy it right now...this is a pure touch of genius!!

10 EUR

GROUND ZERO - S/T [RAVE UP] 2013 PUNK (USA)

Ground Zero was more than a band; it was a group of outcast musicians and visual artists hailing from Ohio, Maine, West Virginia, Rhode Island, Massachusetts, and places in between. In 1978, in the dirty bowels of Boston’s South End, this group of renegades rented some of the run-down and abandoned industrial loft spaces on Thayer Street and began an alternative art movement that would challenge the established art and music “culture” of the city. 24 Thayer St. (The Star Systems Loft) became the birthplace of Ground Zero, a group of musicians, film makers, photographers, xerographers, artists, and videographers who decided to join skills to produce an anarchic, movable musical and visual feast combining post-war angst, deconstructed 60s pop with Dada and existential influences. Ground Zero soon hosted all-night, illegal concert/events at the loft performing with alternative and punk groups from Boston and New York such as James White and the Contortions, Le Peste, Bound & Gagged, The Girls, Mission of Burma, Ragged Rite, and The Stains. Utilizing screens, projectors, TV monitors, and musical equipment, GZ provided a total immersive [close] experience. Combining video, film, photography, xerography, and music, they were one of the first punk/art groups to combine all of these diverse elements into their live performances and led the way in transforming the Boston art and music scene in the late 70s and early 80s. The musicians, Duane Huntington (Synths), Geoff Alderman (Bass and Lyricon), Mark Olin (Vocals), Steve Founds (Drums) and Michael Slygh (Guitar and Vocals), were the “live” embodiment of the imagery provided by Phil Hopper (Film), Sherry Edwards (Video and Graphics), and Marie Favorito (Photo and Lighting). The group recorded a 45 rpm, “Ground Zero”, in 1979 and a follow-up 33 rpm, 7” EP, “Born to be Bombed”, in 1980. A rarely seen, full length video/film project, entitled “Televoid”, was produced in 1980 and can still be found on YouTube. With the Cold War and Atomic Fever raging and Ronald Reagan kicking mental patients into the streets of Amerika for the sake of the wealthy, these children of the 50s and 60s screamed into the face of the unrelenting insanity. It wasn’t always pretty and some of us burned out all too quickly, but it was a sensational and always intense fight. The more things change, the more they stay the same... Half Life Lives! Rave Up records is now proud to produce the anthology of one of the best american underground bands ever: Ground Zero!

12 EUR

GRUBERGER BROTHERS, THE - GREETINGS FROM READING, PA [RERUN RECORDS] 2011 PUNK (USA)

A full LP of never-before-heard Punk and Fanzine Rock 1978-1980!.From the same guys who brought you proto-punk legends O.Rex and '77 punk gawds the Afrika Korps!.Jay and Solomon Gruberger were born to play music. They formed the legendary proto-punk/living room band O.Rex in 1973, when younger brother Jay was a mere 12 years old. Future Gizmos' lead singer Kenne Highland joined the band for sporadic jam sessions in the Gruberger's Brooklyn home. Beating most punks to the punch, O.Rex managed to release a three song maxi-single on their own Oral Records in late 1976. By that time, Kenne was a member of the Gizmos as well as a full time Marine! Within a few months, Kenne and the Grubergers would meet Kim Kane of the Slickee Boys, and it was this meeting of the minds that would form the Afrika Korps. They immediately set about recording what would become their monster, 22 song debut LP. Music To Kill By was released to great critical acclaim in late 1977, but the Grubergers would soon part ways with the rest of the Korps.
Those who stuck around would drop the Afrika and release a second album. Meanwhile, Solomon and Jay relocated from Brooklyn to Reading, PA and tried to form a new band. Having trouble finding a drummer but determined to keep things moving, in early 1978 they recorded an eight song EP under the name Spike. They took photos for the cover and even titled the EP "90 Miles Per Hour", but the record never made it to press. The Grubergers would continue to record at the same studio over the next couple years but nothing was released from those sessions. Jay would go on to work as a bass player for hire until his tragic death in 1993, and although Solomon continued to play for enjoyment, they never did play their own material for the public after moving to Reading.It was during the production of Gulcher's O.Rex double CD collection in 2009 that we learned of these recordings. We knew they shouldn't remain unheard, so we collected the Spike EP and the other, unreleased studio sessions from 1978-1980 for an LP that hints at what a second Afrika Korps LP could have sounded like if  the Grubergers had stuck around. Mastered from the original tapes, and we even got Kenne Highland (O. Rex, Gizmos, Afrika Korps, etc.) to give us his reactions to these recordings! Pressed in an edition of 500 copies on black vinyl, with full color cover and insert with liner notes.

12 EUR

GUMBABIES - LOVE, PISS & UNDERPAYMENT [CAMPARY RECORDS] 2011 Punk ( ALE )

12" A-SIDED. Strictly d.i.y., no sympathy fort the music industry prangt der Slogan auf dem Textblatt der neuen, einseitig bespielten Gumbabies 12. Diese Einstellung ehrt die Münchener und wenn ich mir die Platte so ansehe und anhöre, kaufe ich ihnen diese Haltung auch voll und ganz ab. Leider, leider habe ich den Eindruck, dass man mit dieser Einstellung immer mehr zu einem Schattendasein verdammt ist. Wer auf etwas leiseren Sohlen unterwegs ist und nicht jeden noch so cleveren Marketingkniff voll ausschöpft, dem wird nicht unbedingt die Aufmerksamkeit zu Teil, die man eigentlich verdient hat. Wenn es gerecht zuginge, sollten die Gumbabies eigentlich schon Dank ihrer vorherigen Veröffentlichungen weit über die Grenzen der bayrischen Landeshauptstadt bekannt sein.

Bis auf die Nummer In a nutshell, die eher durchschnittlich ist, haben die 4 Songs auf Love, piss & underpayment auf jeden Fall das Zeug zum Ohrwurm, wunderbar melodisch, zwischen 77er UK Punk und Glamrock. Große Klasse ist auch das Public Toys Cover Safetyp pins on television. Auf 500 Stück limitiert und den Download Code gibt's auch noch dazu.

9 EUR

GUNDOWN, THE - A TRIBUTE TO ISOLATION DEMO [WALK ALONE] 2011 PUNK (ESP)

10"-Primer e interesantísimo trabajo de este grupo de Tarragona. Punk rock pegadizo a lo Hot Water Music.

10 EUR

HANNA HIRSCH - GA HEM ÖVER HIMLEN [12"-ADAGIO830] 2011 POP (SUE)

Hanna Hirsch deliver 6 new songs that follow up the great debut LP tala svart on RTB & Adagio830. The continue w/ 6 tunes of powerful pop w/ swedish lyris sung by Siri. Another masterpiece of beautiful powerpop made in sweden. All records come w/ a digital download card.Mastered againby John Golden (Sonic Youth, Superchunk etc) and the laquer got cut at the famous Abbey Road studios.check out a new tune here: http://soundcloud.com/adagio830/hanna-hirsch-en-v-g-av-ljus-en

10 EUR

HAPPY THOUGHTS - S/T [HOZAC RECORDS] 2011 POWER-POP (USA)

We'll admit, this finished album landed at our headquarters late last summer, but it just seemed unfair to release it in the Fall or Winter months, since this debut LP by the Happy Thoughts is such an incredibly classic-sounding Summer album in all aspects of the term. How do guitar riffs like these clear the clouds away so well, while embracing a pure freshness in such a familiar sense? You'll feel like you've been listening to these songs your whole life. As clean and crisp as the early 60s-infused rock'n roll backbeat holding onto these songs for dear life, each track sticks right to your ribs, and with the addition of a full band, compared to the previous solo recordings, it's a richness you didn't even know you deserved. Purity, harmony, and true, unabridged happiness come bleeding through this collection of songs even more impressively than on the other bands Eric LaGrange has played a pivotal part in, namely, the excellence of the Cave Weddings and Romance Novels (the latter of which, chosen by Nobunny for support on his first US tour).

It's got the boyish charm of The Bobby Fuller Four humming along '64 Bang-era Neil Diamond hooks, in that same magical way Nobunny channels the ghost of Buddy Holly so well. Yet, The Happy Thoughts' raw innocence is so irresistible, so untouched by this cruel world's evil clutches, it's like that first kiss, that first warm breeze of Summer, that first wave of excitement you get when you got your first taste of freedom. It's so heartwarming in certain spots, that it's almost intimidating to a point, where the sheer optimism and elation of being alive soaks up all the blackness stuck in the darkest corners of the human heart. A true Midwest, Summer classic that will win over even the most hardened souls and the perfect remedy for every level of depression known to man. Recommended If You Like:Bobby Fuller Four, Nobunny, Bang -era Neil Diamond, Fevers, Buddy Holly, Shoes, Romance Novels

11 EUR
HEAD, THE - STILL NOTHING TO DO IN A TOWN LIKE LEATHERHEAD [DETOUR RECORDS] 2008 (UK)

Detour Records are proud to announce after 30 years of waiting, the release by Leatherheads finest band, The Heads’ new album ‘STILL Nothing To Do In A Town Like Leatherhead’.
The Head were formed out of the ashes of Punk and with the trappings of Mod, in the summer of 1978 in Leatherhead, Surrey.
The album features the ‘infamous’ double A sided single and now highly sought after collectors item ‘Nothing To Do In A Town Like Leatherhead’ / ‘University’79’.
The original single was released, as a limited pressing of 1000 on the 12 January 1980, on the Ellie Jay label as a Molebeat Production.
‘Nothing To Do In A Town Like Leatherhead’ became a local hit and ‘University’79’ was regularly played by John Peel on Radio One and by London’s Capital Radio.
Now valued at over £60 by the Rare Record Price Guide 2008, the single sporadically appears on e-bay to this day and regularly sells for over twice the valuation price.
The album ‘STILL Nothing To Do In A Town Like Leatherhead’, all digitally remastered includes all The Head recordings from 1979 to 1981.
It also features the second Ellie Jay single ‘Middle Class Revolution’/ ‘No Girls For Billy’. This single was destined for the UK top 10, however at the eleven hour the single was withdrawn due to a dispute between The Head and the record company.
Other gems included are the ‘lost’ Quarry Hanger Tapes. These have been digitally remastered back to all their original glory. There is the superior version of ‘Middle Class Revolution’, the quirky ‘Outer Space’, the eastern influenced ‘Cheap Romantic’ and the tongue in cheek, ‘My Girlfriend Loves Billy Idol’.
The entire Granny Sessions are also represented, with the inclusion of the original versions of ‘No Girls For Billy’ and ‘Middle Class Revolution’; the anti drug song ‘It’s Fun To Die’; the pop reverse romantic of ‘I Don’t Think You Love Me’ and the Garry Bushell inspired song ‘Sounds Like Sounds’.

11€
HEADCOATS,THEE - DOWN [DAMAGED GOODS] 2014 (UK)

As we all know, The Headcoats were one of the finest rock 'n' roll bands to walk the planet. 'Headcoats Down' was their debut album and was first released on Hangman Records over 10 years ago when they were already creating their gloriously authentic garage-punk sound. 'Headcoats Down' features some of the best known and loved songs of Thee Headcoats prolific career such as 'Smile Now', 'Young Blood' and 'You're Looking Fine'. After it's first pressing in July 1989, it only remained available for about a year and has never appeared on CD before now. Highly recommended! LP ON WHITE VINYL!

11€
HEADCOATS,THEE - THE KIDS ARE ALL SQUARE - THIS IS HIP! [DAMAGED GOODS] 2014 (UK)

A 12” LP re-issue of arguably the best Thee Headcoats album. ON WHITE VINYL
Originally issued in 1990 on Billy’s own Hangman Records label.
12 tracks including bona fide Headcoats classics
‘All My Feelings Denied’ ‘Davey Crockett’ & ‘Cowboys Are Square’
This album also features the first ever recording by Thee Headcoatees ‘Meet Jacqueline’ which also ended up on their debut album ‘Girlsville’.
Thee Headcoats were formed from the ashes of Billy Childish’s previous combo ‘Thee Mighty Caesers’ in 1988 and released 20 albums and around 40 singles before they called it a day in 2000.

11€
HELEN LOVE - LOVE AND GLITTER, HOT DAYS AND MUISK [DAMAGED GOODS] 2014 (UK)

This is a re-design and re-issue their 1999 album with great new artwork, some extra tracks (CD only) and do it on vinyl for the first time ever! The album includes the singles Does Your Heart Go Boom, Long Live The UK Music Scene and Jump Up and Down It also features the late, great, Joey Ramone dueting with Helen on a great new version of their 1994 single Punk Boy.

11€
HELEN LOVE - RADIO HITS VOL.3 [DAMAGED GOODS] 2014 (UK)

Yep you guessed it Volume 3 of the Helen Love singles comps, this one features all their Che releases, 'Does Your Heart Go Boom', Long Live The UK Music Scene'.....plus an unreleased gem too.
Helen Love started life as a one off single around the Riot Grrl period in 1993, I had received a demo from Dave who was in Lovesick and it was great. It came out in late 93 and it sold pretty well but no press or anything followed, we decided to do another single which was 'Joey Ramoney', as soon as this was released we had a call from Everett True from the Melody Maker who wanted to do an interview. Mark Radcliffe started playing them on Radio 1 and it all started looking really good for the three girls from Swansea.
Wat Tyler had wanted to do a xmas single that year so I asked Helen Love to come up with a Xmas track, Happiest time of the year arrived in the post and was duly released (just after xmas I think). By early 94 they had finished there third proper single 'Punk Boy'. It got great reviews and led onto an 'On' piece in the NME. It was later covered by Ash on their Fierce Panda single. Around this time Joey Ramoney got in touch with the band saying how much he liked their stuff and inviting them to go over to the states to play at his club, very exciting times.
Their next release was a 10"" mini album 'Summer Pop, Punk Pop' with 6 tracks on it, this went straight in at No. 4 in the indie charts. A compilation of all their early singles was released soon after caller 'Radio Hits'. After that we did 4 more singles over the next two years and another singles compilation called Radio Hits 2 before they jumped ship and signed a worldwide deal with Che Records.
After 54 years away Helen Love returned to Damaged Goods in late 2001 and released another now deleted Xmas single (DG 206) and we have also re-released their Che album, on vinyl as well as a repackaged CD. We've also just done another compilation of single tracks called (surprisingly) Radio Hits 3.

11€

HOLLOWS - VULTURE [TROUBLE IN MIND] 2012 GARAGE-ROCK (USA)

What a year it's been for the four ladies & one gentleman in Chicago band Hollows - after releasing their Trouble In Mind debut (the "Bobby Blueheart" single) in late 2010, the quintet has played a score of shows (including a hi-profile gig in Millennium Park, performing to approximately 10,000 people), & honed their singular sound into a razor-sharp musical talon!

Hollows have taken the girl-group influence of their debut album and time warped 20 years, creating a sound that has more in common with Kate Bush than Ronnie Spector and more Go-Go's than Shangri-La's. Their sophmore effort "Vulture" finds them mining more sophisticated & nuanced sonic territories - the opening track "V is for Vulture" sets the tone for the album, with its yearning throb that swells into a (literal) symphony of bittersweet horns & strings, and "Ma Cat" is a somber ode to a lady trucker, with vocalist/organist Maria Jenkins cooing oer it's soothing melody.

12 EUR

HUSSY, THE - WEED SEIZURE [TIC TAC TOTALLY] 2012 Garage-Punk (USA)

THE HUSSY are a two-piece garage/punk/trash band hailing from the politically charged cheese rectum that is Madison, Wisconsin. Consisting of BOBBY and HEATHER, the band has spent the last three years releasing a slew of singles, tapes, and a critically recognized debut LP Cement Tomb Mind Control (released in May 2011 Slow Fizz Records). Weed Seizure is the follow-up to The Hussy?s sold out debut and is released via the Tic Tac Totally Records imprint based in Chicago (Bare Wires, OBN IIIs, Moonhearts, etc.). The new LP was recorded and mixed by Bobby Hussy and mastered by JUSTIN PERKINS (Jaill, Goodnight Loving, etc.). It features 13 of the scuzziest garage stompers this side of the Oblivians. Think Ty Segall angst meets Reatards rampage with a batch of ?60s girl group pop charm. Melodies that stick and rot, drums that pummel and guitar that throws you on an endless LSD loop. Weed Seizure is a psych punk classic for the masses. Artwork designed by legendary outsider artist BEN LYON, most known for his incredibly illustrated fliers.

12 EUR

HYGIENE - PUBLIC SECTOR [LA VIDA ES UN MUS] 2011 PUNK (UK)

On their debut album Public Sector, Hygiene take the listener on a post-pub stagger through the concrete walkways and underpasses of Britain's decline. Daydreaming at their offices on a weekday or at home with their record collection on a Saturday night, the members of Hygiene are dislocated in both time and space. Their LP has one DM boot in the past and the other longwing brogue firmly up the backside of the present. Public Sector hearkens back to a time of Polytechnic radicalism, Special Patrol Group repression and O Level temptresses yet evades the pitfalls of vapid historicity and pastiche. Hygiene see historical continuities and follow them to their logical conclusions, reducing their influences down to their essential constituent elements and reassembling them into now music for now people. Flouting Rockist conventions with equal doses of stark minimalism and plodding fury, these post-punks resolutely refuse the "post" prefix.

12 EUR

HZERO - CANYA ANTIGUA [SELL OUR SOULS] 2009 HARDCORE (ESP)

Después de estar un año trabajando en grabaciones, mezclas y diseños varios el primer LP de HZERO es una realidad. Larga duración compuesto por 8 trallazos de CAÑA ANTIGUA (riffs de la muerte, bajos crujientes y voces de perro) con buenas dosis de Rock y conservando sus raíces Hardcore. Mete en un tren a toda ostia a BLACK FLAG y NEGATIVE APPROACH, y en direccion contraria otro con POISON IDEA y TURBONEGRO. El estallido entre ambos te golpea directo a la cara, asi suenan HZERO. 8 temas en menos de veinte minutos, a 45 revoluciones y con una bonita y cuidada presentación a cargo de Screaming Mario Loco.

6 EUR

IMMEDIATOS, LOS - FOUR TICKETS TO WONDERLAND [SUNNY DAY RECORDS] 2012 Pop (ESP)

Sin duda uno de los grupos más talentosos del pop español en los últimos años, encarnación del espiritu adolescente del beat, creadores de melodías pop que desarman y artesanos de los arreglos, pocos pueden presumir de un curriculum como el suyo.

Los Immediatos se han convertido, por méritos propios, en todo un referente en la escena 602s española de los últimos años; arrastran un extenso kilometraje que les ha llevado a recorrer numerosos escenarios a lo largo y ancho de toda la península y pisar afamados escenarios europeos en eventos como el Primitive Festival (Holanda) o el Festival Beat (Italia). Su experiencia y saber hacer les ha permitido compartir escenario con un montón de bandas de renombre, desde los míticos Pretty Things a los incombustibles Trashmen pasando por los Fleshtones o los británicos Wildebeests... vamos, son lo que se dice unos auténticos veteranos dispuestos a montarse en la furgoneta a la más mínima oportunidad. De Beau Brummels a los Brincos, de Hollies a Powder, de Squires a & Los Immediatos.

12 EUR

IMMURED - S/T [GRITA O MUERE] 2009 HC (ALEMANIA)

Nuremberg-based IMMURED, uncompromisingly rooted in the worldwide Underground scene for almost two decades, return with their second full-length onslaught. AN UNENDING HELL continues where 2005 album FAKE NEW WORLD and 2007 self-titled EP left off: Blistering DARK HARD PUNK delivered with venom and wrath.Recorded and mixed at almost legendary local Lonestar Studio (Amen 81, Genetiks, Missouri), then sent to Austin/TX to get mastered by Jack Control (Severed Head of State, World Burns to Death) to give this 8 song ripper the final polish.Comes in a top-notch finish on 140g vinyl with matt varnished 300g sleeves plus 12 page booklet made with passion and attention to detail. Additionally, there's a die-hard edition of 50 copies on grey marbled vinyl with japanese lettering silver foil only available through the band.Hard-charging grim black as night Hardcore Punk Blitzkrieg!

6 EUR

IMPOSIBLES, LOS - EN ESPIRAL [SUNNY DAY RECORDS] 2011 Pop (ESP)

Grupo madrileño formado a finales de 1980, su carrera comenzó en los bares de Malasaña en tiempos de revival garagero y rockero, pero a ellos lo que les gustaba era el beat de los Beatles, el pop de los Brincos, el folk-rock de los Byrds o el rhythm and blues de los Animals, eran un grupo que avanzaba en dirección contraria, sin destino, pero convencidos de lo que hacían. Llegaron momentos de experimentación con la psicodelia , posteriormente se atrevieron a crear una poperetta que dejó a todo el mundo boquiabierto por la descomunal muestra de tal compañía para crear complejas y preciosistas joyas de pop que remitían a obras maestras del pop clásico de los 60 como el Forever Changes de Love, el Odessey & Oracle de Zombies o el Sgt. Pepper's& de Beatles. Con el paso de los años, Los Imposibles desenmarañaron sus melodías para acercarse a la pista de baile, entrelazando sus habituales gemas pop con temas de rhythm and blues y soul. Vientos y alma negra que dieron paso en su último disco del 2007 a aires de nueva ola y powerpop descarado.

12 EUR

INFAME - II [GRITA O MUERE] 2009 HC (ESP)

Versión en vinilo del segundo trabajo de esta banda barcelonesa, más de lo mismo...hardcore con letras mayúsculas, toques escandinavos y japoneses. Con componentes y ex-componentes de un montón de bandas....

6 EUR

IRRITONES, THE - PENIS ROMANTIQUE [P TRASH] 2011 Punk (FRA)

Second longplayer from the almighty Irritones!! An incredible earcandy hitmachine that you expect from a band, consisting of ex band members from THE HATEPINKS and AGGRAVATION. First class 77 snotpunk punk rock that show a dynamic blitzkrieg between sweet melodies and classic headcrushing stompers. LP LIMITED TO 300 COIPES AND COMES WITH A FANCY FOLD OUT POSTER!! LP LIMITED TO 500 COPIES WORLD WIDE!!

11 EUR

JABBERWOCKY - FINGER POPPIN' TIME [INCOGNITO RECORDS] 1997 PUNK (HOL)

The second album by this dutch band. loud, fast and melodic mid-fi Punkrock. 17 ass-kickin' songs.

6 EUR

JACCO GARDNER - CABINET OF CURIOSITIES [TROUBLE IN MIND] 2013 POP (FRA)

It's a hard realization to discover that the world may not be as magical and wondrous as you once believed, & reconciling ones loss of innocence and sense of naïveté is a theme that reoccurs often in art, music and literature. From 'To Kill a Mockingbird' to 'God Only Knows' the best articulations of lost youth can have a very visceral impact. The 12 tracks that make up the debut album "Cabinet of Curiosities" from Dutch multi-instrumentalist and producer Jacco Gardner deftly explore this territory in a far more accomplished and mature way than you would expect from a 24 year old, fulfilling the promises made by his first two singles. Jacco's melodic palette colors music with a more U.K.-sensibility, where minor chords & plush harmonies brush up against strings, mellotrons, harpsichords & an occasional squeezebox. The overall feel is more Zombies than Left Banke and more Nirvana & Billy Nicholls than Beach Boys & Van Dyke Parks. The title track "Cabinet of Curiosities" is an instrumental reminiscent of the best of Curt Boettcher's projects like The Millennium and Sagittarius with its playful baroque arrangements. 'The One Eyed King' and 'Chameleon' delicately evokes a softly waning sunset melancholy while 'Puppets Dangling' slinks forward suggestively at first, unfolds into an expansive, string-soaked chorus, before winding back into a taut melodic denouement. Recorded & engineered at his "Shadow Shoppe" Studio in Zwaag, The Netherlands, "Cabinet Of Curiosities" features Jacco playing every instrument (save the drums, deftly played by Jos van Tol) & was pre-mastered by Jan Audier - famed engineer of Dutch garage/psych heavies Q65, The Golden Earrings & The Motions on his vast array of authentic Sixties analog gear. The first Trouble In Mind edition of "Cabinet Of Curiosities" is pressed on randomly mixed 150gm vinyl, includes a full-color insert & download code. RIYL: Syd Barrett, Zombies, Left Banke, Dungen, Tame Impala Horse, Gentleman Jesse, Carbonas, Barreracudas, Busy Signals

16 EUR

JOHNNY MOPED - THE COMPLETE BOOTLEGS VOL I & II [2LP-DAMAGED GOODS] 2007 PUNK (UK)

Well first off lets say how totally honoured we are to be releasing a Johnny Moped Record, the bootlegs have always been one of my favourite tapes and the 7" that Chiswick released with the first album is legendary.Hopefully there will be more from where this came from... Keep 'em Peeled!So Johnny Moped then... well... This is 'borrowed' from the lovely Trakmarx website... www.trakmarx.com and from Dave Berks sleeve notes in the Chiswick CD 'Basically'."Johnny Moped had all three ingredients necessary for maximum rock'n'roll: amateurism, mayhem & humour. As the proud owner of a pair of Slimey Toad's shorts I give my full endorsement to this silver digital beermat. Essential punk rock!" Billy Childish (1995)The Myth Of Johnny Moped's Assault & Buggery:Johnny Moped: essential punk rock. Billy Childish knows, you know.

13 EUR

JOHNNY THROTTLE - S/T [DIRTY WATER] 2011 PUNK (UK)

Formed by ex-Parkinsons front-man Afonso and including former members of Menace, The Shakin' Nasties, the Jackoffs, the Chinese Lungs, the Stains and Urban Shocks, Johnny Throttle have been playing drunken, beer-soaked gigs since the tail end of 2008. They play snotty, moronic and straight-to-the-point gonzo-garage punk rock, banging out furious 20-minute (smoking ban-friendly) sets of short and catchy songs that bring to mind something like Slaughter and the Dogs meet the Electric Eels.  Longer if they like you.  This is probably London's best punk rock band, and definitely the snottiest.Their debut release, Stukas Über Shoreditch, which came out on Wrench Records, was a two-fingered salute and a spit in the eye. If you didn't know better you'd think it was a 1976 release recorded by glue-sniffing, speed-freaked, three-chord, angst-addled teens, frying up the airspace with sub two minute machine gun aural abortions, securing themselves a defining Peel session before splitting up and fucking off for a life behind a desk working in an insurance office.After a second 45 on the legendary Crypt Records, it's now time for their first full length offering which is a similarly abrasive kick to the head, a blistering, full-on, spiked slab of rampant frenzy, replete with 100mph serrating riffs, like a seriously wired Dead Boys having a party with The Stooges whilst the pub rock honk of Eddie & the Hot Rods unsuccessfully tries to calm things down.Like the best bands of the seventies punk era, Johnny Throttle are hugely influenced by the sixties garage bands, and were regulars in the audience, and on the stage, at the old Dirty Water Club during the last decade. But the main thing to them is that the music has to be sharp as a dagger, threatening but also beautiful. The 12 tracks on this album are inspired mini-operas, played with the kind of near incompetent teenage enthusiasm which only borderline middle-aged, lowlifes, has-beens and neverweres can truly muster.This is real rock'n'roll, the way it was meant to be it has an urgency and honesty that no teenager today can manage to achieve, despite their skinny jeans and carefully studied attitude. Johnny Throttle have the attitude, learned from a life on the streets, hanging out in cheap dives and hanging out with cheap women. Johnny Throttle are for real.

11 EUR

JUMPERS/198X - PALACH MEMORIAL [RAVE UP] 2012 Punk (ITA)

The 'Punk' style became quite popular in Milan only after the Adam and the Ants concerts in 1978. After this event (15th/16th october), the local kids became conscious that build a 'punk scene' in town was finally possible. Of course, some bands were started before those nights (see Decibel, that were the official supporters of the Ants). But 'our' focus in this story is dedicated to Mittageisen, Gags, TV Vampire, Jumpers, 198X. This album contains three tracks recorded in studio of Jumpers (more punk, in the same vein of Clash, Pistols) and rare sessions of 198X, a band inspired by Wire/Siouxsie and the Banshees/Adam and the Ants that were connected with Mittageisen, Gags. TV Vampire. This album is a true 'missing link' for all the euro-punk fans!

10 EUR

KIDZ NEXT DOOR - S/T [RAVE UP] 2012 Punk (UK)

London based band with Jimmy Pursey's little brother on vocals. Jimmy Pursey (of "Sham 69") also produced their only and great 7 released in 1979 on major Warner Bros records. Their tracks were compiled on various punk bootleg compilations during these years. Finally on vinyl, the anthology that contains all their studio tracks + a bunch of great 'live' cuts. Limited to 500 copies!!!! Be fast to order!!

10 EUR

KOHU-63 - SOTAA 81-82 [HOEHNIE RECORDS] 2012 PUNK (FIN) REISSUE

24 hard Finnish smashers in the vein of the mighty LAMA! Includes their classic material from the first EP, Mini-LP and LP originally issued on Poko Records in 1981/82! Comes with superb artwork and all their offensive political lyrics! Two songs were censored by Poko, here are the original versions! If you di early Suomi Punk/HC this is mandatory!!

11 EUR

KORROSIO - KYLLA TYTOT YMMÄRTÄÄ [SVART RECORDS] 2012 PUNK (FIN) REISSUE

Record Store Day release 2012. Gatefold jacket, black vinyl. Limited numbers available.

13 EUR

LA-DE-DAS - S/T [GROOVIE RECORDS] 2012 Garage (NZE) REISSUE

REISSUE.The La De Das were a leading New Zealand rock band of the 1960s and early 1970s. Formed in New Zealand in 1963 (as The Mergers), they enjoyed considerable success in both New Zealand and Australia until their split in 1975. Here their first LP, a long time awaited reissue, this is maybe one of the best R&B/Garage records out of New Zealand and Australia during the 60s. Tunes like "How Is The Air Up There" or "On Top Of The World" are among the best in the genre. It's a masterpiece from 1966, for every rock, garage or mod fans around the globe, this is the best you can get.

12 EUR

LEGENDARY WINGS - MAKING PAPER ROSES [DIRTNAP RECORDS] 2012 POWER-POP (USA)

It happens very rarely (like a couple of times over the course of 120 releases) that we here at Dirtnap get a random CDR demo in the mail, pop it in, listen to it a couple of times, and then slap our fist down on the counter and say fuck it, we'll put that out!' And that's just what happened in the case of Kalamzoo, MI's LEGENDARY WINGS. Unsolicited demos are largely a lousy way to round up new bands for the label, but once in a blue moon you get one that's just THAT good. Musically, the apple that is Legendary Wings doesn't fall TOO far from the tree that is Dirtnap Records, (think caffeiniated, raw, fast pop), but they are also unmistakably, instantly identifiable as originating from the Midwest.Potential Johns meets Gaunt? Scared Of Chaka if they were from Minneapolis? Denton with jangle? Their mix of caffeinated instrumentation, and overly sensitive lyrics will make you melt if the mood is right.

12 EUR

LENZ, THE - UNDER NEON [TIC TAC TOTALLY-12"] 2012 Punk (USA)

12"-I think we have found the perfect format format for Andy Jordan's (The Cuts, Time Flys, Andy Human) spacey glam-punk material of recent vintage. Under Neon is a beautifully concise and balanced record with a huge sounding vision. 4-songs that sprawl out nicely across a 12" dishing equal shares of Andy's awestruck John Hughes sugar, and the darkened melodramatic undercurrent of class-A punk gloss carved in marble. It leaves you with aural phantoms ringing of Roxy Music, Grauzone or any number of high-class power-pop bell-ringers. The guitar tracks of Ray Seraphin (Nobunny, Epic Sessions, The Impediments) chisel this vision into the grooves leaving a big, clean, self-produced fingerprint for maximum taste. Under Neon follows their sole S.S. 7", and we're sure those in the know will appreciate both incredible mission statements these records provide. This record was lovingly mastered by Jason Ward at Chicago Mastering Service, and it comes in a beautiful reverse-jacket with inner-sleeve and yes, includes a download code with purchase of the vinyl.

12 EUR

LIMIT, THE - S/T [CHEAP REWARDS] 2012 POWER POP (USA)

THE LIMIT sprang from fertile ground. In the early 1980s, New Orleans was home to a thriving punk, hardcore, new wave and metal scene. The Limit, who coined their brand of music powerful pop, began playing the local club scene in the spring of 1982. The trio recorded their debut EP at the end of 1982 and released it as a 10 in May of 1983 in an edition of 500 copies. Featuring four infectiously catchy tunes, the record sold well and received promising reviews. Although the band enjoyed modest success in Louisiana, drawing large crowds to their shows, they were unable to gain interest from major labels. The band lost momentum and ultimately broke up in January of 1984. 30 years after The Limit recorded the songs for their sole release, Cheap Rewards Records is excited to give new life to their music. The Limit LP compiles the songs from the band's self-released EP, along with a demo of their shoulda-been hit, Uh Oh, plus an entire side of previously unreleased live recordings. Expertly restored from original source tapes, this record is a remarkable listen from start to finish. All copies come with a free digital download card.

14 EUR
LIVERPOOL ECHO - S/T [SING SING RECORDS] 1973 ROCK (UK) REISSUE

A perfect pair alongside Rockin' Horse's 'Yes It Is,' the self-titled album by The Liverpool Echo makes a swaggering assertion for the enduring power and captivation of the early Mersey styles of McCartney & Lennon.The idea was simple: make a hit record in the early, authentic style of the band with the most hits of all time – THE BEATLES – and use said record as a springboard to capitalize on the ten-year anniversary of their birth. And do it cheaply. And in only one week.While The Liverpool Echo proved perhaps too late to ferry 'cross the Mersey and too early to dilate its pupils to Starry Eyes, the record they left behind remains the most wonderfully rocking cenotaph to the original Cavern Club 'moment' that I have ever encountered.So you might as well surrender…It's for you!
Release Country: UK
Release Year: 1973 / Reissue Date: 11.13
Original Label: Spark Records

13 EUR

LOCAL OAFS - POWER AND GLORY [P TRASH] 2010 PUNK-HC (SUE)

After the MANIKINS hung up their guitars and called it a day, Kalle and Max roamed the nocturnal streets and met their old pal Nero who was taking Chewbacca for his daily walk. Together they went over to the 24/7 juke joint for some of that delicious and eyesight-robbing Swedish moonshine liquor and went insane. The rest is history documented on this second Vollgas album that was written in one go on the backside of an old Samantha Fox poster and recorded straight away in the drunk tank of the local police station. When the four OAFS were found in the morning, they had thrashed themselves into a rabid delirium and the shocked officers sent these 18 outbursts directly over to the P. Trash HQ. We see it as our duty to let this thrashy testimony be a warning for our youth to keep away from the evil spitits by letting you listen in indignation to such a wild blast of fast and beating songs entitled ''Dead by dawn'', ''The best thing that ever happened to me is nothing'', ''The dark ages are coming back (and I f**king like it)'' and the even more shocking ''Pissing on a drowning man'' and ''Surfin' on a big brown wave of shit'', together with a whole lotta more titles where those poor boys speak in tongues, clearly lost forever. Relentless and unforgiving. Keep away in a safe place, we know how hard it is to resist such tasty temptation.

10 EUR
LONG TALL SHORTY - COMPLETELY PERFECT [DETOUR RECORDS] 2002 (UK)

2xLP.Detour Records are at it again - bringing you the very best in the ‘79 Mod Revival!! Following on from our hugely successful ‘Chords’ ‘Fast Cars’ and ‘Incredible Kidda Band’ releases we are now extremely proud to bring an (almost) complete career oversight of one of the earliest and best Mod Revival bands - Long Tall Shorty!!!
Formed in 1978 and originally known as ‘The Indicators’ the band went on tour with the ‘Angelic Upstarts’ where they attracted the attentions of Jimmy Pursey who signed the band to his ‘JP Productions’ label and suggested a name change to ‘Long Tall Shorty’.
The band played extensively all over the country and soon became one of the brightest lights in the burgeoning Mod Revival scene with music papers, fanzines and fans everywhere raving about their powerful live shows. This was ‘real’ music - pile-driving R&B tinged Mod that led to the band releasing several singles - the debut single ‘By Your Love’ that came out on the ‘Warner Bros’ label was withdrawn with only 200 copies rumoured to be sold. The band’s second release ‘Win Or Lose’ on the ‘Ramkup’ label is one of the main collectables on the Mod / Punk collectors circuit and now regularly fetches up to £100.00. The band soldiered on until the Mid 80's and called it a day in 1985.
Now, what we have here is an extensive over-view of the bands career. The first disc features the album that the band recorded for Warner Bros back in 1979 that was to be ‘1970's Boy’ but was withdrawn at the last minute - a real treat in itself! The second disc features rare and previously unreleased tracks from the band’s history and is a great insight for fans into some great recordings. Also featured is the rare single ‘Anti CND’ that the band released under the name ‘Joe Public’ for fear of a backlash!! Coming with great packaging on both formats with heaps of rare photos and liner notes by Tony Perfect and Eddie Piller this is a real treat of a release!!
The band are back up and gigging again and will be playing The Water Rats at King’s Cross, London on 20th July supported by ‘Fast Cars’ and the great ‘79 Mod band ‘The Teenbeats’ - be there!!!

14€

LONG TALL SHORTY - THE SOUND OF THE GIFFER CITY [TIME FOR ACTION] 2009 MOD (UK)

LTS were formed in 1978 as one of the earliest Mod Revival band, split up in 1982 and reformed in 2000.Now they are back with 15 new songs incl. a Re-working of their old live classic ANTI CND which has never been previously recorded by LTS. And the music is more or less the same as in the early stages - Mod Punk with powerpop and 60..s influences.So once again they epitomized the pure Mod Revival sound with incorporate the agression of Punk and call it today Giffer!Sleeve notes by Garry Bushell.

9 EUR

LOOSE PRICK - VALKOISET [SVART RECORDS] 2013 PUNK (FIN)

Loose Prick, the classic punk quartet from Kouvola, Finland, kicked off their career with two seven inches at the tail end of the seventies and then put out the debut full length 'Valkoiset sotilaat' on Poko Records in the summer of 1980. From three-chord punk rock blasters to slight experimentation and new wave influences, the album is a stone cold cult classic. It has not been reissued in its original form since 1980, until now. The Svart reissue is 24-bit mastered for vinyl from the original tapes and comes in a gatefold jacket, which features liner notes by the band and some unseen photos. The LP is available on standard black and limited white vinyl.

13 EUR

LOST MEN SERVICE - BARCELONA BREEZE [WAH WAH RECORDS] 2012 PUNK-MOD (ESP)

The Lost Men Service are a bunch of experienced young musicians coming from some now defunct classic Barcelona combos (Moonrakers, Knell Of Gaia, Pilseners...) who got together to produce an interesting mixture of ellegant UK punk-rock, power pop and sixties mod sounds. Think of Jam, Buzzcocks, Who, Kinks, and add also a spice from the US greats of the seventies, Real Kids, Flamin' Groovies, and there you are. Wah Wah presents their astounding Rickenbacker pill

10 EUR

LOVE IS ALL - LAST CHOICE [WHAT'S YOUR RUPTURE?] 2008 Pop (SUE)

Don't be fooled by the self-deprecating title of Love Is All's newest EP. Last Choice is anything but. It takes its name from its title track, the stunning, swaggering disco-ish standout that first appeared on the Swedes' sophomore full-length, A Hundred Things That Keep Me Up At Night, and though the EP's five other songs are all new B-sides, they don't sound like leftovers. In fact, the EP's main fault is that it's too short; these five new songs deserve to be paired with another five on a full-length. With each subsequent effort Love Is All refine their sound, and Last Choice suggests their best work could actually be yet to come. Though they started as spazzy noisniks who joyously shouted and pounded so loudly that it was often hard to hear the "pop" in their heavily rhythmic pop anthems, on A Hundred Things they exerted more control over their delightfully messy sonics and placed greater emphasis on their wonderfully descriptive and direct lyrics.With their mastery of richly detailed yet simple storytelling, Love Is All offer lyrics that crackle with added resonance. Often overshadowed by the spastic din of her bandmates, singer Josephine Olausson's warbled words now have the space to be heard. So though the title track will immediately win listeners over with its glammy, steel drums-like keyboard intro and a plinky, sax-studded melodic interlude ripped from Bruce Springsteen's "Rosalita", it will earn repeated plays with its straightforward depiction of the kind of end-of-the-party loneliness that leads one to go home with their "Last Choice": "The same song is on repeat, something inappropriately upbeat/ And now people leave hand-in-hand, as if according to some mysterious plan/ I'm about to be left alone, I'm sitting on the sofa on my own."Olausson has intermittent regard for pop rhyme schemes and seems to care even less if her chosen words fit into the music's allotted space, either hurrying over syllables or drawing them out over extra beats. But her off-kilter delivery-- with its emphasis on her hard Scandinavian "r"s, babydoll-voiced run-on sentences, and explosive caterwaul-- adds character to her distinctive, first-person narratives. Who knows if the songs on Last Choice are autobiographical, but Olausson's unselfconscious approach to her subjects-- she often presents them at their worst, most selfish, or loneliest-- makes her a rare vanity-free frontperson. "Early Warnings", a Yeah Yeah Yeahs-ish stomp, describes an accident-prone, very bad morning-after. On "Jealousy" Olausson takes the guise of a demanding girlfriend having a public fight with her boyfriend, and "Vans Vans Vans", which returns to the harder-hitting, fuzzier, more lo-fi aesthetic of Love Is All's first album, recounts unglamorous tales from the road.If the band believes that their debut was, in fact, nine different versions of the same song (as its title jokingly claimed), then they must be proud of Last Choice's diversity. They display comfort with jangly, Clean-like pop (as on "From Your Corner") and surprising agility with heartbroken, tambourine-aided twee (as on "Loud Heart"), as well as re-pledging their allegiance to the funky, manic post-punk that they made their name on. This EP may be short-- it's less than 19 minutes-long-- but it makes a very big statement about the future of this Swedish quintet: They've only just begun to show what they can do.

9 EUR

LOW CULTURE - SCREENS [DIRTNAP RECORDS] 2013 PUNK (USA)

Low Culture's Screens will probably be my favourite album of the year, as well as being one of the best I've heard in the last ten years. Now that I've gotten that out of the way, it should give some idea why I've rated this as five stars and anyone who disagrees can... well, I don't care because you're wrong. Now on to the business in hand: Low Culture are from Las Cruces, NM and features members from bands such as The Marked Men and Shang-a-Lang, both of which excel at punk rock played with big fat nods to garage and pop in suitable doses along the way. As good as both those bands were/are, I really do believe that the dozen songs on Screens take things to another level. It's not a case of a band creating something new, it's more that they've taken a punk/garage sound and used it as the foundation for a whole bunch of ridiculously cracking songs. The album kicks off with the title track and it's like a greyhound out of the traps, hurtling along at top speed and taking me along for a short, sharp ride. However, there is no time to catch a breath from start to finish really, as there is a momentum throughout the album which doesn't dip in terms of pace or quality, although the final track "Magical Thinking" does slow things down a touch as Screens reaches its conclusion. Don't be kidded into thinking that this album is just a blur, as there are huge chunks of melody within these songs, some great lyrics and hooks aplenty all delivered with a sense of purpose, which seems to be to do something that is simple and effective yet different enough to make it stand out. The production on the album, provided by Mark Ryan (Mind Spiders/Marked Men), is massively fit for purpose and gives a cleanish feel to the record, but one which does not feel overproduced and homogenised. The other thing that hits me each and every time I listen to Screens is the use of the cymbals: for me, this is what keeps up that frenetic pace, thus allowing guitars and bass to seem as if they're being played that much faster than perhaps they are. Each listen provides me with another favourite track on here and one day it could be "Pills," the next it's "Screens" and then it could be "I Feel Your Ghost"; each song has its own merits to have it vying for the best track on the album. Additionally, I find various tracks just leaping into my head without any notice, and to be fair it's always a welcomed arrival, guaranteed to cheer me up.  There you have it, the top spot on my Best Of 2013 List is almost certainly decided now and if you consider yourself to have any interest in music (and I deliberately do not use the word 'punk' because I think this transcends genres) then give this a listen and see what you think (but I reiterate, if you don't like it, I don't care!).

12 EUR

LUKE MUCUS & THE PHLEGM - S/T [RAVE UP] 2013 PUNK (USA)

Inspired by the ‘77 Punk pages of Creem and Rolling Stone magazines, four suburban Detroit high school journalism classmates fashioned themselves into a band. Only one actually knew how to play guitar. Like that ever mattered. Luke Mucus & The Phlegm were born out of boredom, a taste for the absurd, and a compulsion to take class-clowning to new sonic levels (and depths). Eric Winer (Luke Mucus), Dave Perry (Runny Buttz), Howard “Pork” Iwrey, and Cliff Iwrey (Mitch Wretched) plied their love of Classic/Progressive/Singer-Songwriter Rock into the brave new world of Punk. Their first performance was their chanted anthem “Do Something Gross,” over a cart-tape loop of the riff from KISS’ “Detroit Rock City,” with canned crowd cheering in the background. Recorded for Winer’s school radio station’s comedy show on WBHS, it seemed like a complete one-off. Friend-of-friend, Kevin Chudler (Sweet Lew Putrid) happened to be hanging out in the studio, and Winer immediately recruited Chudler on guitar. LMP unleashed a few of their original-songs live at the now infamous “West Bloomfield High Gong Show,” and proceeded to continue their [close] rants, even after the plug had been pulled on them for exceeding their five-minute limit. Seems they had a lot of NOTHING that demanded to be heard. Being heard meant a real demo, so LMP set up in Winer’s parents’ living room. The WBHS mono mixing board and a tape deck were hooked up to somehow and somewhat capture the madness. The vocal mic was plugged directly into the board so as not to allow for the vocals to be heard live. Song keys-be-damned. The tape, called “Body Functions” landed LMP their first gigs, booked through local punk impresarios, Sureshot Productions. Winer’s younger friend, Randy “Yid” Sosin, had been hip to the whole deal. Sold on the concept, he drove with Winer to borrow his friend David Hirsch’s drum kit and became Luke Mucus & The Phlegm’s drummer on the spot. Hirsch years later became Dick Clark’s replacement on American Bandstand (YouTube Search: Dick Clark toasting Randy Sosin’s marriage in a priceless sendup). LMP was now starting to take legitimate shape. Perry switched from drums to his real instrument, guitar. Cliff Iwrey disappeared into the abyss of suburbia. Basement practices started in earnest, and by Fall ‘78, at the ages of 16 -18, LUKE MUCUS & THE PHLEGM started playing the Detroit punk clubs Bookie’s, Lili’s, The New (Old) Miami, Nunzio’s, The Red Carpet, etc. These were The Motor City’s versions of CBGBs and Max’s Kansas City. Remember, Detroit was still about 5th largest metro area in the country then, and half of the male inhabitants between 15 and 30 wanted to be Iggy Pop. A large audience, and at the same time, a lot of competition. Therein lies the rub. Combining the anarchist rantings of The Sex Pistols, the industrial chugging of The Stooges, the body-surfing-on-speed of The Ramones, the Vaudeville showmanship of Alice Cooper, and the nod/wink social commentary of Frank Zappa, LUKE MUCUS & THE PHLEGM offered a unique entrée in Detroit’s booming punk buffet. In fact, LMP’s first gig at Bookie’s on Sept. 8, 1978 was two months to the day before The Police played the same venue for their Detroit debut. The Police already had an A & M recording deal and the hit single “Roxanne” on their hands, but why quibble over details? Neither LMP, nor the crowd knew what to expect that first show, but LMP won over most of the bewildered witnesses, including headliners The Mutants and TuTu & The Pirates with their over-the-top assault. LMP felt they were in their element, as they marveled over TuTu’s guitar that was made out of a toilet seat. Tasteful, indeed. But “getting” LMP was not an acquired taste. You either got it or you didn’t. And if you got it, YOU LOVED IT AND COULDN’T GET ENOUGH. One guy who got it at that first gig was Wayne “Burrito” Lax, who, as luck would have it, was there with a friend who knew the band. Two weeks later “Burrito,” with his bass guitar in tow, and an unyielding Rock & Roll soul, would meet up with Winer at Michigan State University. The band needed a bass player, and “Burrito” was in. Luke Mucus & The Phlegm played for two, curiously magical years before morphing into the poppier/New Wave outfit, Luke Warm (see also on Rave Up Records). The ’79 basement studio recording of Luke Mucus & The Phlegm’s “Live At Yid’s” along with various other live performances are presented now for the first time to the public on Rave Up Records, in their remastered, but un-edited versions. “Luke Mucus & The Phlegm attacked Punk as only suburban, Midwestern teen smart-asses could… like they were the only band in the world.” – Chuck Eddy, Rock Critic- Creem, Rolling Stone, Spin, EW, etc.

12 EUR

LUKE WARM - S/T [RAVE UP] 2013 PUNK (USA)

In 1980, Detroit’s LUKE MUCUS & THE PHLEGM morphed into the more user-friendly LUKE WARM. Catching the New Wave/Power Pop bug, LUKE WARM discovered their strengths as songwriters, and grew from delivering raw, entertaining absurdities, to still quirky, but catchier, polished gems. Their classic lineup of “Luke” - Eric Winer (vocals/lyrics), “Runny” - Dave Perry (lead guitar), “Sweet Lew” - Kevin Chudler (rhythm guitar), Randy “Yid” Sosin (drums), and “Burrito” - Wayne Lax (bass), had forged a unique sound for two years, and were now ready to build on their momentum. Current, but somehow from a different head than their contemporaries, Luke Warm was on a mission to share their inside-jokes with a larger audience. With Rock Radio playing The Knack (led by ex-Detroiter Doug Fieger) and The Romantics (also from Detroit), there was optimism throughout The Motor City that a number of bands might bust out of The Rust Belt to make it big. Luke Warm went to work: writing, practicing, recording, and gigging. Following the sage advice of their first manager to “write hits,” and with a booking [close] agent on board, LW moved well past just getting paid gas & beer money. Headlining a incendiary string of shows at Angie’s in Farmington, just outside of Detroit, LW developed an avid fan base that would follow them throughout their ’80-’82 shows in Detroit, Ann Arbor, and Lansing, Michigan. And The Luke Warm Show was just that: A SHOW. Neither classically, nor remedially trained as a singer, Luke delivered songs like a riffing stand-up comic on a fiery roll. Whether clad in leather shorts and a referee shirt, or sporting a suave white dinner jacket, Luke presented a variety of personas and characters, aiming to simultaneously enlighten, enrage, and entertain. Like the leader of a Punk Rat Pack, Luke sang, danced, and wise-guyed his way to rousing applause no matter the venue. Perry, rail-thin and feather-haired, played the heartthrob playboy with wicked, melodic, and bluesy leads that were not standard one-string punk-power-drills to the brain. As the band’s musical director, Perry was part partner and part foil to Luke’s antics with his backing and answer vocals. A star in his own right. Chudler solidly kept it driving on rhythm guitar. Understated, yet always with subversive swagger and deadpan humor. While not the biggest member of the group, Chudler was undoubtedly the toughest. He always had every one’s back, on stage and off. And when Chudler stepped off, versatile guitarist/singer Steve Tarnowsky stepped in, and brought his smooth musicianship and versatility to the band. Hands down the coolest guy in Luke Warm without trying, was Randy Sosin. Sosin’s quirky, syncopated, and lyrical drumming kept the set in a variety of motions… whimsical, dramatic, chaotic… all while staying true to the heart of every song. Though the youngest member, the band looked to Sosin for keeping them tuned into new music, fashion, and clubs. And then there was Burrito on bass. The show within the show. Stalking the stage with a demonstrative style fit for an arena headliner, Burrito lived and died the band, the set, every song, every note. Chugging with Chudler and Sosin, Burrito’s emotions and sheer joy gave Luke a foil and ally on the right as Perry soared on the left. Burrito once celebrated the end of a show by not-so-faux-slamming the mic stand down on Luke’s head, as Luke lie exhausted on the ground. What’s a little blood? It was great theater. Notoriety came when Luke Warm’s “Jesus Chrysler,” single, a poke-in-the-eye to the failing auto giant, was released b/w “Why Don’t You Like Me?” (a thinly veiled answer song to The Romantics (“What I Like About You”). Continued gigging, radio airplay, interviews and a Detroit Free Press article (about a Chrysler executive who got in trouble for buying 10 records and passing them around the office), gave Luke Warm the motivation that they were now on the right track. And, if fate smiled on their burgeoning talents, that they might also have been on the fast-track. Time, of course is relative… and you can now follow Luke Warm’s tracks now on RAVE UP! “What can I say about Luke Warm that hasn’t already been said in therapy by anyone who ever attended one of their shows.” Howard Kramer, Curatorial Director Rock & Roll Hall Of Fame Cleveland (Former Manager of Luke Warm). LONG LIVE LUKE WARM!

12 EUR

LURKERS - 1977 [------] 2010 PUNK (UK)

The first two 7"es, a compilation track, unreleased studio demos and the first John Peel Session, all recorded in 1977.

12,5 EUR

MAGIC JAKE & THE POWER CRYSTALS - S/T [BURGUER RECORDS] 2012 GARAGE (USA)

KILLER GARAGE PUNK STOMPERS OUTTA DETROIT COURTESY OF MAGIC JAKE (King Tuff) AND BOBBY HARLOW (The Go, Conspiracy of Owls)!!!

10 EUR

MALLRATS - FALLING IN LOVE ALL OVER AGAIN WITH [SCREAMING APPLE] 2005 POWER POP (USA)

The MALLRATS are a hook laden power-pop trio from Sacramento, California. The band formed in late 2000 with Adam Miller on bass, Ted Angel on guitar, vocals and Mickie Rat on drums. Seventeen year old boywonder, Steele Strella later replaced Mickie solidifying the bands sound. Armed with Rickenbacker guitars and Vox amps, the MALLRATS play infectious power-pop influenced by the JAM, the BUZZCOCKS, Elvis Costello, Nick Lowe, Mr.T.EXPERIENCE and of course, the DECIBELS. They have already gained a loyal following in their hometown of Sacramento, which is now extending to the Bay Area and the rest of California and they will certainly conquer Europe with the release of their debut-album too. They have also found success on the internet, recently ranking in the top ten in the power-pop charts on mp3.com This past winter the MALLRATS went into the studio with the amazing Bart Thurber (ODD NUMBERS, WORKIN´STIFFS, HI-FIVES) and cameout with this full length's worth of super cool sounding, catchy as hell tunes,affectionately called "Fall in love all over again with" Youth, energy and the ability to write great songs makes them one of the brightest new stars in power-pop heaven. Listen and fallin love all over again with the MALLRATS. http://www.themallrats.com

8 EUR
MANDATES, THE - S/T [TAKEN BY SURPRISE] 2014 (CAN)

The Mandates are a punk/power-pop quartet based in Calgary, Alberta, Canada. Formed in 2010, Matt Sikkens, Jimmy Sixx, Kirch N. Destroy and their drummer, Tahoe, have dedicated the most ambitious few years of their lives to writing the best '77 pop punk anthems their minds can arrange. Taking cues from classic acts like Teenage Head, Thin Lizzy, New York Dolls and The Jam, The Mandates have forged through their music scene, creating something vintage and yet somehow maintaining a modern appeal. The 12"" follow-up to their first single ""Take You to the Dance"" os boasting their most danceable choruses and inspired lyrics to date. This full length vinyl release, produced by Portland punk rock aficionado Pat Kearns (Exploding Hearts, Nice Boys, Red Dons, Clorox Girls) is a passionate and earnest endeavour.
This record was originally released on MAMMOTH CAVE.

11€

MANIC DEPRESSIVES/0:30 SECOND FLASH - SPLIT MLP [RERUN RECORDS] 2011 PUNK (USA)

Super swell Buzz Saw/Killed By Death Punk from two new Orleans bands! Complete Recordings 1980-1981!Both bands were the brain child of Larry Holmes who ran the legendary Vinyl Solution record label and the Final Solution fanzine in New Orleans. Beginning in 1979, Vinyl Solution released singles by early punk bands Red Rockers, Shell Shock, Toxin III and other locals, along with the scene defining No Questions, No Answers compilation LP. The vinyl releases are U.S Punk classics, and his Final Solution fanzine was by far, the best documentation of the early New Orleans punk scene. Making sure to cover all angles, Larry put the Manic Depressives together. He choose pals like local loonie Mandeville Mike and members of the Models to fill the line up. The band didn't last too long, but they managed to leave behind a 7"ep and a two compilation cuts of tough, yet melodic speed punk. When the Manic Depressives ended, Larry formed the similar sounding 0:30 Second Flash with another group of friends. They recorded a four song EP and played live a few times, but they were over even faster than the Manic Depressives. The EP was not released as planned, and Larry, like many others got bored with punk when it turned hardcore. We've collected the complete recordings of both bands on a 45rpm 12". Side one has the Manic Depressives 7ep and compilation tracks from 1980-1981, while side two is the unreleased 0:30 Second Flash 7"ep from 1981. Pressed in a an edition of 500 copies on black vinyl, housed in a color jacket with previously unpublished photos and liner notes.

12 EUR
MARKED MEN, THE - ON THE OUSIDE [DIRTNAP RECORDS] 2004 PUNK (USA)

Twelve punchy, tightly wound bullets of punk and power-pop goodness from Dallas Texas' finest, THE MARKED MEN. Featuring ex-members of beloved Texas outfit THE REDS, the band's debut album on Rip Off Records put them on just about every discerning punk rocker's 2003 top ten list, which was followed by highly successful tours of the US and Japan. With this highly anticipated and well produced follow-up, the boys are poised for even more.

11 EUR

MARTIN REV - S/T [SUPERIOR VIADUCT] 1980 PUNK (USA) REISSUE

In 1980, shortly after SUICIDE's second full-length, MARTIN REV released his first solo album on preeminent No Wave label Infidelity (Lust/Unlust). Uninhibited by the trappings of a collaborator, Rev was freed to explore his most experimental and pop leanings with dirty synths, dark melodies, and dreamlike textures, and produced a masterpiece of modern alienation that captures a uniquely New York landscape. Echoing other electronic forerunners such as SILVER APPLES and KRAFTWERK, and foreshadowing the work of APHEX TWIN and AIR, Rev's solo outing rests firmly in the lineage of unnerving sounds from the furthest fringe of maladjustment. First-time vinyl reissue. Insert includes new Rev interview by musician / critic Alan Licht.

14 EUR

MARVELOUS DARLINGS - LIVE AT GALES [DERANGED RECORDS] 2011 POWER-POP (CAN)

How do you record sweat? I don't know, but Marvelous Darlings have done it. Live at Gales is a non-stop fuzzed out 22 minutes and 35 seconds of pissed off power-pop injected with a raw rock n roll energy you only fantasized about your own band having during daydreams in front of the stereo. Full of strained vocals, luscious garage rock guitars and idiotic yelps from the crowd make this as close to an actual MD concert experience as a Saskatchewan resident will ever get.

10 EUR

MASTON - SHADOWS [TROUBLE IN MIND] 2013 GARAGE (USA)

We music devotees spend far too much time arguing over artistic integrity purely based on arbitrary claims of "originality", as if it’s the end all be all to a much larger discussion. In an age where the standard music taste is drastically beginning to widen and widen, genres are beginning to spill into one another like the brush of a surrealist painter, and tiny micro-evolutions/niches in sound pop-up every year (thank you internet culture!), unclassifiability and anti-consensus rule. So why is there such a cold shoulder to those who enjoy updated sounds from the past? This question instantly popped into my head upon listening to Maston's debut album, as images of psychedelic's late 60s blossom began to float through my ears and into my head (while the sound was still relatively cute and innocent sounding, just before it got all blown up and over-saturated by whirling guitar-on-fire solos). Opening with a choppy organ line and a vintage set of dusty baroque instrumentation emulating 60s suburban drive-in film credits, Shadows wastes no time in taking us back to the past with a sugary, flamboyant gesture on the opener “Strange Rituals”. A mix of Pet Sounds sunshine, thick Sgt. Pepper sky, and twirling Binki Bottom clouds dissolve into "(You Were) in Love", a surfy polka dot pill ensuring a short but heavenly trip through a whimsical rainbow. The trip gets a little cloudy on "Messages", a suspenseful Apocalypse Now gun slingin' sunset pop crooner lost in a pitch black silhouette. Meanwhile the hazy pop nugget "Looks" sways around in a moody diner, somewhere out in the mountains. Like a smoggy daydream waterfall, "Young Hearts" pours out a misty up-tempo psych hook, elegant pop evaporation like Bradford Cox crooning under a Beach Boys single.Further evidence of Maston's modern influence point to the absolutely gorgeous "Judge Alabaster", guided by banging percussion like a horse sprinting off in the distance, with a lush americana harmony floating in the wind, similar to the folky atmospheres of Grizzly Bear. So once again I ask the question, why such a cold shoulder to those who enjoy updated sounds from the past? Clearly Maston borrow heavily from the pop sonics of The Beach Boys and The Beatles in order to create a retro-esque vibe splattered throughout the album, but carefully injected into their nostalgic world is appropriate modern influence, tropical exotica-laced hi-fi, lush instrumentals worthy of film-score, and irresistible, catchy hooks. It's a short burst of ten infectious, ultra-nostalgic pop songs that rarely pass the three minute mark, but no matter if recorded in 1967 or 2013, Shadows makes for some damn fine pop music in any generation.

14 EUR

MATT K SHRUGG - GONE ASHTRAY [TIC TAC TOTALLY] 2010 PUNK (USA)

You know MATT from the PIZZAS, ZODIAC KILLERS, and many more projects of note. This here is MKS's first LP and it's all the raw nugs collected from his various home recordings that Matt had been doing and then (awesomely of him) sending over to Tic Tac Totally over the last couple of years. His first vinyl release since his initial burst of three 7-inches (one on TTT, and two on Plastic Idol) in 2008. Since then TTT had been in touch for an LP that was carved up nicely from his first 35 song CDR, and then while recording that material, his ADD got the best of him and Matt wrote another 50-60 other new songs, all of which were sent over the years, pen pal style. Long story short, every demo clinched it deeper into "holy shit" territory. The songs were often far too good to leave as "demos" on a few folks dashboards. And Matt's home-recorded stuff always leaves a cool fingerprint from the demo takes anyway which works with it not against it almost always. Gone Ashtray features a solid collection of those demos all nicely mastered for vinyl. Edition of 300 copies on assorted colored vinyl with screened jackets by KEEGAN. Includes an insert with info and song notes by MKS.

11 EUR

MAX LOAD - S/T [RERUN RECORDS-LP+CD+DVD] 2013 PUNK (USA)

When you say Belleville, IL, non-locals usually assume it's one of the zillion Chicago suburbs. It's far from it. Just a few miles across the Mississippi from St. Louis, it's another small, river town. In the late '70s, punk barely happened in St. Louis. Except for Max Load, it didn't even get noticed in Belleville. The river provides far more isolation between the states than one may realize. Bitter geographic rivals for no good reason. That didn't stop these guys from making a noise on their side.Max Load was formed and began playing live shows around Belleville in 1978. They soon were playing in St. Louis as well, but they never would be treated as equals. They were often forced to play first, before much less competent bands, or dead last, when the St. Louis crowd was anxious to get to the after-party. Last often meant playing to an empty room, rather than being the coveted headlining spot. Out shining most of the Missouri bands around at the time, they released a scorching two song 45 ("X-Rod" b/w "Magazine Sex") in 1979 on their own label. It was mostly intended as a calling card to secure gigs, but some copies were sold locally and a few even distributed by Bomp! Records in CA. The band would go on to record studio demos in 1980 at the request of Epic Records and would commit countless songs to tape with their own 4-track recorder. They were also the only punk band in the area to pay attention to and be featured on the short-lived cable access TV show, Street Beat.Although Max Load started out with a fairly traditional punk sound, by 1981 they started writing more post punk and art punk influenced material. This new direction can be heard on the included 4-track demos. Like so many other bands, they never got that record deal or big break they were hoping for. By late 1982, most members had moved on to new projects and the band was gone by 1983. It would be another ten or so years before their record would be compiled on the Killed By Death bootleg compilation series and they’d get some much deserved recognition outside the area. The 45 is now considered one of the best Midwestern punk singles of the era, and a copy with the picture sleeve is one of the rarest U.S. punk collectibles.The Max Load release is comprised of all studio recordings from 1979-1983. The X-Rod 45 is included, along with 22 never-before-released 8-track and 4-track demos. The package includes a 14 song LP, a 24 song CD and a DVD that features a 20-song live performance, recorded for cable access TV in 1981. The CD and DVD come with a title card in a protective sleeve that's tucked inside the LP jacket, along with a double sided 11"x17" insert featuring numerous photos, gig posters and extensive liner notes.

11 EUR

MCELROY BROS - CAN'T YOU SEE ME SMILIN' [SING SING RECORDS] 2013 POP (USA)

THE MCELROY BROS.' Can't You See Me Smilin' LP is a private-press pop masterpiece recorded in 1977 in rural Vermont by identical twin brothers, BRIAN and BRUCE MCELROY. Using familiar ‘60s British-invasion song structures, the album is somehow instantly familiar while the recording and instrumentation are both totally unique—perhaps, it's the unrivaled keyboard playing... or the harmonizing vocals that only twins could deliver. Whatever it is, this album is extremely sought after by pop and powerpop fans alike and has managed to eluded many others for too long now! Repressed in an edition of 500 copies only, LP includes 18x24 poster!

16 EUR

METRALLETAS LECHERAS - MELODÍAS PARA ROMANOS [BOWERY RECORDS] 2011 PUNK (ESP)

Metralletas Lecheras are a mixture of Arabics, Celts,Irish and Moroccan who came to burn the cathedral and were left to eat.In their songs talk about what they are and where they are from,sometimes even would like to be,exactly as bravús and mods.They use subtly a musical and esthetic ambiguity:too much rednecks for the modern,too much modern for the rednecks.They embody the"I come here for fun and eat a good grilled meat",much more important than public approval.If they fell good and confortable,you will be caught in agonized skrieks or tiki-exotic dances.

8 EUR

MIDNITE SNAXXX - S/T [RED LOUNGE] 2012 PUNK (USA)

MIDNITE SNAXXX is comprised of three of the loveliest, toughest, punkest ladies in existence. Dulcinea Gonzalez, Renee Leal and Tina Lucchesi have been key fixtures of San Francisco's Budget Rock scene for ever - actually i think they own that cake! They been/ are in Bands such as Bobbyteens, Trashwomen, Top Ten, Loudmouths, Cyclops and countless others. Musically you get dreams-do-come-true Real Kids-Kidda Band-Ramones-Teenage Head-Donny Denim-early Donnas-Style Power Pop Punk.

10 EUR

MIND SPIDERS - INHUMANISTIC [DIRTNAP RECORDS] 2013 PUNK (USA)

Another year, another Mind Spiders album. The garage punk project from Mark Ryan is becoming an annual affair after he disbanded his original act, The Marked Men, in 2010. The basic two-chord approach of the Men became limiting for Ryan, so he began adding synths and sci-fi lyrics to his songs, and Mind Spiders was born. The project’s debut and last year’s Meltdown toe the line between post-punk and Jay Reatard-inspired rock ‘n’ roll. Ryan’s musical aesthetics effectively reflected his lyrical conceits, but his songwriting could get repetitious with its minimal chord progressions and lack of distinct melodies.
That’s why Inhumanistic is a decisive album for Ryan. Like a ballplayer in his contract year, this was his chance to undo the faults of his previous records, to seize his fan base, to open up. It was imperative for Ryan to bring something new and different with Inhumanistic, and the A-side convinces you that he has.
Opening salvo “Inside You” and “Suicide” are hit-and-run punk songs with bouncy synths, right in Ryan’s wheelhouse. But, his voice sounds different — it has more color. His melodies have more twists and turns, his words remain bizarre and paranoid. On “They Lie”, Ryan even shows off some inspired lead guitarwork, bridging the chorus and verse with a nasty lick. He then croons to a drum machine on the lovely “City Stuff”. No Mind Spiders song has ever been described as “lovely,” but it certainly fits here.
Each record has been better than the last, Ryan clearly improving steadily as a songwriter. The heavier second half of Inhumanistic, while not as diverse and rewarding as the first four tracks, shows this growth. He slows down the constant Ramones two-chord onslaught, obscures his vocals in fuzz, and builds an atmosphere around his tales of strange love and extraterrestrials, justifying an extension to that contract.

12 EUR

MIND SPIDERS - MELTDOWN [DIRTNAP RECORDS] 2012 PUNK (USA)

The Second album from MARK RYAN's (MARKED MEN, HIGH TENSION WIRES) MIND SPIDERS, and it's a Meltdown, alright. This is a very different beast from the s/t Mind Spiders LP released just 13 months ago. The most obvious difference is that while the s/t LP was recorded piecemeal, with Mark more-or-less playing all the instruments, Meltdown is the first Mind Spiders recordings to feature the full live band. And what a band it is: members of THE BAD SPORTS, High Tension Wires, Marked Men, UPTOWN BUMS, etc etc. The fact that there are two drummers (MIKE from the Marked Men and GREG from The High Tension Wires both play drums at the same time) gives alot of these songs a rhythmic complexity that sets the songs apart from a lot of other "garagey" type bands. Loosely organized like the first LP, with the more straightforward, rocking stuff on side A and the weird curveball stuff on side B, Meltdown, while remarkably cohesive, blends a lot of different elements: Great sounding guitar tones. Happy, warm organ. Mean, buzzing synth. 60's pop sensibilities. Snotty garage rockers. Dark, brooding postpunk. Weirdo sci-fi soundtrack stuff. Nods to Krautrock.

12 EUR

MISS CHAIN & THE BROKEN HEELS - ON A BITTERSWEETRIDE [SCREAMING APPLE] 2010 POWER-POP (ITA)

You'll either love her madly or hate her badly. Or both. And she's not alone. Disaster Silva and the Barcella Bros. are Italy's hottest pop sensatiton, THE BROKEN HEELS!! Together they deliver their unique mixture of rawdy pop, sixties beat and eighties dreams. It ain't no party, it ain't no disco, it ain't no fooling around, just charming songs appealing to your heart, soul, feet and skin! They're the last craftsmen of the perfect pop song. If you don't like them don't worry, you're probably dead but nobody told you yet. Lovely Miss Chain (or shall we call her Disaster Silva, ... or maybe just Astrid?!) explains the magic of their amazing debut abum as follows, ... "On a bittersweet ride, it's like climbing sunshine pop mountains and falling down into groovy bubblegum worlds ! Walking on garage punk streets, stomping our feet while dancing to our fav hits ! The KINKS and the BYRDS warm our heart, Phil Seymour and Dwight Twilley gave us the start, SHIVVERS and FLAMIN' GROOVIES made our teenage years, BIG STAR and RASPEBERRIES gave us smiling tears. We grew up with the Nuggets and 60ies Girl group sound, screaming "hold tight" and "I get around" ! Dave Edmunds, Nick Lowe, oh BADFINGERS's Baby Blue, all we wanna say : BAY CITY ROLLERS we love you !!!!!!! We sing about holding hands and love for eachother, summertime fun and mellow ballads, underneath a nostalgic vein you will feel but each track will blow your mind for real !! up and down, inside out, come on dance, twist and shout!" After having released three 45s, the band now comes up with 12 more impressive examples of what real power-pop is all about. This platter is a real little masterpiece. All tunes deliver the perfect blend of classic late 70's power-pop, 60's all-girl group sounds and the minimalistic charme of early punk-rock. We said it before and we will say it again, this band will be HUGE!!! If you really dig the sound of crunchy guitars, be a sucker for songs with the highest possible recognition value and go bananas for a full dose of harmonies, you need to have "On a bittersweet ride"

10 EUR

MOBCHARGE - APOCALYPTIC HORROR [KREMON RECORDS] 2010 D-BEAT (ESP)

Fuck yeah! There's nothing new or innovative here, and there really doestn't fucking need to be. This is 100 % pure D-beat in all of its slightly sloppy, raw glory with a singer who sounds remarkably like the late Kawakami (DISCLOSE, of course). He recording may actually be a little too clean for my taste, but if your crank the bass and listen to is as loud as possible, it sounds good. As far as the style goes, MOBCHARGE is more in line with second-wave bands like DISGUST and DISASTER both in their lack solos and the relative shortness of the songs. Nice Lyrical nods to CONFLICT and SORE THROAT as well, My only complaint is the way obvious Photoshop work that's all over layout. What's wrong with good ol' cut n' paste (AU)....Más información: http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=205629344&blogId=534499171#ixzz11c729YE5

6 EUR

MODERN PETS - SORRY THANKS [P TRASH] 2013 PUNK (ALE)

Shortly after their „Excessive“ 7“ release all you lucky beer drinkers can fill up your horns & pogo the shit outta your mind to the new 10-Hit-Slab’o’Modern Pets. By the way here is no place for certain band recommendations anymore. Now MODERN PETS is the reference.
This 2nd full-length mainly recorded by Bretzel Göring, mixed by Christoph Bartelt and mastered by Daniel Husayn is a smokin’ gun of new wave hipstershitpunk. Keeping all the tried-and-trusted snotty features of the past this platter kicks harder, grooves deeper and even pops catchier. Walk-along to pushing basslines from the hip, powerful and neck breaking drum beats are building a solid fundament and the premium-sound of the guitar parts is sharper than the straight razor at your favourite Turkish barbershop in Berlin-Xberg.
Finally the whole thing is speeding its way direct into your brain and file under timeless masterpiece. Now it’s on you to jump the fence and quickly save your copy. Oh well: Go! See them live!

11 EUR

MONITOR - S/T [SUPERIOR VIADUCT] 1981 PUNK (USA) REISSUE

REISSUE.An errant project of suburban Los Angeles art collective World Imitation Productions, MONITOR was the sonic outlet of four young artists grappling with their terror and amazement in the convergence of the late 1970s punk scene and Southern California's consumerist decadence. As with the collective's visual artwork and events, MONITOR blends archaic influences with modern technology into one of the era's most curious albums. Eerie synthesizer, menacing guitar leads and morose vocal chants make "In Terrae Interium" an evocative ballad of paranoia. "I Saw Dead Jim's Shade" showcases MONITOR's idiosyncratic vocal interplay in a sinister tale of a stolen hand. When "Hair" required a tempo beyond MONITOR's instrumental chops, the band appropriated THE MEAT PUPPETS to record the track for them. Acquainted at first through mail art, World Imitation found a kindred spirit in DEVO associate Ed Barger, who meticulously recorded this LP in 1980, burying the presence of shrieking cats, closing doors and tape loops deep in the mix. MONITOR associated with the original Hollywood punk scene but often met with ambivalence for their incongruity in the face of the movement's increasingly codified appearance and sound. Loosely aligned with like-minded pioneers such as NERVOUS GENDER, HUMAN HANDS, BPEOPLE and NON, who together constituted the sub-scene known as the Associated Skull Bands, MONITOR operated in its own space within a progressive, diverse musical milieu. Few groups so deftly encapsulate the existential dread and delight particular to Southern California's antiquated culture of artifice. "MONITOR's debut album, a compendium of mutant amplified folk tunes is the best local release I've heard all year." Matt Groening, L.A. Reader, 1981

14 EUR

MOON UNIT - IN SIX MOVES [CLIFFORD RECORDS-10"] 2008 POP (ESP)

DeMoon Unit podríamos decir que hacen power pop, pero del reflexivo, como demuestran en la intensa "Insincere", o la directa pero estudiada, "I'm alive", sin renunciar por ello a las melodías básicas pero adictivas y a la frescura y color que mantienen en temas como "Shine". Ellos, dicen ser el resultado de un mix entre una buena dosis de rock, pop y punk bien triturado y, si por todo esto entendemos también a Paul Weller, puede que no se equivoquen, ya que en él parecen tener a su principal gurú y referencia. Sin duda, un buen guía espiritual cuyas lecciones han sabido interiorizar y llevar a su propio terreno.

6 EUR

MORDÄRE - VIENTOS DE MIERDA [DEVIANCE-12"] 2012 HC-PUNK (ESP)

D-beat Crust al mas puro estilo Sueco. Version de Totalitar incluida.

8 EUR

MORLOCKS - SUBMERGED ALIVE [AREA PIRATA] 2013 Garage (USA)

Great reissue of the 2nd album made in 1987 by this legendary Garage band based in San Diego, sold out for many years and really sought after! Now available again on blue vinyl in a limited edition of 500 handnumbered copies and in a Cd digipack edition, both include rare photos, flyers & liner notes by Leighton!! From the Leighton's liner notes: <... this for me is one of the more interesting "Morlocks" albums. Note that "Ted Friedman" was replaced by "Jordan Tarlow" (Outta Place, Fuzztones) on guitar for personal reasons. On this record we started to experiment with more original songs trying things other than the basic garage formula of Three chords, for example, "My friend the Bird", "Different World", "Black Box", even Soul, IE: "Get Out Of My Life Woman">

11 EUR
MOTHER'S CHILDREN - LEMON [TAKEN BY SURPRISE] 2014 (CAN)

From the mean sour streets of Ottawa, Canada comes the second full length of MOTHER'S CHILDREN aptly entitled: LEMON! 12 new tracks of stompy and glammy powerpop with that old wham-a-lam-bam-thanks-ma'am attitude that we're used to from those four mouseketeers. Get your fix of Vitamin MC from the sweetest fruit that grows in Canada.

11€

MUCK AND THE MIRES - HYPNOTIC WATER [DIRTY WATER] 2009 GARAGE (USA)

Produced by rock and roll legend Kim Fowley, the cover features 3D artwork by award winning designer James Adame. 3D glasses are packaged with the album. Everyone has been waiting for the next rock-n-roll phenomenon, a piece of product guaranteed to go across all age group barriers, demographic boundaries, rock-n-roll hasn't had any sunshine lately on it's horizon and now the summer is going to last forever because of the existence of the radio friendly album 'Hypnotic' by Muck and the Mires. Muck and the Mires' songs sound like long lost classics...all two-minutes long and ALL POTENTIAL HITS!

12,5 EUR

MULLSTATION - WIR SIND DABEI [HOEHNIE RECORDS] REISSUE 2002 Punk (DDR)

Reissue of the first album from 1993 of these veterans of the East German punk-scene (founded in 1980!). Great hard 77-influenced punk-rock with catchy choruses!

10 EUR

MUNDO MUERTO - ENTRE EL KAOS [SABOTAGE RECORDS] 2012 PUNK (USA)

lp comes with a really nice printed envelope and green vinyl the debut lp by California's mighty MUNDO MUERTO! Retaining the melody of the earlier 7" and 12" eps but with a harder, faster edge this lp is by far MM's best material to date. 11 tracks of pure hardcore punk greatness. From the build up on the first track to the last note this smokes all the way through!!!! The Spanish vocals only add to the amazingness of this lp and all the "whoa" parts will have you singing along even if you dont speak the language.This is some absolutely raging punk in the Spanish tradition, equally influenced by more melodic bands like Eskorbuto and RIP and the more raw bands. What you get is basic, four-the-floor hardcore with catchy as fuck, whoa-soaked vocals over the top of it. This thing is jam-packed to the hilt with hooks... fans of Vaaska and Peligro Social will dig HARD. Catch the Histeria!!!

5 EUR

MX-80 - HARD ATTACK [SUPERIOR VIADUCT] 1980 PUNK (USA)

REISSUE.MX-80 SOUND is one of the real oddities in American music. Their debut album, Hard Attack (released in the UK on Island Records), found little-to-no audience in the States upon its release in 1977, yet remains a key document of the mid-'70s proto-punk zeitgeist. Hailing from Bloomington, Indiana, MX-80 SOUND is lead by guitarist Bruce Anderson and defies simple classification with relentless riffs, dual drummers and vocalist Rich Stim's absurdist prose and dizzying sax. Assimilating the avant-rock of Captain Beefheart and conjuring the ghosts of Albert Ayler, MX-80 SOUND evokes what free jazz would sound like if born in Bloomington. As archivist Byron Coley writes, "Hard Attack has long been considered one of the great squirts of the Midwest underground's prog-punk tradition. Fellow travelers include DEBRIS' Static Disposal, PERE UBU's Modern Dance and DESTROY ALL MONSTERS' 1974-1976, and what makes each of these fine gushers unique is that they were all created in virtual isolation. No one else in the neighborhood was creating anything akin to them." Superior Viaduct is honored to present Hard Attack's first-ever vinyl edition in the US. Mastered from the original analog tapes for the first time since 1977 and remixed by the band, this deluxe reissue will soon become the definitive version for longtime fans and newcomers alike. The singular and staggering innovation of MX-80 SOUND still harkens to rock's future potential.

14 EUR
NAME, THE - WHAT'S IN A NAME? [DETOUR RECORDS] 2002 (UK)

The Name formed in the late 70's from the ashes of two of Peterborough’s best loved Punk Rock combos - The Gobblinz and The Now. Switching to a more ‘Mod’ friendly sound and now with new singer Ben the band signed a 5 album, 2 single deal with Virgin’s ‘Dindisc’ label, but only released one single in 1980 - the spectacular ‘Forget Art Let’s Dance’. The guys gigged relentlessly starting off supporting ‘The Purple Hearts’, and when their live appeal became evident, being supported by ‘The Purple Hearts’ - they also headlined the famous ‘Marquee’ club and supported ‘The J Geils Band’ on their UK tour. The band’s smart dress and powerful Mod sound led to them being loved by the fans and hailed by the fanzines of the time as one of the most promising acts on the circuit.
Well, you all know the story by now - by the mid 80's the scene went into decline and no-one wanted to know about Mod bands so the group split leaving just one single.....
Until now! Yep - on this ‘ere release we’re giving you the full Monty - everything the band EVER recorded in a studio PLUS live tracks that show us why they were so popular as a gigging band.
We get their first ever demo tracks, a previously unreleased and uncensored version of the ‘Forget Art...’ single (replace ‘Forget’ with a spicy four-letter word...), demo tracks recorded at Richard Branson’s famous ‘Manor’ studios, their second single that only ever got to ‘test-pressing’ stage and live tracks from Huddersfield and Middlesbrough (check out the fight that breaks out mid-song at the Middlesbrough gig - and the DJ’s reaction when the band go off the stage!!!)
This is raw, honest and powerful music - real Soul inspired, Punk fuelled Mod that can only have been written, recorded and released in the heady days of 1979 - 1980.

11€

NEIGHBORHOOD BRATS - NO SUN NO TAN [GUMMOPUNX RECORDS] 2013 PUNK (USA)

Great LA Punk with female vocals. Compilation LP of Neighborhood Brats' first 3 releases: Neighborhood Brats EP We Own the Night 7" Ocean Beach Party 7" +2 unreleased studio tracks.

10 EUR

NEGATIVES, THE - NO TRUTH, NO JUSTICE [TRASH 2001] 2005 PUNK (SUECIA)

As the name suggests the band are straight out of Sweden not from Bradford (or should that be Not From London'?) 11 tracks of full on Rancid before they got shit style streetpunk with a poem to kick things off. Othen than the poem this album kicks in like a ecstasy rush and will have you jumping around all the way to the last track, which is a tribute to the late John Peel. All the songs are in English and the cd booklet has all the lyrics so late night sing a longs are possible. I particularly liked the track Greatest Punk Rock Rip Off' a song about bands who get back together with one original member for the money, a subject I'm sure a lot of you reading this know about. One of the best albums I've heard in a long time and a band I will be looking out for in the future.

5 EUR

NERVEBREAKERS, THE - HIJACK THE RADIO! [GET HIP] 2012 PUNK (USA)

An anthology of mid to late 70s studio recordings, some of which ended up on the Nervebreakers' late-70's 7" vinyl releases on Wild Child Records, some on the 1979 Texas punk LP compilation Are We Too Late For The Trend? (ESR Records), some on a volume of Italian label Rave Up Records series of American Lost Punk Rock Nuggets, and others that have up-to-now never been publicly released. Includes the original (and best) hit recording of "My Girlfriend Is A Rock", the title anthem "Hijack The Radio", and punk classics like "Why Am I So Flipped?", "I Wanna Kill You", and "I Love Your Neurosis". Also included are proto-punk psych-y gems like "My Life Is Ruined" and "Beyond The Borderline".

12 EUR

NERVOSAS - SAME [P TRASH] 2013 PUNK (CAN)

If you’re in kaiju-films there is Ghidrah and Cerberus is well-known not only to mythology-experts…but P.Trash is still your trusted record label. So, don’t fuss folks! This might be the one you’re looking for: a three-headed monster of punk named NERVOSAS.
The story so far as you already know it: P.Trash scout Rob / STATUES saw the band at Ottawa Explosion 2012 and wrote us about a new fabulous band from NEW BOMB TURKS-Town Columbus, Ohio. We here at P.Trash can't believe how great they are. I never had this feeling again since I heard the SEDATIVES - ''Slip away'' song or the Statues – “New People Make Us Nervous” 12”!!!
About the record: A compilation with new recorded versions of songs already known from the beloved demo-releases. Now with enough punch & crunch for proper 12” vinyl-outfit fixed into classy cover plus inlay, artwork and music all done by the band. Quite accurate what you might expect from a young, enthusiastic DIY punk band’s debut LP. 11 bangers…like 11 ender enders in a way dark, anxious, paranoid, manic, obsessive, melodic, misanthropic, gothy, punk. A lot of bands "WIPERS, SEDATIVES, X, DEAD MOON..." and influences are forcing on, so that’s how brains are working and doesn’t really matter. No kidding, the plainly audible fact all along the record: it’s not whoever, this is NERVOSAS giving you such a grinding and thrilling roller coaster ride makes the difference. These songs ooze talent and precision, ranging from break-neck hardcore skate punk tempos to a few mellow rockers to surprise ya just when you think you got it all figured out. Don't sleep on this!!!

11 EUR

NIGHT BIRDS, THE - BORN TO DIE IN SUBURBIA [GRAVE MISTAKE RECORDS] 2013 PUNK (USA)

It’s been two years since the debut long player from Night Birds, a record which cemented the band's infectious punk/surf sound into the ears of many a discerning music fan, bringing the sound of the 1980s SoCal scene, mixed with hints of the Dead Kennedys and a good dose of the here and now, raging out of speakers all across the world. To be fair that album, The Other Side of Darkness, was pretty damn good and set the bar at quite a high level as to what Night Birds were capable of achieving, so any follow up had a lot to live up to.
It’s now 2013 and Born To Die In Suburbia basically smashes that bar into smithereens as Night Birds, fully charged and slightly revamped with a new guitarist, take a similar musical approach, but one which now sounds as if it a definite trademark of Night Birds rather than being an amalgam of any combination of different influences. This doesn’t really come as a surprise, as the taster for the album which came in the form of a four track 7-inch, containing one song off the album in “Maimed for the Masses” which clearly displayed in an openly brazen way that the band had somehow stepped up its game.
Born To Die In Suburbia announces itself with the ballsy punk/surf instrumental “Escape From New York,” continuing the band’s love of old horror/sci-fi movie references and once over, the title track wastes no time in showing the band off in all their glory with a rampaging delivery that knocks my senses all over the place. The song nicely encapsulates the possibility of not really achieving much in life, marooned in a suburban wasteland that can so easily stifle a person’s whole life, if allowed.
The band do shift around the speed a bit throughout the album, although there is no clanking of gears between tracks as they’re equally adept at the mid-paced tracks as they are when they’re working hammer and tongs to reach the end of a song. Further variation is also heard on “Less The Merrier” where there is a quite a thick, metal-like opening riff that leads into a mid to slow-paced song, showing that Night Birds really can deliver more measured tuneage without any loss in excellence; this track has qualities that bring to mind D.I.’s “Richard Hung Himself” in that it has quite a menacing sound. The song is themed around how it’s not always that great at Christmas time; a period of the year renowned for a high suicide rate due to the loneliness that many feel during the festive season.
Born to Die in Suburbia really does contain some great songs, with a distinct lack of filler across the fourteen featured here. Even though “Maimed for the Masses” is one of my initial favourites, it is easily matched by the likes of “Modern Morons,” “Nazi Gold” and “Villa Obscura” as well as the title track — but to be fair I should just copy the track listing here as all of those songs are essential to listen to.
2013 is proving to be a year full of quality releases and Born To Die In Suburbia is definitely a rip snorting classic for this and many other years to come.

13 EUR

NIGHT BIRDS, THE - THE OTHER SIDE OF DARKNESS [TAKEN BY SURPRISE] 2011 PUNK (USA)

Yup that's right, we've been talking about this record for the better part of 2011 and now we couldn't be more thrilled to announce that "The Other Side of Darkness," the debut LP from NIGHT BIRDS, is now available for preorder! I think by now it's safe to say that NIGHT BIRDS need no introduction, so you should know what to expect from these NY/NJ boys ... they pulled out all of the stops on this LP and are very excited that it will soon be available for mass consumption.

10 EUR
NO PROBLEM - ALREADY DEAD [TAKEN BY SURPRISE] 2014 (CAN)

Another Canadian addition to the TAKEN BY SURPRISE family from Edmonton Oilers town, Edmonton. After their stellar debut AND NOW THIS (Deranged / P.Trash) they deliver a sophomore LP that takes their frustrated and paranoid hardcorepunk to a new level. Still taking cues from BLACK FLAG, D.O.A. or TSOL, they add darker and more melodic elements to the mix.This is music for maladjusted adults who are too old to be able to relate to teenage problems, but whose feelings of alienation have in no way withered with age, and are looking for something that musically and lyrically captures the frustration of adult punk life in the same way that, say, so many ADOLESCENTS songs are a product of teen angst. One of my favorite things in the world is bands effectively fusing hardcore with catchy yet aggressive or paranoid melody, as bands like SOCIAL CIRCKLE and DEEP SLEEP have done in recent years."" - MAXIMUM ROCK'N'ROLL

11€

NOBUNNY - SECRET SONGS:REFLECTIONS FROM THE EAR MIRROR [GONER RECORDS] 2013 POP (USA)

Secret Songs: Reflections from the Ear Mirror, Nobunny’s new LP on Goner Records, proves the Bay Area garage rocker’s absurd appropriation of rock ’n’ roll knows no bounds. In true Nobunny style, the album is a mixture of styles and fidelities, like having a garbage bin of awesomeness dumped on your head, the slime at the bottom rushing into your earholes and staining your brain. “Lurid and anarchic, Nobunny’s sound is a primitive animal thump informed by the conventions of early rock, classic ’70s punk and New Wave. It’s Chuck Berry with a devilock, Hasil Adkins crammed into Lux Interior’s PVC pants…. A punk rock Elvis impersonator doesn’t invite easy comparisons, but Nobunny’s chaotic live show evokes the costumed mania of Seattle’s the Spits, Black Lips, and the King Khan and BBQ Show… a catalyst for wild pandemonium, awash in sweat, musk, spit, and beer.” —Noisey

13 EUR

NOBODY'S FOOL - WINTERING [FIERRO RECORDS] 2013 PUNK (ESP)

El trío gallego Nobody's Fool nos presenta su primer LP "Wintering", con 17 temas con influencias que van desde The Crack hasta Bouncing Souls. Puedes escucharlos en: http://nobodysfoolgz.bandcamp.com/

10 EUR

NOH MERCY - S/T [SUPERIOR VIADUCT] 2012 PUNK (USA)

Formed in San Francisco in 1977, NOH MERCY was comprised of only two women: Esmerelda and Tony Hotel. The band's motto was "No Boys On Guitars" as a reaction against male-dominated rock 'n' roll. They didn't need boys or guitars. They harnessed the angularity of DEVO, the punk/poet attitude of PATTI SMITH, and the art spectacle of ROXY MUSIC, all ground down to a minimalist core of voice and drums. Their only two previously released songs "No Caucasian Guilt" and "Revolutionary Spy" have long been considered essential recordings within Post-Punk/No Wave collector circles and by fans of other late 70's "girl" groups, such as X-RAY SPEX, THE SLITS, and THE RAINCOATS.

This album contains almost entirely unreleased material, unheard for over thirty years. Recorded by Fluxus artist and electronics genius Tommy Tadlock (TUXEDOMOON) during their peak in 1979. As prescient as bands come, NOH MERCY preceded the defiant queer rebellion of Riot Grrrl and the frenetic art minimalism of the early 21st century by decades.

12 EUR

NODZZZ - S/T [WHAT'S YOUR RUPTURE?] 2008 Pop (USA)

Nodzzz are Sean Paul on guitar, Anthony Atlas on bass, and Eric Butterworth on drums, with Pete Hilton as forever auxiliary drummer, now stationed in Bulgaria in the service of the Peace Corps. They're sweet dudes with an even sweeter sound, first honed on a killer single called "(I Don't Wanna) Smoke Marijuana" b/w "We Are the Only Animals," released on Eric's Make a Mess imprint. Barely three minutes long, each side tore the face off of the last days of 2007, revealing a candy skeleton that had the Modern Lovers' teeth marks in it.

The group's self-titled debut is a grower, with ten new songs in a markedly more pop direction. You can hear the simple American pleasures of baseball, road trips and late summer within, plain as day within this record. More specifically, you can hear three guys examining where punk became something more, between notions of power pop and advanced songwriting on the Embarrassment/Big Dipper/ Pointed Sticks axis, but with the economy of the Minutemen or Beat Happening. They're in and out before you know it, having firmly planted the seeds of catchy melodies between your ears.

9 EUR

NOT AMUSED, THE / X-PRAYS, THE - SPLIT [RUMBLE RECORDS] 2011 PUNK/POWER-POP (ALE)

Compartido en formato 12 pulgadas por los berlineses The Not Amused, la mezcla perfecta entre los Jam y los Toy Dolls, y nuestros X-Prays, con su punk KBD con toques escandinavos y preciosas voces femeninas, este disco es una verdadera maquina de hacer pogo.

10 EUR

NUEVO CATECISMO CATÓLICO - LOS AÑOS EN GOO RECORDS [SOLO PARA PUNKS-2xLP] 2012 PUNK (ESP)

Espero sinceramente que te guste esta nueva edición del sello. Lleva mucho trabajo detrás y una fortuna invertida también. Ambos discos han sido cuidadosamente remasterizados para la ocasión y prensados como es debido. La carpeta doble viene con las fundas interiores impresas con la portada de cada disco, las letras de las canciones por primera vez y mogollón de fotos no publicadas hasta ahora.A finales de los ochenta, el furioso Punk vasco (de estallido tardío respecto a Madrid o Barcelona, pero de impacto y repercusión mucho mayores), una vez pasada la reconversión RRV, había terminado en manos de grupos mayormente mediocres, cortados por un patrón de indigencia estética, autocomplacencia lírica y musical, desastrosos conciertos etílicos y, en definitiva, cutrez. En medio de este panorama, en 1987 irrumpe La Perrera.La crítica especializada los amó desde el principio, el público tardó más en aceptarlos (demasiado rockeros para la punkarrada, definitivamente punks para los jevis, y un ruido infernal para el resto), pero poco a poco fueron congregando su propia parroquia.La herencia de La Perrera era más americana que británica, y además de adaptar referencias punks que en aquel momento nadie usaba y pocos conocían (intenta listar cuántos grupos versioneaban el Sonic Reducer de los Dead Boys antes de que lo hiciesen ellos, y cuántos la han tocado después), también mostraban querencia por el Hard-Rock clásico, el Glam, y el Pre-Punk (Thin Lizzy, Rory Galagher, Alice Cooper, Dictators, Stooges). Eran, ante todo, fans de la música, presumían de una cultura musical extensísima, y reivindicaban grupos menores con exquisitez de coleccionista. Su estética, de carácter vintage y mitómana, no era forzada, pero sí consciente. Sus letras, muy personales, odas alienadas de individualismo y autoafirmación, suponían una excitante novedad entre el analfabetismo en inglés y los sobados clichés carentes ya de convicción. Y, por supuesto, su demoledora puesta en escena, sin apenas pausas entre temas, marcaba un antes y un después en todo aquel que asistiese a uno de sus conciertos. Todos estos aspectos se fueron acentuando, expandiendo y/o refinando cuando, una vez desaparecida La Perrera, los hermanos Arturo y Gonzalo Ibáñez fundaron junto a Julen Atorrasagasti y Jorge Reboredo (ambos ex-Barrakos) y Arturo Zumalabe (ex-Hondakin), Nuevo Catecismo Católico. Y son, desde entonces, elementos inherentes en todos los grupos Punk/Rock'n'Roll underground.Sería exagerado atribuir únicamente a NCC la paternidad de una escena que consume sin prejuicios distintos estilos de música Punk, Hard-Rock o Heavy Metal, y que se interesa por investigar la historia del Rock'n'Roll. Grupos australianos, americanos, y más tarde escandinavos, ahondaron en ese enfoque, y gozaron, lógicamente, de mayor predicamento. Pero NCC estaban y hacían eso antes, y fueron Nuevo Catecismo Católico y En Llamas, y sobre todo, los directos de una banda que en veinte años de trayectoria no ha dado UN SÓLO CONCIERTO MALO, los principales responsables de la existencia de demasiados grupos como para enumerarlos, y de la transformación de toda la escena rockera underground española.El implacable paso del tiempo (esa gran obsesión del principal letrista del grupo, Gonzalo), no se ha atrevido a tocar los dos primeros elepés de Nuevo Catecismo Católico, colocándolos en el lugar que merecen: el de los Clásicos. Son dos excelentes, excepcionales, extraordinarios, discos de Punk-Rock. En cualquier contexto (vasco, español, mundial). Quienes perdimos el juicio cuando fueron publicados, seguimos sintiendo esa detonación en el estómago que se expande en carne de gallina y pelos de punta, al escucharlos hoy. Habrá otras maneras de quitarse veinte años de encima (al menos durante lo que dura una canción), pero no serán tan divertidas. -Daniel F. Marco.

17 EUR

OBSERVERS, THE - SO WHATS LEFT NOW [TAKEN BY SURPRISE] 2004 PUNK (USA)

Melancholy singalong punk. Combines the darker and more experimental aspects of bands like the Dead Kennedys and WARSAW & other late 70's UK art punk with the anthemic choruses of LA's Youth Brigade yet sounding nothing like any of those bands. Put these guys on a bill with the Stitches, Geisha Girls, Manikin and the Distraction and the art punks will go nuts!

10 EUR

OCCULT DETECTIVE CLUB - S/T [RED LOUNGE] 2010 PUNK (USA)

Got a mail from a friend to check out this band, was addicted a minute later and had a record deal the same afternoon! Thank god for the internet, even so you can't punch people through it!! Including MAASTER GAIDEN Members, this band sounds like a Perfect Cocktail made out of 2/3 Hex Dispensers and 1/3 Marked Men. How the Hell can you not end up on the floor of the bar totally wasted yet still asking for your glasses (stereo!) to be filled over and over again?? I like my drugs..and this is one of them!!!!! But as always, please don't give a flying fök about the stuff this German idiot brabbles, take a listen at:

11 EUR

OI POLLOI - A CEOL A CANAN AR A MACH [CAMPARY RECORDS] 2009 Punk ( ESC)

The latest full-length from this long-running Scottish Anarchopunk band, this time all the lyrics are in Gaelic

9 EUR

OUT ON A LIMB - DROWNED [TAKEN BY SURPRISE] 2011 PUNK (ALE)

Out On A Limb are from Germany and play slightly-slower-than-mid-tempo post punk. The band claim Joy Division as an influence, which I hear a little bit, but the danceable drum parts remind me of the Cure for some reason. The feel of the record itself leans more towards bands like Heroin/Unwound/other early 90s Gravity Records offerings, but the post punk influences creep up and become a lot more apparent at times, which makes the listening experience more interesting. The vocals are clean and sort of just hint at melody, and fit in well with the music. I kept feeling that the vocals sounded a lot like another band I couldn't place until I decided that the accent just reminded me a lot of the Peacocks. The production on the whole record is very subdued, which fits the sound, and the mixing is excellent.

10 EUR

OUTDOORSMEN - SHIT WILL HAPPEN IF YOU USE YOUR STUPID BRAIN [RED LOUNGE] 2012 Garage-Punk (USA)

10"-This release "was supposed to be our first lp but the label folded" or something like that... WHAT???????? GREAT!!! Giving RED LOUNGE RECORDS a chance to transform this shabby lo-fi-cheapo production into a 10" in deluxe gatefold cum-piss-bloodstain proof laminated RED LOUNGE RECORDS STYLE cover! OUTDOORSMEN are San Francisco's reigning kings of 'don't give a fuck' garage-punk. On this 10" here more aggressive then ever!P A R T Y !!!!!- Ultra Deluxe 10" "RED LOUNGE RECORDS STYLE" Gatefold

10 EUR

OUTFIT, THE - THIS IS ONE'S ON US [BORDS DE SEINE] 2002 Punk-OI (DINAMARCA)

Muy buen Street Punk ingles al estilo clásico de Cock Sparrer o Business.

6 EUR

PARÁLISIS PERMANENTE - EL ACTO [MUNSTER RECORDS] 1982 Punk (ESP) REISSUE

The only LP by cult band Parálisis Permanente came out in 1982 and is one of the definitive post-punk, gothic albums in Spanish. The line-up featured ex-members of other important Spanish bands such as Alaska y Los Pegamoides and Glutamato Ye-Yé. Includes covers of David Bowie and The Stooges. Liner notes by Diego Manrique.

18 EUR

PELLE MILJOONA & 1980 - PELKO JA VIHA [SVART RECORDS] 2013 POP (USA)

Gatefold jacket, black vinyl. Limited to 500. Pelle Miljoona's 2nd album back on vinyl!  Pelko Ja Viha (Fear & Anger) is the bands debut album and was released in spring of 1979 at Love Records. The album has been recorded at Love Studiossa early 1979 in Reino Isoaho. Before the album was titled Pelle Miljoona & 1980, the band performed under the name Pelle Miljoona & 1978 and Pelle Miljoona & 1979. The album cover image has two different versions. CD's and some vinyls had on the cover a picture of where Pelle Miljoonan's eyes are twisted and Tumppi Varonen which had a million facial expressions, well I never seen this. The vinyl's first edition covers were laminated, so the rumors. Anyway, fact is: Pelko Ja Viha is one of the most famous albums of the early 80's and is still hot alongside the motorway. The song 'Enää Itkeä Voit' is a Finnish cover version of Bob Dylan's 'Like a Rolling Stone' and is very cool played. I'm not a fan of Dylan, I mean he wrote good songs but he can't sing and so it's good when a band pick up one and interpreted this in their own way. This album was recorded by Pelle Miljoona (drums & vocals), Tumppi Varonen (drums & vocals), Ari Taskinen (bass) and Rubberduck Jones (guitars). Very good album by Helsinki's melody virtuoso's and they really turns me on.

13 EUR

PEOPLE'S TEMPLE - MORE FOR THE MASSES [HORIZONTAL ACTION] 2012 Rock (USA)

The Peoples Temple have righteously returned with a sliver of their next wave, and with the anxiously awaited follow-up to their debut LP Sons of Stone,' we have a band on our hands here with their heads clearly going in the right direction. The Lansing, Michigan snarlers have constructed their sophomore LP, More For The Masses,' with a taste of what they've been working on since their last outing, and it's got us seething with excitement to share it with the world. The new songs show a bold advance in the songwriting structure, with intricate arrangements, incredibly diverse new directions not far off from the pioneering material spurned forth from the iconic 60s band Love. We're talking flashes of primitive baroque pop and British Fading Yellow'-style songs, albeit not absent of their illustrious fuzz guitar flourishes we've all come to love and expect, laid on thick. More For The Masses' is a perfect example of what Peoples Temple do best, a direct shot to the dome of perfect rock'n roll snarl, classic pop, head-expanding fuzz, those two-part vocal harmonies, and an ever-compelling riff that takes you over the edge and back within minutes. Peoples Temple have built on their unusual knack for crafting original pop music sounding like it's been stripped out of the ashes of time, only to emerge with some of the most creatively exciting sounds coming out of the Midwest in years. A band built on the rare structure of TWO sets of songwriting brothers is groundbreaking enough in it's own right (can you think of any other band made up of two sets of brothers that all compose?), but their ability to crank out awe-inspiring classic songs at such a rapid clip is making our heads spin over here, and we can't wait to unleash More For The Masses' on an unsuspecting public, destined to break the mold apart even further, and expose the raw guts of this unstoppable rollin' machine. -Victimoftime.com

13 EUR

PERSONAL AND THE PIZZAS - RAW PIE [RED LOUNGE] 2010 PUNK (USA)

BIOGRAPHY From New Jersey, these part-time workers of a well known Pizza Joint, made it to the world press. Just for fun, the recorded a couple of singles which all became huge hits and are constantly sold out everywhere. They toured even the West Coast. They really like pizza and cheap beer. They actually do not really know how to play their instruments. They only know three bands, RAMONES, THE STOOGES and THE DICTATORS. And they know how to look handsome! So here it is, the first full lenght record from PERSONAL AND THE PIZZAS, new recordings of all their massive hits, great artwork by Ben Lyon and as if this is not enough, you also get a ABSOLUTELY FREE PERSONAL AND THE PIZZAS SIGNATURE POCKET COMB. Classy!

STATS: 700 copies on beautifully black vinyl with black pocket comb, and 100 on red vinyl with red pocket comb. We will ship with a red comb as long as supply lasts!

11 EUR

PHANTOM KEYS, THE - THE REAL SOUNDS& [SCREAMING APPLE] 2011 Garage (ESP)

Ever since we first heard of these five angry young men from Spain, we badly wanted them to be part of the 'Screaming Apple Family' and now we're more than happy and honoured to present their amazing debut album 'The Real Sounds Of' as a big favour to all you kiddies out there, who still dig that crazy cavemen beat of the swingin' sixties. The PHANTOM KEYS story starts a few years back in a small Galician coastal town (O Grove) when a bunch of hairy teenage weirdos try to emulate the looks and sounds of those 'no hit wonders' who made it onto all the obscure 60's punk compilations, such as 'Nuggets', 'Pebbles' and 'Back from The Grave'. Very soon they became wellknown all over the country for their wylde & sweaty live appearances and were ready to record their first vinyl release for the way cool EL BEASTO record label. The result was the fantastic 'Velvet illusions/In the summertime' 7' single, a true little masterpiece of authentic 60's garage-punk, which turned out to be a great succes all over the globe and brought them the offers to play all the great places in Spain and Europe, some festivals in Italy and the U.K. and even the invitation to rock the legendary Cavern Club in Liverpool Yeah! After some lineup changes the PHANTOM KEYS decided to go for a more rhythm'n'blues oriented sound in the tradition of bands like the PRETTY THINGS, DOWNLINERS SECT, TELL TALE HEARTS and WYLDE MAMMOTHS, but still keeping up the good ole garage-punk spirit they got famous for and recorded their second 45, 'Shut up Johnny / I want to be free', which got sold out in almost no time, just like the first one!! Now, after having played countless memorable shows all across Europe with some of the best bands around, such as The SONICS, The OUTSIDERS, the LYRES and the FUZZTONES and being part of big garage-punk extravaganzas like Le Beat Bespoke and Primitive Fest, the PHANTOM KEYS are ready to present their first album. 'The Real Sounds Of' is a hot, smokin' platter of pure sixties-punk flavoured rhythm'n'blues and proves once again impressively that the PHANTOM KEYS are one of the biggest sensations on the scene today, still being the same bunch of crazy weirdos they were in the beginning. Now comb your hair, iron your best suits and dresses, polish your boots and get ready to do the hip shake!! SCREAMING APPLE gives you The Real Sounds of THE PHANTOM KEYS!!! A raw, unadulterated teenbeat mayhem!!!

11 EUR

PIKES, THE - SOMETHING'S GOING ON [SCREAMING APPLE] 2012 PUNK-MOD (ALE)

It is nearly three years since THE PIKES released their debut EP, but now they are finally back with a new album. THE PIKES again pay tribute to the true mod revival sound of the late '70s/early '80s, featuring some '60s influences to recreate a Mod-Punk sound. 'Something's Going On' is fast and wild. The secret? A perfect harmony of pop hooks and catchy background vocals, put together with blazing guitar riffs, a vibrant bass and forceful drums.

11 EUR

PIKES, THE - NO NAME STREET [SCREAMING APPLE] 2009 PUNK-MOD (ALE)

New Mod band from outta Berlin. This debut includes 6 top notch 79 Mod Revival tunes inspired by bands like The Jam,The Chords and The Squ!re. Ace power pop with tons of catchy hooks. Produced by Smail / The Shocks.

9 EUR
PISS TEST - BIGGEST BAND IN EUROPE [TAKEN BY SURPRISE] 2014 (USA)

Portland, Oregon, tolerant Oregon, is having yet another supergroup taking the punk world by storm. After a debut 7" on JONNYCAT and a split with FIST CITY on DRUNKEN SAILOR, they finally spit out their first full length LP. Fronted by arguably Portland's angriest man Zachary Brooks (RED DONS, SCOTT BAIO ARMY, SODA POP KIDS) and backed by fellow PDX stalwarts Samantha (DOTTIE ATTIE, NEO BOYS, WIPERS) and Rodrigo (RED SHADOWS, POISON IDEA, AUTISTIC YOUTH) they deliver 13 snotty punk jams that tackle EVERY topic that needs to be tackled. They are the biggest band in Europe. By far.

11€

POBLACIÓN SUPERFLUA - S/T [10"-MALDITOS VINILOS] 2012 HC (ESP)

Evidentemente, toda vida es un proceso de descomposición F. Scott FitzGerald.Población superflua funcionó de forma más o menos estable entre finales de 1994 y el 2000. En gran medida su existencia estuvo ligada a la del Centro Social Anarquista de Xixón, donde además de ensayar, grabar y tocar en incontables ocasiones, participaban en la asamblea, la organización de eventos, la distribución anticomercial, y en diversos colectivos y proyectos anticapitalistas& El local estaba situado en los bajos de la casa sindical, espacio reclamado como patrimonio sindical histórico por la CNT, que finalmente negoció con el estado la propiedad privada y oficial del mismo. Esta potestad estatal fue aprovechada por la Federación Local para expulsar de malas maneras a las personas y colectivos que autogestionaban el espacio de forma autónoma y que pese a sus esfuerzos no conseguían captar ni someter a su disciplina. Hoy ese espacio continua triste e inutilizado, un panteón del placer o un monumento a la alienación ideológica, entendida la ideología como falsa conciencia de la realidad& Volviendo al grupo, que se nos va la pinza, después de varios intentos frustrados de okupación, comienzan un periplo por locales de ensayo de alquiler y conciertos en bares, ya sin el encanto de la autogestión anticomercial& Finalmente la supervivencia, la vida reducida a los imperativos económicos, fuerza a parte de los integrantes de la banda a desplazarse geográficamente y ya solo se volverían a reunir de forma esporádica& De esos cinco años salieron un montón de conciertos benéficos y anticomerciales, la mayoría en Xixón, pero otros en Uvieu, Llangreu, Coruña, Torrelavega, Lasarte, Valladolid y Madrid. También varias cutredemos grabadas por el propio grupo con cachivaches prestados, de las cuales solo se llegó a mover una (primero en cintas DIY-Style y luego editada más profesionalmente por un contubernio de sellos pequeños) Los temas de este disco son los únicos grabados en estudio, en concreto en ACME (Avilés) en mayo de 1999. En su día se iban a utilizar para un EP compartido pero el proyecto no llegó a cuajar. Se editan más de diez años después, más que nada por el propio interés de los miembros de la banda en ver su mierda plastificada en un vinilo, único formato que les produce cierta pasión y alimenta su fetichismo mórbido. Además, el espeluznante contexto sociopolítico en el que vomitaron su odio y rabia, en forma de poemas ruidosos, sigue vigente& Para el diseño de la carpeta, tras un duro trabajo buscando entre viejos papeles amarillentos y llenos de ácaros, se consiguió recuperar una copia del collage que iba a usarse, en su día, para el disco compartido y algunos carteles y entradas de conciertos& Respetando la filosofía de la banda, el disco se distribuirá a precio de coste y se intentará que se venda al precio más bajo posible& Por último, dar las gracias a todas las personas, colectivos y grupos que colaboraron desinteresadamente con la banda, en especial a Escuela De Odio y Odio Visceral por seguir en activo y a todas las personas que han echado una mano para sacar esto adelante& Este disco está dedicado a Fernan y Piñera, entre tantos otros, caídos en la batalla diaria por sobrevivir&Viejos patéticos 2012

5 EUR

POL POT - WHOLE MYSTERY [GO MONGO RECORDS] 2011 Punk (ESP)

Los Pol Pot son de Zaragoza y son, para mi gusto, una de las mejores bandas actuales del panorama patrio. Cuando tocamos X-Prays con ellos en Zaragoza, simplemente flipé. Básicamente su sonido se basa casi todo en el rollo Punk siniestro a lo Crisis y a lo Warsaw/Joy Division (a veces demasiado calcado), pero también le meten otros matices. Matices a veces imperceptibles, muy diluidos, y en ocasiones más presentes. Por un lado, algunos temas tienen una línea de melodía más bailable, que puede emparentarles a grupos como The Cure, pero renunciando a la parte bonita y sin abandonar nunca la seriedad que impone la voz grave que recita sin compasión en medio del polo norte. Y, por otro lado, hay partes que te dejan un leve sabor a vanguardia británica 79-82 (en algunos temas más que en otros). No se parecen en concreto a ninguna de aquellas bandas, ni llegan a sus niveles deconstructivos, pero podrían haber teloneado a Pop Group, Gang of Four o PIL. Whole mystery es un disco muy sólido, con muy buen sonido, que se tiene de pie solo. Son solo 9 temas, pero son todos muy largos. Así que, para alguien que no esté muy puesto en este estilo, escucharlo entero puede ser como inyectarse muy lentamente plomo congelado. Pero para los que adoren la marcialidad y la seriedad de Joy Division, el disco se les hará incluso corto y, por supuesto, les encantará. A mi me parece uno de los discos del momento, con una calidad excepcional que no deberías dejar escapar.(http://soloespunk.blogspot.com)

10 EUR

POP RIVETS, THE - MT SOUNDS FROM ANARCHY RANCH [DAMAGED GOODS] 2000 Punk (UK)

The Pop Rivets (AKA TV 21) played their first show in 1977 at Detling Village Hall, Kent. Famous for their renditions of "Stingray" and "Hippy Hippy Shake", The Pop Rivets recorded the first truly independent punk LP in 1978/9, pipping Swell Maps to the post (who's LP was actually funded by Rough Trade). The Pop Rivets, on the other hand, borrowed £300 from AKA, a friend, who had just received a year's Social Security back pay. AKA was a type of fan who hated Childish and dismissed the Pop Rivets as a bunch of art school wafters. The mystified Pop Rivets took the money anyway and set about recording the "Greatest Hits" LP in the front room of a bungalow in Herne Bay. (They had to stop recording for the engineers mother to watch the 6 o'clock news). The resulting LP was described in the NME as "The youngsters as the future of rock 'n' roll" and then nothing happened.In 1979 The Pop Rivets embarked on two self-promoted tours of Switzerland and Germany and recorded their 2nd LP - Empty Sounds From Anarchy Ranch. Two further EP's appeared in 1980 before The Pop Rivets recorded a lost John Peel session and split up. For The Pop Rivets, punk rock had gone horribly wrong. Thatcher - Milk Snatcher was in and New Romanticism was rearing its poesy old head. Far from being dead and buried it seamed that Bowie and co we're on the ascendant. But there where still many questions the boys need answers for: Why did modern studios insist on making drum kits sound like the recording of a wet cardboard box with a dead fish in it? Why could no group keep its integrity beyond one LP, or even a single 45? Why were Link Wrays 2 track recordings more vital and exciting than anything a modern 8 track studio, or 16 track studio could knock out? Did spiders really see out of all eight eyes at once? Could it be that sophistication far from enhancing creativity, destroyed it?It was time for the Pop Rivets to stifle their intellects and devolve. There were plans to record a final double LP consisting entirely of rock n roll covers recorded live on half track to be titled - The Pop Rivets Meet the Whirling Dervish and survive! They didn't.

9 EUR

POPPETS - STEAL IT LIKE A THIEF[FDH RECORDS] 2013 Pop (SUE)

Have you ever chewed a big wad of bubblegum on the beach and gotten sand blown in your mouth? That sugary crunchiness, crackle and pop sensation is similar to the sound of POPPETS, a drum machine based garage-pop duo from Sweden. The group consists of LINA and MAGNUS, whose crazy pop hooks will instantly make you fall head over heels in love.

11 EUR

POPPETS - S/T [P TRASH] 2010 Pop (SUE)

On a cold Febuary morning the two POPPETS took out their caffeine addiction and their old drum computer pal to an empty warehouse where they met up with a cheap gang of guitars, a good-for-nothing bunch of synthesizers and a sock wearing, noise addicted microphone and together they wrung out these 8 minimalistic and animalistic lo-fi gems that were captuired immediately on a 4-track tape recorder.Their first longer effort to date clocks in at 14 minutes and is filled to the brim with damaged and beat-up Pop that shakes and twitches in every corner. None of the involved had to suffer mental or physical damage and will soon be operational for other releases.

11 EUR

PREDATOR - S/T [DOUCHEMASTER RECORDS] 2011 PUNK (USA)

Our new years resolution in 2011 was to refrain from using the words pop or catchy. We're sticking to our guns on this release at least as this LP is a punk behemoth. If you remember the Frantic, you know that Mike and Brannon don't pick up instruments without asking themselves what Rick Agnew would do. This record is short and deliberate, but you can definitely pick up tinges of post punk too. The Adolescents worship continues, but you get the idea they may be secretly digging Warsaw. Comes with a download, fool. 1000 black vinyls.

11 EUR

PRIMITIVE HEARTS - HIGH & TIGHT [P TRASH] 2013 PUNK (CAN)

PRIMITIVE HEARTS - Following up a 7" on No Rules! Records, PRIMITIVE HEARTS offer up their first full length record. This Oakland, CA based 3-piece have mastered brass-knuckled, bubblegum garage-pop! This LP blasts thru 12 catchy as hell punky pop numbers in 25 minutes. While they do not reinvent the 3-chord wheel, I do hear them channeling aspects of some of my favorite current west coast bands. They somehow capture the vintage R&B hooks of a band like SHANNON AND THE CLAMS, the sloppy rawness of NOBUNNY, the pop sensibility of HUNX, and the energy of MEAN JEANS, THE MARKED MEN and STEVE ADAMYK BAND. This record is a perfect, feel-good anthem for the 2013 summer...fall, winter... The cool artwork was created by Christian "Billy Jeans" Blunda, the MEAN JEANS!
They made a dumb little video for Falling Apart. It was all shot on an 80s VHS camcorder and mixed with found footage...Enjoy!

11 EUR
PROTEX - STRANGE OBSESSIONS [SING SING RECORDS] 2010 POWER-POP (UK)

Strange Obssesions has long been the holy grail of fervent record collectors worldwide. Rumors have abound that this album had been released in Holland and or that there were a small number of white label test pressings in existence but none of these claims have ever been substantiated. As far as I can ascertain, this is the first time that ten of these tracks have become commercially available anywhere. The fruits of these Chas Chandler sessions had only been previously hinted at with the bands final singles and the track All I Wanna Do Is Rock ‘N’ Roll that appeared on the American only Polydor compilation album Made In Britain.The title track of this release is worth the entrance fee alone. A genuine teen anthem if there ever was one. A live rendition of the song was featured in the Shellshock Rock movie but to get to hear the song recorded in a proper studio is truly a blissful experience. The production is clean and crisp and it baffles me how either the band or record company were dissatisfied with these sessions at the time. Perhaps when revisited and with the hindsight of time on their side their perspectives may have changed.(Sean O'Neill; co-author of It Makes You Wanna Spit!)

11 EUR
PUMPHOUSE GANG - S/T [SING SING RECORDS] 2010 POWER-POP (UK)

Formed from the ashes of a mid-70's rock band called Horse, the founding members of Pumphouse Gang - Ricky Wreckage (vocals), Ralph Von Wau Wau (bass), SG Coolbridge (guitar) and Dread 'Family Man' Jones (drums) were active on the fringes of the UK punk scene as early as late 1976. The band made regular trips from their base in Ryde on the Isle Of Wight to play London's live circuit at venues like The Marquee, The Speakeasy and The Nashville, and on the same bill as acts like Generation X, Fabulous Poodles, The Lurkers and The Only Ones.
This album features the best of Pumphouse Gang's material for Splash Records, including eight tracks never previously released on vinyl. Lost classics like 'When We Were Young', 'Black And White' and 'Teenage Lament' together with those now highly collectable Splash singles only emphasise how wrong the record buying public were to ignore the band back then. Perhaps this LP will go some way to righting that wrong. - James Denholm (Worthless Trash)

11 EUR
PURPLE HEARTS , THE - SMASHING TIME [DETOUR RECORDS] 2003 (UK)

2xLP. We all know and love the Purple Hearts - they were one of the leading lights of the ‘79 Mod Revival!!! The band wowed audiences all over the UK with their powerful live performances and gave us one of the best Mod Revival LPs with the legendary ‘Beat That’ release before splitting in the mid 80's as the music press turned it’s back on the bands it previously hailed as heroes.
Now Detour Records are extremely proud to give you ‘Smashing Time’ - a collection of 24 ultra rare and never-before-heard tracks that are going to blow you away!!!
Featured on this stunning release are 18 previously unheard studio tracks and 6 great live tracks. The studio tracks span the years from 1978 - 1982 and give us a real insight into the progression of the band, giving us alternate versions of our favourites, out-takes, demos and previously unheard tracks - one of which features none other than Mr. Paul Weller on keyboards and backing vocals.
Completing this fab collection are the 6 great live tracks taken from gigs throughout the band’s career - including two tracks taken from their triumphant return at the historic ‘Mods Mayday ‘99' gig.
It all adds up to one phenomenal collection that any self respecting fan of the ‘79 Revival period cannot afford to be without!!!!

14€

Q, THE - CHEMICAL OVERLOAD [TIME FOR ACTION] 2014 REVIVAL MOD (USA)

Brand new 4 track EP on 12inch with a stripped-down sound full of energy, soul and imagination. These guys celebrate a mind blowing mix of 60´s RockPop and late 70´s/early 80´s Mod Revival/post-punk UK But it doesn't stop here. Once again The Q capture that working class edge - the scuffles and annoyances from our streets and society today. Produced by Greg Haver (Manic Street Preachers) the songs reminds to bands like the Damned, The Jam, Gang Of Four and the Godfathers to name a few.https://www.youtube.com/watch?v=7SdXxiltZbE

6 EUR

Q, THE - SONICALLY SOUND [TIME FOR ACTION] 2011 MOD (UK)

Finally ! Thumping bass lines, solid drums, gritty guitar riffs and memorable melodies are the trade mark sound of The Q.Mixed in the Modernworld Studios , the album is an edgy, autobiographical look behind the story of the band. Each song has been written about or inspired by events that have happend to one of the band members. Significant life events from when the boys were Growing Up that have shaped their characters and the music of The Q into what it is today ! This album comprises 11 songs full of Mod and catchy Power Pop as well as some Soul tinged tunes.

9 EUR

RADIOACTIVITY - S/T [DIRTNAP RECORDS] 2013 PUNK (USA)

While the Marked Men might be on some sort of hiatus due to the busy schedules of everyone involved, Radioactivity at least gives us a glimpse at the glory of old, with half the band represented on the band’s eponymous debut. The project is filled with leftover tracks from Jeff Burke’s project, The Novice, and he called in good pal Mark Ryan to flesh things out, leaving us with a blistering record of punk rock hits.
“Sickness” opens with that stuttering guitar line that’s pretty prominent in the work of all those involved with Radioactivity, though there’s a soloing guitar line that seems to knife its way through the track. The vocals push the boundary of raspiness that you get from classic punk rock, though for all intents and purposes, the group’s still leans a little bit towards the pop side of things. You’ll get that image perfectly on the following two tracks, “Other Life” and “World of Pleasure.” The latter is definitely one of the record’s standout tracks, pounding furiously in your ears, despite having a catchy delivery of the lyrics throughout.
And you get what you expected on the first half of the record, with the blistering pace of the tunes allowing for the band to demonstrate their songwriting capabilities, while still honing their pop sensibility; this is one of the things I’ve loved about Marked Men and all associated bands. Tracks like “Alright” are perfect for driving, partying or even running; they fit in every corner of your life. But, what has impressed me about Radioactivity is that there’s a glimpse of what’s to come with the band’s next LP (rumored to be on its way in 2014) near the latter half of the album.
For example, “Alone” has this huge ringing guitar line, with the bass slowly working its way into the fold. It opens up the space quite a bit, adding just the slightest differentiation to the band’s signature sound. If you listen carefully, you can hear the guitars working against each other, almost fighting to define the band’s sound. There’s also the power ballad that lurks at the end of the record via “Trusted You.” The drums seem to want to escape into a heavier realm, though their steadiness really provides a good backbone for the rest of the song, which remains sort of a heartfelt ode to a lost friend or lover. It’s actually great on its own, but it’s made even better for the fact that its fittingly unique in the grand scheme of the LP.
I’m a huge fan of the group, even if the songs sometimes seem to blend together after repeated listens. And that’s the thing with Radioactivity, you’re going to get repeated listens. The songs are too good to ignore, and too catchy to dismiss. It’s clear that the duo of Ryan and Burke still have tons of tricks up their sleeves to keep me coming back to buying their records.

12 EUR

RADIO DAYS - GET SOME ACTION [TORREZNETES] 2013 POWER POP (ITA)

Una de las más gratas sorpresas que nos ha dado el pop europeo en muchos años. Los italianos Radio Days ofrecen en su flamante nuevo álbum una arrebatadora sesión de beat, rock and roll y power-pop de onda absolutamente clásica.Magníficos compositores y mejores intérpretes, Radio Days han hecho el que sin duda será uno de los discos del año.

10 EUR

RAF - COME ON! [TIME FOR ACTION] 2014 REVIVAL MOD (USA)

10"-From Across the Pond… RAF announces its debut vinyl 10" EP “Come On!”. This foursome of lads, hailing from Portland, Oregon, produce loud, proud, three-minute power anthems echoing the British Beat of ‘64 and the Mod Revival of ’79 - but with their own modern twist. The 6-song EP evokes all night clubs, rain drenched streets, teenage angst, and fighting for one’s place in the crowd. If these in sharp suits and vintage instruments delivered tracks don’t get your feet out on the dance floor, nothing will…!!!
http://www.youtube.com/watch?v=CZJ_1M6jKGg&feature=youtu.be

10 EUR

RANK/XEROX - S/T[SABOTAGE RECORDS] 2013 POST-PUNK (USA)

‘San Francisco’s Rank/Xerox do the future-primitive punk thing so effortlessly well that they would’ve been a perfect addition to Subterranean’s roster some thirty years earlier, fitting snugly between Nervous Gender and Flipper. That’s not to say they sound like either of those bands, though – rather, Rank/Xerox have a visceral-yet-moody texture reminiscent of Feederz, some Rudimentary Peni attitude, and maybe even a little VSS-styled DIY laser light-show action. In all of those classic punk scenes, none of the original bands really sounded like each other anyway, its more of the anxious strumming and frantic percussion that would make them a perfect candidate for any S.F. Underground compilation.

11 EUR

RATSIA - JÄLJET [SVART RECORDS] 2012 PUNK (FIN) REISSUE

Record Store Day release 2012. On mushroom brown vinyl, limited numbers available!

13 EUR

RATTUS - WC RÄJÄHTÄÄ [SVART RECORDS] 2012 PUNK (FIN) REISSUE

This is the first ever authorised reissue of the -82 Finnish hardcore punk classic. 24-bit mastered for vinyl from the original master tapes. Features a gatefold jacket with all original artwork + added photos from the era.

13 EUR

RAYDIOS, THE - NOW - MELTDOWN [DIRTNAP RECORDS] 2009 ROCK'N'ROLL (JAP)

Our first release from a Japanese band, and we couldn't really ask for a better one than this. For those not in the know, THE RAYDIOS is FINK from the legendary TEENGENERATE and current member of FIRESTARTER. This is their 2nd album, coming about 10 years (!) after their Demo LP on Screaming Apple. The CD version of Now is released by Japan's Mangrove Records last year (and is being distributed by Dirtnap in the USA), and is just now seeing the light of day on vinyl. It's been remastered for vinyl and remixed by Fink himself, and sounds GREAT. Musically this is no frills, crunchy, mid tempo rock n roll. Less trashy than Teengenerate, but not quite as pop' as Firestarter, this is kinda a middle ground between the two. Total dream release for Dirtnap. Pinch us.

12 EUR

RESONARS, THE - GREATEST SONGS OF THE RESONARS[TROUBLE IN MIND] 2013 POWER-POP (USA)

Many people may not realize, but Tuscon native MATT RENDON has been making some of the world's greatest pop music since 1997, having released 6 full-length albums and 3 singles under the moniker THE RESONARS. What started as a band, became a solo effort with Rendon playing everything his own damn self and this 14-song compilation gathers together some of his greatest compositions from the opening guitar scree & wall of vocal harmonies of "Definitely Crescent Ridge," to the cascading guitar jangle of "Marina," all the way to the winsome chords of "Paint My Window Green." Hits. All of 'em. Limited edition of 1,000 copies on randomly colored vinyl. Includes a download.

14 EUR

RICHARD HELL AND THE VOIDOIDS - BLANK GENERATION[FAN CLUB] 1977 PUNK (USA) REISSUE

Many people may not realize, but Tuscon native MATT RENDON has been making some of the world's greatest pop music since 1997, having released 6 full-length albums and 3 singles under the moniker THE RESONARS. What started as a band, became a solo effort with Rendon playing everything his own damn self and this 14-song compilation gathers together some of his greatest compositions from the opening guitar scree & wall of vocal harmonies of "Definitely Crescent Ridge," to the cascading guitar jangle of "Marina," all the way to the winsome chords of "Paint My Window Green." Hits. All of 'em. Limited edition of 1,000 copies on randomly colored vinyl. Includes a download.

11 EUR

RICKY C QUARTET, THE - S/T [WANDA RECORDS] 2012 PUNK (UK)

MLP.8 new ´77 punkrock blasts from london! "Klatsch dir ´ne Ladung Seife ins Haar und rupf die Ärmel von deinem SLAUGHTER & THE DOGS Shirt, denn das neuste Snotrock-Quartett aus Londinium hat dir einen Platz an der Theke des Roxy vorgewärmt, auf dessen Bühne sie gleich in bester EATER Manier einen blutigen Schweinekopf opfern und mit Bier um sich rotzen werden, bevor sie schließlich zum finalen Surf auf der Welle grandioser Aussie-Punk Bands wie RADIO BIRDMAN und den FUN THINGS ansetzen. Nach der bereits direkt in der pickligen Fresse explodierenden TNT-Ladung von Debut 7 dieser, mittels JOHNNY THROTTLE, BLOWOUTS und den TEN O SEVENS bereits einschlägig vorbestraften, Radaukollegen ist diese gloriose Fortsetzung genau der richtige Soundtrack, um angesichts der nahenden Apokalypse ein letztes Mal auf dem Feuerball von Exzess und Up & Down-A-Go-Go zu reiten. " (Dirk Le Buzz)

10 EUR

RIDE, THE - MASTURBAZIONE MENTALE [RAVE UP] 2014 PUNK (ITA)

The Ride were a punk rock band from Milan strongly influenced by Nuns and ’77 US punk rock. Formed in early eighties, in the same period of italian ‘hardcore’ scene.The band recorded only one 12” in 1986 and two demos in 1985 and 1987. This anthology contains 14 killer studio tracks, one of the best examples of american ‘Killed by Death’punk rock style with great Italian lyrics!

11 EUR

RIFF RANDELLS,THE - DOUBLECROSS [ALIEN SNATCH] 2007 Pop (CAN)

Some folks see them as a notherhern hockey playing counterpart of the DONNAS, while they always appeared in a nice teenage way of understatement. They grew up on the smell of vinyl and share friends with music maniacs like The FEVERS, 5678s, Tina Luchessi & The BOBBYTEENS and The FLAKES. ALIEN SNATCH! released their 10 mini-album entitled Lethal Lipgloss which is seen as one of the most infectious bubblegum music and got them many fans and also on the cover of MAXIMUM ROCK`N`ROLL. With their new album the RIFF RANDELLS found home on the highly praised and successful underground labels of the last years ALIEN SNATCH! and DIRTNAP. Those cats roll since ´99 and are the new generation JOSIE COTTON & NIKKI CORVETTE. In their good-times attitude, musical taste and continuity in doing the most exciting thing besides having the crush on the weird geek from the Hot Dog stop is playing in a buzzing rock and roll band! Doublecross is a girl group power pop album driven by a JOAN JETT blend of rocking three chord guitar drenched with Kathy's spectacular, undeniable hot and saccharine vocals. She´s got what so many girl singers miss - shout it out as catchy as only girls can do and keep it punchy from start to end. No screams and tears but make the north pole melt! Get hooked on this awesome simple though catchy record you want to take right to the next party. On top they made a perfect matching choice on covering Bandana of the LITTLE GIRLS. Go get a lollipop! Who else than those girls are gonna sell out Converse girl sizes and make frustrated middle aged guys wear tight black jeans in combination with pasta stained horizontal striped shirts? The vinyl edition has a bonus song from the japanese session Robot Man and the first 100 copies are on clear red vinyl for mailorder only. Right at the LP release date in October 2007 they are heading for a european tour with CHIXDIGGIT. The RIFF RANDELLS are once more ready to play your town. Who said Girls can´t rock!? Listen up!

10 EUR

RIGHT NOWS, THE - S/T [SUNNY DAY RECORDS-10"] 2010 Garage-Pop (ESP)

Mini-LP de debut de este rio de Cedeira (A Coruña) con un pie en el sonido garage más sucio de los 80 y en otro en las melodías del pop con más clase.

6 EUR

ROCKIN' HORSE - YES IT IS [SING SING RECORDS] 1971 POWER POP (UK) REISSUE

REISSUE.Rockin' Horses' "Yes It Is" has been critically hailed as one of the true lost British power pop relics. When the late Greg Shaw (Bomp Records & Magazine) created his Voxx subsidiary, the first single he decided to reissue was Rockin' Horses' 1971 magnum opus single, "The Biggest Gossip in Town." Shaw declared that the single was the greatest power pop song of all time heady stuff. The power pop sounds of "Yes It Is" have been favorably compared to the best of The Beatles' "Let it Be" era and Badfinger's early 1970 efforts. As an homage, the band's name was drawn from The Beatles' "Lucy in the Sky With Diamonds" and the album title itself from The Beatles B-side of "Ticket to Ride." Rockin' Horse was formed in 1971 by lifelong best friends Jimmy Campbell (The Kirkbys/23rd Turnoff) and Billy Kinsley (The Merseybeats/The Merseys) after the end of their respective Liverpool bands had split. Joining the Liverpool core duo were hired studio guns: Bobby Falloon (guitar), Stan Gorman (drums) and Michael Snow (keyboards). Having been schooled in the very same musical influences as the Fab Four, the end result is eerily similar to the sound the Beatles were creating at the end of their career during 1968-1970. The album was not an attempt to "ape" The Beatles' sound, but more the end product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits . How could they not end up sounding similar? Locating a copy of the original album is close to impossible and very expensive. Now you can own one of the greatest power pop recordings of all time on vinyl with its original Hipgnosis sleeve design.Release Country: UK Release Year: 1971 / Reissue Date: 01.12 Original Label: Philips

12 EUR

ROCKINSON, LOS - S/T [TTAN TTAKUN RECORDS] 2010 Punk (ESP)

Por fin en vinilo la maketa de los 90 de los Rockinson, grupo de Lazkao, pre-fist fucking y pre- brigada criminal.400 copias en vinilo negro, 100 copias en vinilo de rojo y 15 test pressings con portada diferente y numerada. Contiene las 11 canciones de su maqueta, con un insert con fotos y algun dato.

9 EUR

ROYAL HANGMEN, THE - S/T [SCREAMING APPLE] 2012 RHYTHM'N'BLUES (AUT)

Are you ready for another wylde garage-punk extravaganza?Do you fancy some hip-shakin' 60's Beat, too?Or maybe, you just wanna dance ecstatically, shout and scream in frenzy?Rightly so, then we certainly can help you out with the first long-playing record by Switzerland's one and only kingly renowned garage band - THE ROYAL HANGMEN. The album contains 11 self-penned songs, full of tempestuous and raw energy, with plenty of hooklines, verve and style. Songs that are soaked with a sixties spirit, but were made in the here and now. It's all in there: fuzz-guitars, VOX organs, snarling vocals, throbbing bass and rattling drums always short, tight and efficient. And that's exactly how the odd garage record should sound. Their self-titled debut was painstakingly produced by David Langhard (aka Admiral James T.) with much love for the detail and with heavy use of analogue equipment.Hailing from Zurich, THE ROYAL HANGMEN started eight years ago to proclaim the gospel of garage rock. First a simple cover-band, they soon found their own style and tunes and finally some attention amongst the international 60's/retro scene. Their first 45 single Mary Jane was released back in 2009 on Greek label Lost In Tyme. Lots of concerts in France and native Switzerland followed thereafter, culminating in a support slot for the mighty SONICS.It took them some time to record their first proper album, but it was definitely worth the wait. So get on your go-go boots, put that marvellous wax on the turntable and shake your hips to the driving Turn Me On, the frantic Mary Jane, the melodic She's Gone or Get Out Of My Way and all the other smashing tracks on this record, until you reach the final comedown with the moody, psychedelic Wake Up. What a trip. If you go bananas listening to bands like the SHADOWS OF KNIGHT, the ZAKARY THAKS, the BAD SEEDS, the CYNICS and the STAGGERS, this one's for you babe!It's fab! It's groovy - It's THE ROYAL HANGMEN! Now - exclusively on Screaming Apple Records (Germany)

11 EUR

SADO-NATION - DISRUPTIVE PATTERNS [GUMMOPUNX RECORDS] 2013 PUNK(USA)

Old Portland punk/hc, unreleased 1980 lp and 3 unreleased songs rare '82 cassette

10 EUR

SAINTS, THE - (I'M) STRANDED [4 MEN WITH BEARDS] 2008 PUNK (AUS)

FLAMIN’ GROOVIES Now released in 1978 and produced by DAVE EDMUNDS, put the Groovies back on the map as the band won fervent praise on both sides of the Atlantic for their follow up to Shake Some Action. They apply their fiery British Invasion-inspired sound to the Rolling Stones' Paint It Black, the Byrds' Feel a Whole Lot Better, the Beatles' There's a Place, and a bunch of original tunes. On 180 gram vinyl.

15 EUR

SAM PECKIMPAH'S ORDER, THE - VETERANOS DEL DESORDEN [BAZOFIA RECORDS-12"] 2010 GARAGE-ROCK (ESP)

Banda de Zaragoza influenciada por bandas como Lone Star,ilegales,o la primera hornada de bandas mod de Barcelona,aunque más garage,edición ultra-limitada de 300 copias.

10 EUR

SARKYNEET - EI ENAA [COMBAT ROCK] 2011 Punk (FIN)

The debut album.. tuneful and driving punk with surf influences on the guitar and some 60s pop in the medley. For fans of late 70s finnish punk rock such as Ratsia, Kollaa Kestää etc, or the new wave of scandinavian bands like Masshysteri etc.. or just fans of plain good old punk-edged power pop like The Nerves, Undertones, Buzzcocks..

10 EUR

SENSA YUMA - KICKIN & SCREAMIN [OJALA ME MUERA] 2011 PUNK (ESP)

Sensa Yuma se formó originalmente en Stafford (Inglaterra) en 1980. Trás algunos cambios, la formación quedó estable estando compuesta por Agz (voz), Pid (batería), Minty (bajo) Trogg y Aid Davis (guitarras). Con esta formación estuvieron tocando a lo largo y ancho de Inglaterra con grupos de renombre en la escena punk como Discharge, Gbh Subhumans o Conflict. En 1988 la banda se separó y sus componentes emprendieron distintos proyectos musicales. Durante los años que siguieron, el miembro original Pid formó parte de distintos proyectos como cantante, grabando distinto material y realizando varias y extensas giras.

8 EUR

SENSUURI - HULINAA [SVART RECORDS] 2013 PUNK (FIN) REISSUE

Sensuuri had burst into the Finnish punk scene in early 1979 with the debut single Kirjoitan seinään (also reissued on Svart) and got offered a deal for a full length album. The result, Hulinaa, appeared in the summer of 1979, and many consider this youthfully energetic LP their absolute favorite Finnish punk record. We can't help but agree. This classic album has been 24-bit remastered for vinyl from the original master tapes and the original cover art has been expanded to a gatefold jacket.

13 EUR

SHALL I SAY QUOIS, THE - SHALL I SAY QUOI? [DAMAGED GOODS] 2013 GARAGE (UK)

10",EX-HEADCOATEES KYRA RUBELLA, LUDELLA BLACK & THE BUFFS, NURSE JULIE's NEW BAND
IF YOU LOVED THEE HEADCOATEES THEN THIS IS RIGHT UP YOUR STRASSE, 6 TRACKS RECORDED AT MEDWAY’S FAVOURITE STUDIO ‘RANSCOMBE’ WITH BILLY CHILDISH ON GUITAR AND WOLF HOWARD ON DRUMS.

8 EUR

SHIMMYS, THE - BRUNETTES ON THE ROCKS [POP THE BALLOON] 2010 GARAGE-POP (AUS)

Second album of garage trash from Australia's premier all girl combo. Suzi, Babs and Kitty return with a more ferocious garage stomp this time 'round. So beware, don't let their saucy looks fool you into thinking they're all sweet 'cause this album proves The Shimmys will dig their fingernails in DEEP once they get their hooks on you!! Includes killer new originals like "Doctor Doctor", "Two Pot Screamer", "He's My Werewolf" plus a few raunchy covers; "Don't Slander Me", "Whatcha Gonna Do". For fans of Gore Gore Girls, Headcoatees, 5678's, and "girls in the garage" styled trash.

12 EUR

SHITTY LIMITS - BEWARE THE LIMITS [SORRY STATE] 2009 Punk (UK)

For the last two years The Shitty Limits from Reading and High Wycombe have easily been the most active, prolific and best punk band in the UK. They have released five untouchable 7" singles and now it's time for the debut album. Their myspace says their influences are 60's garage, 70's punk and 80's hardcore and that's exactly what you get inside this 23 minute album. It has attitude, tunes to kill for and that something special. Think a garage version of Minor Threat or 'Pink Flag' era Wire mixed with the L.A. punk scene of the late 70's. Each song is short, sharp and a fireball of energy. Hands down the best UK punk album in years.

10 EUR
SHIVVERS, THE - S/T [SING SING RECORDS] 2014 (USA)

The studio album from Milwaukee's power pop elite finally makes a vinyl appearance. Originally recorded in 1980! TEENLINE!

14€
SHOCKED MINDS - S/T [HORIZONTAL ACTION] 2014 (USA)

Just when the world thought it was safe from the clutches of the primal punk sneer of the CARBONAS, SHOCKED MINDS have exploded up from the underground as the brand new JOSH MARTIN-fronted (also in EX-HUMANS, TESTORS) vehicle with hooks that kill as well as they drill. And with original lineup Carbonas members DAVE RAHN (also in GENTLEMAN JESSE & HIS MEN) and JEREMY THOMPSON (also in GAMES) rounding out the ranks, it's dead set to stick in your brain like a parasite, just the way you'd expect from these long-admired Atlanta punk figureheads. But don't let that get you distracted, Shocked Minds steer their cantankerous and razored residual noise into concise blasts of exactly what you want, glazed over with refreshing nuances of the Dead Boys, Testors, The Damned and Heartbreakers, and with closer listens, shards of the ‘70s Belgian punk creme de la creme like Mad Virgins, Revenge 88, and Raxola. Songs executed so painfully tight and impeccably produced by Mr. Rahn for pinpoint perfection, you might not even notice that obscure cover by The Eat hiding in there, and it's gonna hit you like a ton of bricks.

12€

SHOCKS, THE - BRACE&BRACE [DIRTY FACES] 2007 PUNK (ALE)

The Shocks are back, the started their own style 77 Garage Punk with german lyrics 10 years ago. Now there tons of new bands playing this old/new style, but the Shocks prove with this album - they are still the best. The new album is more powerpop influenced, but not crappy pop music. Lp comes with a printed innersleeve.

10 EUR

SILLA ELÉCTRICA - RITMO SUICIDA [SOLO PARA PUNKS] 2011 Punk (ESP )

Después de sus recompendables singles por fin tenemos el debut en larga duración de Silla Eléctrica. Trío afincado en los Mandriles que le dan al punk cavérnicola cual chimpacé en celo se tratase. A guitarrazos simples y con bateria a piñon se meriendam 18 temacos huracanados que deleitarán a los simples de espíritu, porque de ellos será el reino de la felicidad.

8 EUR

SILVER COCKS - S/T [WHITE ZOO] 2011 Punk (ITA)

The Silver Cocks are pure devastation Killed By Death style, their 'eastern' oriented punk rock, strongly influenced by former Yugoslavia bands such Pekinska Patka and Paraf, takes no prisoners! This is the debut Lp, after their awesome EP on the american label Zodiac Killers Records released one year ago. Superb cover, absolutely 'out of head'!

11 EUR

SINATRAS, THE - ARE YOU READY! [RAVE UP] 2011 Punk (USA)

Rave Up records is proud to presents one of the greatest and obscure outfits of the early US punk scene... The Sinatras. Started in 1976, based in NYC, the band was quite popular at CBGB and MAX's KANSAS CITY. In 1979 they released an amazing 7 ("TEDDY CRASHES BLOND DIES / SOME OTHER BOYS") now totally impossible to find. Their sound was directly inspired from bands such NY Dolls and Heartbreakers. Pure NYC punk'n' roll sensations!!! This anthology contains 7 killer studio tracks and a bunch of live' songs, recorded from a mixer desk. Be fast to order this punk classic&this item will be sold out' in few weeks!!!!

10 EUR

SISTA SEKUNDEN - ALDRAS MED STIL [SOUL REBEL] 2010 Hardcore-Punk (SUECIA)

This is the third LP from Swedish punkers Sista Sekunden. A mix of fast thrashy punk along with some melodic catchy riffs. A step up in progress for these internationally revered good dudes. Includes insert with song explanations in English. 13 tracks in total on black vinyl.

9 EUR

SKARMENTO - AFIA OS COTENOS [FIERRO RECORDS] 2013 PUNK (ESP)

Aquí tenéis el nuevo 10" de Skarmento, "Afía os cotenos", en el que los gallegos nos presentan 6 nuevas canciones de muy buen Punk-Rock.

9 EUR

SMALL FACES - FIRST STEP [4 MEN WITH BEARDS] 2013 POP (UK)

First Step is the debut solo album from the legendary FACES, originally released in 1970. Featuring a post-Jeff-Beck-Group ROD STEWART, along with RONNIE LANE, RONNIE WOOD, IAN MCLAGAN, and KENNEY JONES, First Step includes the now classic “Three Button Hand Me Down” and “Flying.”

15 EUR
SMALL HOURS, THE - THE ANTHOLOGY [DETOUR RECORDS] 2003 (UK)

Small Hours were a band with a mighty fine pedigree - they were formed by ex ‘Saints’ and ‘Lurkers’ bassist Kym Bradshaw and also featured ex ‘Jolt’ member Iain Shedden. The band soon found themselves at the forefront of the 1979 Mod Revival scene - their tight Memphis R&B / Stax organ sound setting them apart from the New Wave / ‘Jam’ sounding contemporaries such as ‘The Chords’ and ‘The Purple Hearts’. Along with Dexy’s Midnight Runners (who they were invited to tour with) the Small Hours were the link between the Mod scene and the upcoming rude boy movement that was exploding throughout the UK.
The band made their recorded debut on the legendary ‘Mods Mayday ‘79' album along with Secret Affair, Squire & The Merton Parkas - the LP went on to sell 100,000 copies. They were offered many major record deals from companies such as EMI, Phonogram, Virgin and the ultra-hip 2-Tone label but for various reasons turned them down, and put out their only release - the Small Hours 10"" and 7"" EP (which now fetches £50 and more!) on the Indie ‘Automatic’ label. The band cemented their reputation on the live circuit with regular sold out shows at The Marquee, The Venue, Dingwalls and The Music Machine. By 1981 it was sadly all over for the band, leaving behind just the one EP and several compilation appearances. The band left their mark on the music scene - their live shows are legendary and they can boast many music biz luminaries as hardcore fans such as Shane MacGowan, Jerry Dammers and Eddie Piller. Hell, even current darlings ‘The Hives’ cite them as their favourite ever UK act!
This brilliant release includes all the recorded output from the band - including previously unreleased singles and demo tracks. It’s a stunning reminder of the power of the band and a great blast from beginning to end. Also, the CD features a bonus 10 live tracks that catches the band in full flow at their peak. Add to all this great artwork featuring loads of rare and unseen photos by NME photographer Paul Slattery, memorabilia and liner notes it all adds up to one brilliant package!!

11€

SNAP - MAQUETAS 1988-1991 [DISCOS REGRESIVOS] 2013 PUNK (ESPAÑA)

Discos Regresivos acude al rescate de Snap, banda punk madrileña de los 90 injustamente olvidada. En este LP se rescatan 11 temas de sus tres primeras maquetas entre los años 1988 y 1991, que reflejan su verdadero y nada dulce sonido. Los 11 temazos fueron remasterizados por Jose Lanot y Fernando Pardo (mil gracias) en los estudios Geek de Madrid. Va acompañado de un libreto en formato A4 de 12 páginas con fotos y una entrevista realizada por dos Anti Guays (gracias Demi y Vera) a Suso y Pedro el 16 de febrero de 2013.DR-10 SNAP - MAQUETAS (1988-1991) FECHA EDICIÓN: 15 MAYO DE 2013 500 COPIAS.VINILO NEGRO

9 EUR

SOMETHING FIERCE / OCCULT DETECTIVE CLUB - S/T [10"-DIRTNAP RECORDS] 2012 PUNK (USA)

Two of Texas' leading punk monstrosities, Something Fierce and Occult Detective Club, joined forces for a split 10 for their recent tour together through the US. Both bands hail from Houston and Denton (respectively) and this release is pretty much dead on for the Dirtnap label. Something Fierce are coming hot off the heels of their 2011 release for Dirtnap, Don't Be So Cruel, while Occult Detective Club put out their sophomore LP titled Crimes on Alive Records last year as well.For this limited-edition split, both bands capitalize on what made their recent albums so lethal. Something Fierce clearly has the edge for making up some catchy punk rock. That becomes clear in a song like Get On or Get Off, featuring a tight and mid-paced pop-punk vibe that splits off halfway through the track. Grungy bass lines and shredded guitars combine for a groovy, psyched-out midsection until the track finds its footing again in the final minute.As for Occult Detective Club, these guys offer short and blazing punk jams that on-average last about two minutes per track. Things sound a bit more sloppy and unhinged in these parts, but it makes for a blitzing good-time in a track like Ships at Sea. Sharp, crunchy guitar hooks lead the way through the stomping beat, revealing a fiery solo midway through the track that will quickly seal the deal.

12 EUR

SONIC AVENUES – TELEVISION YOUTH [TAKEN BY SURPRISE] 2012 PUNK (CAN)

SONIC AVENUES are just four Montreal kids who started riffing punk tunes in 2006, but since getting swept up in the booming punk epicentre of neighbouring Ottawa, they've been catapulted into the ranks of the best pop-punk acts in Canada! After releasing a few singles, SONIC AVENUES dropped a bomb in late 2009 with their debut LP on Ottawa's infamous GOING GAGA RECORDS. Within a few short months, the record had sold-out twice, including out repress in cooperation with SABOTAGE RECORDS. Two years later, after obliterating eardrums from stages across North America and Europe, they returned home to record a crushing follow-up, Television Youth, this time prestigious Portland-based label DIRTNAP RECORDS will handle the pressing overseas. Featuring more of the over-driven guitars, infectious harmonized melodies and blazing 2-3 minute songs that powered their debut, the AVES have nonetheless pushed the limits into new territories with this latest offering. In short, TELEVISION YOUTH is punkier, poppier, louder and dirtier than anything they've done before. Armed with this devastating new arsenal, as well as ambitious touring plans spanning the (un)civilized world, SONIC AVENUES are sure to keep fists in the air and beers a-flyin' for years to come.

10 EUR

SONIC AVENUES – MISTAKES [DIRTNAP RECORDS] 2014 PUNK (CAN)

Having delivered the quintessential powerpop/punk album in 2012's Dirtnap-released burner Television Youth, Montreal’s Sonic Avenues take it to another level on their third LP Mistakes.
Building on their signature melodic style, the Aves return with an evolved and considerably more varied effort that resulted from dropping all preconceived notions of how a “punk” record should sound.
The band made a concerted effort to not repeat itself, and it shows. While no doubt teeming with energy and hooks, Mistakes eases off the light speed tempos of previous releases and shows greater sophistication in both songwriting and production.
Self-produced by the band in singer Max’s apartment, Mistakes was written over a period of 7 months and produced in less than three. Mixing together songs dark, bright, short, and long, this release really finds the band coming into its own and claiming a distinct niche within the contemporary pop/punk pantheon.
Fans of previous Sonic Avenues efforts will discover treats both familiar (“Waiting For A Change”) and completely unexpected (“Better Days To Come”) on this album – by far the band’s best to date!
Be sure to catch Sonic Avenues on tour in 2014 – with dates planned in more than seven European countries, Japan, Russia, the U.S. and Canada! Full European dates (all with our pals Needles//Pins) are below, keep checking our website/Facebook/Twitter pages for further announcements!
All copies of the LP come with an insert with a coupon for a free 256 kbps Mp3 download. Free posters with every order, while supplies last.

12 EUR

SPECTACLES, THE - RE-SPECTACLED [RAVE UP] 2011 Punk (USA)

Finally one of the legends of the early S.Francisco punk music are on vinyl. These amazing tracks were in fact recorded in 1980 but they never saw the light! Now, after 30 years, Rave Up records discovered these pioneers of Art Punk music. The band was really popular in the Bay Area and opened for many important bands such Black Flag, The Lewd, The Mentors, Los Lobos, Red Hot Chili Peppers ecc... This album is ESSENTIAL for every fan of bands such Devo, Pere Ubu, Screamers, Von Lmo ecc& So, grab this incredible Lp, all recorded in studio right now! No filler! 100% American genius! Art cover designed by Winston Smith!!!!!!

10 EUR

SPECTRES - NOTHING TO NOWHERE [SABOTAGE RECORDS] 2013 Punk (USA)

"Nothing to Nowhere" is the Spectre's second full length release, following up 2010's "Last Days. This new record features ten songs that explore a range of influences from early west coast punk to British post-punk and anarcho, early death rock and new wave."

10 EUR

SPENT FLESH - S/T [10"-FDH RECORDS] 2012 HC-PUNK (USA)

Philadelphia based raw thrashy punk. This 3 piece band, rage through 13 songs in a little over 15 minutes. Fast precise hard hitting drums, loud distorted guitar that flirt with chaotic, noisy effects compliment dynamic and aggressive vocals that have just the right amount of snot and grit Their sound touches on classic 80?s hardcore, whilst paying homage to poppy and metal influences. Musically its amazing how big sounding this sounds for just drums and one guitar player. At points it reminds me of Void if they were influenced by Fuck on The Beach, Gorilla Biscuits, and even a touch of early Sonic Youth (mostly guitar wise) . Truly an original debut 10? co-released with P.Trash records (Germany) & Sit and Spin records (Philly). (Just a note we dont have a 10? section on the page yet so this is listed in the LP section of the store)

9 EUR

SPIKE PENETRATOR! - YEAH! YEAH! BABY [RAVE UP] 2013 Garage-Punk (USA)

Rave Up has finally discovered the legendary Eliot 'Spike' Kagan 1973 tapes! Yeah, the king of basament rock started their career looong time ago, and this is the proof!!! Pure garage demented lo-fi rockn'roll at the same lavel of the garage rock masterpiece 'Kings of the Basement' album. Sloppy sound in the tradition of the rebellious rock'n' roll of the 60's! Great artwork. A "must have" for any punk and garage fan!!! "We're the Penetrators, we don't fuck around... Cause we're the number one band in this town!"

12 EUR

SPIVS, THEE - THE CROWDS AND THE SOUNDS [DAMAGED GOODS] 2013 GARAGE-PUNK (UK)

Thee Spivs are back with their third album in as many years and with The Crowds and The Sounds' they've honed their canny blend of trad punk, garage punk, post punk, new wave, classic English rock'n'roll and pub rock to create a magnificently varied album. Dare we say, these young men have matured, with Ben Edge proving his worth as an accomplished songwriter. Drawing from a more diverse array of influences, Thee Spivs have lapped up and reimagined sounds from bands such as The Television Personalities, The Ramones and early Wire. The new album is a natural progression from their critically acclaimed debut Taped Up' (which landed the band an early Mojo Rising feature and a Guardian New Band of the Day piece as well as praise in The Sunday Times and Artrocker) and last year's Black and White Memories' (with reviews including Q, Uncut and BBC). The Crowds and The Sounds' is instantly more melodic and you can see additional influences from the very British qualities of The Kinks. The songs are slowed down and slightly longer in length, with a lot more thought and work in to each one than the furiously fast, punchy numbers from their early records. After a successful European tour in spring 2010 they set off recording their debut album, Taped Up' which is now complete and ready to be released on Damaged Goods in November 2010. It features 14 tracks including their first single It's True' plus their new single I Don't Want It'. It's an edgy mix of Punk, Garage and a bit of Rock N' Roll, it's a storming debut ! Lookout for lots of gigs plus European dates being announced in the near future.

11 EUR

SPIVS, THEE - TAPED UP [DAMAGED GOODS] 2010 GARAGE-PUNK (UK)

This is one of the most talked about bands you've never heard off, Thee Spivs have been playing raw and primal garage punk music all over London for the last three years in any venue, party or street that will take them. After forming in 2007, members, Ben Edge (Guit/Vox) Dan May (bass) and Steve Coley (drums) quickly gained a reputation for their energetic and unpredictable live performances. They met up with Liam Watson from ToeRag studios in 2009 and recorded a few tracks of which two tracks came out as a limited one off 7 on 1965 records in late 2009. After a successful European tour in spring 2010 they set off recording their debut album, Taped Up' which is now complete and ready to be released on Damaged Goods in November 2010. It features 14 tracks including their first single It's True' plus their new single I Don't Want It'. It's an edgy mix of Punk, Garage and a bit of Rock N' Roll, it's a storming debut ! Lookout for lots of gigs plus European dates being announced in the near future.

11 EUR

SPIVS, THEE - BLACK AND WHITE MEMORIES [DAMAGED GOODS] 2011 GARAGE-PUNK (UK)

The Spivs are back with their second album in November, following their debut from 2010 the critically acclaimed Taped Up'. Black And White Memories' was recorded in East London at Gizzard studios with Ed Deegan at the controls over the summer, it features 14 new tracks This album shows how the band have progressed and matured over the last year, alongside storming garage & 77 Punk tracks like the lead single TV Screen' and Flicking V's' there are even a couple of ballads! The band recently played the MOJO awards gigs at London's 100 Club alongside the Jim Jones Revue and they are heading back over to Europe for another sting of dates in late October. Thee Spivs are Ben Edge (Guit/Vox) Dan May (bass) and Steve Coley (drums) Rock N' Roll hasn't been this much fun for years, give it a try, you might like it!re.

11 EUR

STALAG 13 - IN CONTROL [DR STRANGE] 1984 HC-Punk (USA) REISSUE

Classic Nardcore reissue from 1984, remastered

11 EUR

STASI, LA - LA ÚLTIMA ESPERANZA DE LA LOCURITA [DISCOS REGRESIVOS] 2012 PUNK (ESP)

Discos Regresivos presenta.... La Stasi - La última esperanza de la locurita. La última esperanza de la locurita es la última esperanza del punk. Punk 77 mezclado con el garrulismo de los 80 y con unas letras ácidas,irónicas y costumbristas a la par que divertidas. Despúes de cuatro años la Stasi sigue demostrando que no hacen falta artificios, ni poses,ni consignas mil veces repetidas para hacer punk. 12 temazos y una locurita que demuestran que tantos años después siguen siendo los más grandes del punk patrio le joda a quien le joda. Todo el arte es por obra y gracia del gran Adso (adsoweb.es). FOTOS:Carlos Porras (http://www.carlosporras.es) Edición: 500 copias, 50 de ellas con pack especial "Anti guay". Precio normal:10¬. Precio "Anti guay":12¬. PUNK!!!!

7 EUR

STASI, LA - LLAMANDO AL MANZANARES [DISCOS REGRESIVOS] 2008 PUNK (ESP)

Imagina un día lluvioso,es tu cumpleaños, lleno de asquerosa gente atravesando ojos con paraguas, en el que te gustaría mandar al de al lado a la mierda ,insultar y huir cual cobarde, acabando en un parque con un abuelo bohemio. Ese día, tú cáncer de nalga no te dejará mantener tu humor guay, ni podrás disfrutar la peli porno cómo te gustaría.Pero siempre podrás rendir pleitesía a tu ídolo Javier Clemente y pensar en matar enamorados en San valentín o a algún icono de la movida madrileña. Ese día es como el LP de la Stasi.....................

500 Copias, 50 Copias con Parche y 20 con póster A3 a cargo del gran ADSO. Junio 2008.

http://myspace.com/lastasi

3 EUR

STATUES - HOLIDAY COPS [P TRASH] 2010 Punk (CAN)

Canada is so proud of their native sons that the country erected a massive golden monument to the STATUES in the middle of their hometown and sent all cops on holiday so that the punks could dance around it singing 'Hurray Hurray! a new STATUES album saw the light of day!' The three Pop-Punk scientists refined their formula in these 10 brandnew songs and poured in some drops of DEVO, SPITS and WIPERS that lets the test tube eruptively foam over with joy, heart, guts and splendid melodies! You want your beloved poppy tunes? You got 'em in 'Holiday cops', 'Reflux' and your new hymn to youth and the weekend 'Young enough'. You need more cool and loud bass lines? Try 'Stop watch' and the critical, exploding 'Self Help Con Job' to satisfy your appetite. Choppy DEVO style guitar riffs and a good SPITS-like beat anyone? Then go listen to 'Uptime' and 'Up scope, fire one' and get the chills in the slightly more dissonant and yet fantastically melodic 'Broken parts' and 'Start time'. Fresh out of the laboratory and back on European stages everywhere soon!

11 EUR

STATUES - NEW PEOPLE MAKE US NERVOUS [P TRASH] 2007 Punk (CAN)

The repress of their solid "new people make us nervous" album. Let this Canadian trio take you on a non-stop power-chord ride through 8 brilliant songs that lean on english mod-punk as well as taking straight canadian power-pop and stirring it up with slightly dissonant and sweeping guitar lines. You also get a fantastic and gritty singer with a wide vocal range and lyrics that deal with social problems in a very clever and non-preaching way. This ain't no wishy-washy power-pop, this record's full of melody, hooks and energy. It smokes! Perfect fodder for fans of CLOROX GIRLS, THE BRIEFS, OBSERVERS or THE TRANZMITORS.

11 EUR

STENCH - OBSSESED WITH THE EVIL [PURE PUNK] 2010 PUNK (UK)

UK '82 Punks Stench return with another 12 tracks of depravity from their seedy archives. These tracks have not been heard since the halcyon days of the second wave of UK Punk. Do you wanna become "Obsessed With Evil" like they were? Well, buy the fuckin' album!! Suitable for punks, retards, weirdos, freaks, weazels, serial killers and YOU! Not suitable for pop punker, politically correct and plastic safe punks!

10 EUR

STENCH - CULT STATUS [PURE PUNK] 2009 PUNK (UK)

Early 80's UK snot rockers Stench have a 14 track album called Cult Status featuring unreleased material from the early 80's anals of Wolverhampton's most obnoxious Punk band. Not for the squemish or easily offended, an album of gun rubber anthems of Nihilism and desolation that no-one would release... TILL NOW!! Only 500 copies, first 100 on blood red vinyl!

10 EUR

STEVE ADAMYK BAND, THE - THIRD [DIRTNAP RECORDS] 2013 PUNK (CAN)

The Steve Adamyk Band keep things straightforward and simple, and that goes for the title of the band's third album which has been named Third, so as not to confuse anyone, as well as in the type of music it contains. Now, that doesn't mean that musically this is something to be ignored, as that is far from the truth, but basically Steve Adamyk and his companions take from a number of genres to deliver an edgy, punky power-pop set of songs that are fun to listen to without being overly taxing. The other good thing is that this formula doesn't stray from the first two albums, although I feel that the second, Forever Won't Wait, was a slight improvement over the debut self-titled long player with Forever Won't Wait and Third being neck and neck in terms of quality.With "Not A Witness" providing a rip roaring start full of guitars and singalong parts in pure pop-punk style, the Steve Adamyk Band snatch my attention and keep it fixed on the dozen tracks that the album contains. Tracks skip along at a fair pace and it's reminiscent of the first couple of Ramones albums, the template for much of the pop-punk genre where you barely catch your breath between songs yet they still manage to implant themselves in your head. I'd also add a bit of the Dickies and Screeching Weasel into the comparison too, with Third having a frenzied yet measured, hook-laden delivery.Though a relatively consistent album it's the likes of the opener along with "Katacombs," "Wait For Your Number," "Nightmare" and "Won't Let You Go" that stand out as the markers of the highest quality on the record.The huge positive from listening to a record like this is that it puts me in a good mood regardless of how I might have been feeling prior to putting it on, and it also gives me a kick up the backside in terms of providing some often much needed energy to get me going: it's just so damn infectious.Thank you to the Steve Adamyk Band for sticking to the old adage, 'if it ain't broke, don't fix it' as this is a continuation of previous work, thus making for yet another highly enjoyable listen.

12 EUR

STEVE ADAMYK BAND, THE - S/T [DEAD BROKE RECORDS] 2010 PUNK (CAN)

Repress de su primer álbum.

12 EUR

STEVE ADAMYK BAND, THE - FOREVER WON'T WAIT [DIRTNAP RECORDS] 2011 PUNK (CAN)

THE STEVE ADAMYK BAND are a bunch of obnoxious, rowdy, "kids" from Ottawa, Ontario. While the name would automatically draw comparison to a blues, jazz or rock band given the layout, make no mistake; the Steve Adamyk Band are a punk band. The SAB play trash-pop inspired by seventies punk, the skinny tie bands of the eighties, and nineties garage rock. From the ashes of MILLION DOLLAR MARXISTS (Gearhead Records) and SEDATIVES (Deranged Records), the group was born out of necessity a whack load of orphan songs with no band to call home. Frustrated playing in bands that would eventually call it quits, Adamyk formed a band that could have an endless timeline, even if the name is outside of the standard band name zone. Releasing two European singles before their first live performance, the SAB would go on to unload 4 seven inch singles and an LP in 2010. The self-titled LP in question sold out its initial pressing in three months and received rave reviews. The following year, the SAB toured Europe, performed at SXSW and recorded their sophomore LP Forever Won't Wait. More touring and releases are currently in the works for 2012, as it doesn't appear to be slowing down anytime soon.

11 EUR

STILETTOS, THE - PUNK TRAMPOLINE [RAVE UP] 2013 Punk (USA)

The Stillettos were born out of the back room of Max's Kansas City in the late sixties when, if you could get into the back room, you would be in the company of Andy Warhol and His Superstars, up and coming actors Al Pacino, Sly Stallone and Robert DeNiro, graced by the presence of Jimi Hendrix, Janis Joplin , The Stones and even an occasional night with Dali or Fellini holding court at the round table. Before the Sixties waned artists and freaks clawed their way to be in Warhol movies and some found themselves in Bizarre plays of Jackie Curtis appearing at La Mama Theater which turned out to be the seeds that grew the New York Punk scene. [close] Jackie's Femme Fatale or the Three faces of Gloria brought together Jayne County, Patti Smith, Penny Arcade, The Winbrandt Brothers and Elda Stilletto, to act as the music scene began to explode with the Glitter and Glam of The New York Dolls, Eric Emerson and the Magic Tramps and KISS. In 1971 Elda formed Holly Woodlawn's Pure Garbage - she sold her Andy Warhol cow to get a loft to live and rehearse in. She brought the show to the stage of New York's top cabaret club Reno Sweeney's, In 1973 bent on having a rock band, Elda left Holly to pursue the cabaret she was meant to do and recruited a Max's Kansas City waitress who said she could sing, Debbie Harry. The Stillettos were one of CBGB's first premiere acts billed with Television, The Ramones and Patti Smith. The fifteen year career of the Stillettos became a revolving door of some of New York's most talented musicians: with Elda at the helm. And at any time you could find Sylvain Sylvain, Johnny Thunders, Lenny Kaye, Robert Fripp, Genya Raven, or Rick Danko sitting in for a song. On this album your ears will be candied with the sounds of Cheetah Chrome (Guitarist for the Dead Boys), Walter Lure, Billy Rath, (both of JT's Heartbreakers) Tish and Snooky, (The Sick F**ks) Rick Derringer, Leon Neon and many others who believed in the talent and writing Elda Stilletto brought to the New York Scene. Limited edition of 400 copies of this grain of punk history!!!!!!!!!!!!

12 EUR

STRANGE ATTRACTOR - MUTANT LOVE [RED LOUNGE] 2012 Garage-Punk (CAN)

In case you did not know and / or snoozed on the debut LP on our label: This is Jeff from the STATUES with his solo outfit, way more dirty and garage then Statues. Coming on Euro Tour in May so get the platter while it is hot!!!

11 EUR
SUGAR STEMS - CANT WAIT [SCREAMING APPLE] 2012 Power Pop (USA)

Could there be a title more suitable for a new record by our beloved SUGAR STEMS than "Can't Wait"? This is exactly how most of us - i.e. people with a soft spot for a well-crafted, non-pretentious pop-song - felt constantly while we have been eagerly awaiting a new album by Milwaukee's finest. Granted, there have been two singles released on Certified PR a little earlier this year which ripped every powerpop-aficionado apart, but in a cultural realm that is filled with flavorless white bread, possibly not even a SUGAR STEMS single could fill your belly. So we digested that charmingly poppy gems pretty soon and have been hungry for more of their artistic handcraft since. And here we are, the probably best contemporary powerpop-outfit once again has put superhuman power in its creative genius and will hit your taste with a hit load of bullets, each and everyone of which would make up for a potential single's a-side and chart-stormer if this was a better world. Shout it from the top of a roof, The Wisconsin Sugar Rush rampants without restraint; it will get you hooked on an overall buzzing sound and insanely catchy vocals as sweet as cotton candy, on pumping basslines and cracking drums - driven by a firecracker lead guitar. Their sound is enriched with tons of brilliant melodies and euphoric harmonies to the maximum; Drew and Betsy's two-part singing chimes together as perfectly as you might expect from a band that we put faith in as the saving grace of rock'n'roll. And by rock'n'roll I mean that kind of music that you feel familiar with, that you hear for the first time and wish you had listen to while growing up. Certainly, it would have carried you through all the hardships as well as all the emotional high points of adolescence. Weeping yourself to sleep, giving your first love a peck, waiting for the bus on a sunny September day - THE SUGAR STEMS deliver the proper soundtrack for any romanticized image of teenage, but still they should not and cannot be reducible to the naive idea of bubblegummy, empty pop-suit bought off the peg. It's the serious approach to a feel-good-sound that is alive in the here and now, that will make you wanna canoodle your beloved no matter what age you are, and, above all, that stood the test of time. They are like a bubblegum that would never lose its taste, they are the re-embodiment of twangy, infectious Midwest-powerpop soaked in deliriously sweet melodies, they epitomize the glory your favorite '50s and '60s nuggets established decades ago, they deliver lyrics that oscillate between edgy, sneering smartness and lovelorn rhapsody and which are of a kind that everybody can relate to. Yet again, to put it in one term, the SUGAR STEMS are splendid! Big time! You will dig this record, unless you are a Martian. Well, perhaps even most Martians will dig "Can't Wait". Dear SUGAR STEMS, if your music was a house, I'd live in it. Yours truly, Matti Bildt

11 EUR

SUNPOWER - BONDAGE [DIRTY FACES] 2010 PUNK (BEL)

Back to basics Hardcore PUNK from Belgium. These dudes have been around for most of the last decade and their efforts have largely gone unnoticed. That kind of endears me more towards them actually, but yeh they're one of the best live bands I've played with - and this record is good stuff; sped up punk with vocals that dip into Jello-esque territory. The guitarist too nods his cap to the Dead Kennedys giving the record a surf-ish vibe. It doesn't stop there though, I mean they're stealing riffs from plenty of your favourite bands. This record is great for anyone who's got bored of Dean Dirg.

10 EUR

SUPER WILD HORSES - FIFTEEN [HORIZONTAL ACTION] 2010 POP (AUS)

HoZac Records is proud to announce the much anticipated debut album by Melbourne duo Super Wild Horses. It's rare that such a striking balance between tough and tender can be executed as well as it has on this long-player, bridging post-punk simplicity with savagely primitive propulsion, all wrapped up in a scratchy indie-pop envelope, sealed and delivered right into your vulnerable skull.Super Wild Horses are two Melbourne gals who switch between guitar, drums and keyboard. Formed in 2009, they play taut, minimal and decidedly garage based pop music that relies heavily on dual harmonies over sparse arrangements. Following the release of their one sold-out EP in 2009, they have played around Australia with the likes of Eddy Current Suppression Ring, Jon Spencer, The Drones and My Disco, including a much-talked about Golden Plains Sunday morning set. In addition to this, they have garnered an international cult following and had a song featured on a Bonds TV commercial.The band's debut album, Fifteen' is a heady concoction of hits, from the softly crushing sunny pop tracks that seduce and mesmerize on contact, to the impossibly catchy, noise-laden numbers that channel these ladies' choppy expertise of stripped-down tension and texture. Recorded by Eddy Current Suppression Ring's Mikey Young, this breakthrough album perfectly captures the chunky guitar/drum wallop and ripe vocal melodies. Truly an original sound in these modern times, which reflects nuances of alt-pop heroes from Dolly Mixture to The Breeders to later-era Bikini Kill, with all the hooks in between.

11 EUR

SUPPOSITORIES - MOMENTS OF SQUARE VIOLENCE [GOING GAGA RECORDS] 2010 Punk (CAN)

Here's a story&about a badass band from my home town. There used to be a really cool spot to hang out, small room, weird rotting old tiki shit everywhere, great beers, great silly drinks with fruits and umbrellas, and ALWAYS great music. The household Saturday night was so much fun. It was 3 dj's who played rad punk rock shit. I used to go almost every Saturday night. It would get crazy in there, the capacity was about 40 people, but there would be people dancing, throwing shit, puking, screaming, laughing, it was the best. Anyways, the Saturday night dj's, a little order than me, I would soon get to know and become great friends with&these guys had a band called the SUPPOSITORIES. I saw em for the first time at a terrible club, on a Sunday night. It was pretty obvious that they had little interest in promoting their band, there was nobody there&so punk! I seriously couldn't stop moving. I've been to pretty much every show they've played since&just can't get enough of these guys. They recorded 9 songs in their jamspace&the bass player singer is a self-made recording whiz. By the time I found out they recorded, it had already gone to press. This explains why there is no mention of GOING GAGA anywhere on the record. Either way, I kidnapped the record, and became its surrogate father. I wanted people to hear it, it's so good. The name of the album came from a review of the band I wrote for the STANDARD ISSUE zine earlier on. These guys turn 1 chord into a whole song&minimalist perfection, with lots of violence, and noise. Could have been KBD, will be OOP, OMG, FU.

13 EUR

SUZY & LOS QUATTRO - STICK WITH IT [SCREAMING APPLE] 2008 POWER-POP (ESP)

"Ever wondered what The Dictators crossed with The Records with Brenda Lee singing might sound like? Well, you stopped by the right place. These guys ain't dealing in nostalgia. This album features future classics that could actually please all of the people all of the time".This above is an excerpt from the liner notes on Suzy & Los Quattro's new album, "Stick With It" (WPR/Screaming Apple 2008), penned by Lindsay Hutton, founder of the legendary magazine The Next Big Thing and collaborator in MOJO or SOUNDS."Stick With It" is a great step forward in the band's career, proving they can beat any obstacle after two years of line-up changes. Now working as a four-piece, the band plans an extensive tour that will take them to 9 different countries. Musically speaking, the band sticks to their magic formula of catchy pop songs fuelled by crunchy guitars, you only have to listen to Crazy On The Phone or Because Of You to realize they still have it when it comes to writing immediate hits. But something has changed, this time the production and arrangements are taken up a notch, without losing a grip on punkpop. This time Suzy & Los Quattro have broadened their horizons to a lot of the sounds they worship so much as die-hard music fans. H.A.T.E! is soaked wet in glam, winking an eye to bands like The Sweet, Slade and featuring some guitars likely to remind you of "Billion Dollar Babies" by Alice Cooper. Too Late will get your feet on the dance-floor like the disco Blondie did in the 70's and The Sounds have done recently. But Suzy & Los Quattro don't forget their 60's pop heritage, penning the beautiful ballad Maybe I'm Wrong, that would surely make Phil Spector proud with two pianos, strings and horns playing under Suzy Chain's voice, shining through every track of this album like never before. Of course they didn't miss their date with new-wave in cuts like Go On, which might remind you of Baby Let's Twist with Chrissie Hynde on lead vocals. And for the more straight-forward crowd, tracks like Comeback Superstar will please the surfers and Rock Boys (dig those harmonies!) will do it for the rock'n'rollers. Special mention to Donna Donna, an amazing track with one of the catchiest choruses ever, dedicated to Donna, a rescue dog that recently became part of the Quattro-Chain family, and that will be linked to animal rights camapaigns.And watch out for the ending, Henry Rollins, easily the best proof of a new level of versatility the band has reached. A fully a capella track done exclusively with Suzy and B.B. Quattro's vocals and dedicated to the tough and muscled DC singer.This album consolidates all the things that Suzy & Los Quattro promised on their first album, "Ready To Go!" (2004), which got rave reviews and was licensed in Germany and Japan. During 2005 they embarked on their 2 week Japanese "Lipstick To Japan Tour", which confirmed their "pop idol" status in the land of rising sun, selling out two nights in Tokyo and receiving an almost beatlesque warm welcome. You can see it for yourself on their Lipstick To Japan video here http://www.youtube.com/watch?v=vygzxCQHViU.This tour was followed by a compilation of all their singles, "The Singles" (2006), a record that kept them on the road again, playing two times at the legendary Cavern Club in Liverpool, where John Otway from the BBC included their show on his top 10 of the festival (out of 150 bands on the bill!). So for any Ramones / Blondie / Beach Boys / Raspberries fan, here's your new favourite band!

8 EUR

SYMBOL SIX - S/T [DR STRANGE] 2013 Punk (USA)

Awesome reissue of this early '80s, Southern California Posh Boy Records band. Features all their Posh Boy material (self-titled 12"ep from '82 and their comp track on "The Future Looks Brighter" from 1983) plus unreleased demos and live songs from 1980-1982 as well as never-before-seen Ed Colver photos. For fans of Adolescents, Channel 3 and Social Distortion. 14 Songs.

12 EUR

TEAM ROBESPIERRE - EVERYTHING'S PERFECT [SABOTAGE RECORDS] 2008 PUNK (CAN)

Formed in Brooklyn during the winter of 2005, the members of Team Robespierre were initially connected by their roots - having all grew up in similar punk rock scenes in New York, Denver, Minnesota, Texas, Poland and Jersey, playing in bands like Thulsa Doom, Morning Glory and Hipster Bloodbath. But as Rex, Tom, Ty, Mike and Jim got older their record collections expanded to include noise, indie, electro and new wave among other genres. All and none of these genres can be heard in their recordings or live shows. But what comes across most when seeing these guys is their raw energy and unwillingness to separate themselves from the crowd. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, with the ability to share stages with bands as diverse as Dan Deacon, Japanther, An Albatross, Leftover Crack, Parts And Labor, Best Fwends, USA Is A Monster, Japanther and Kylesa. Having already embarked on 3 tours in 2007, and recently enlisting a live drummer to add another layer to their complex electro-punk arrangements, the Team felt the timing was right to record an album's worth of material. With the help of Colin Marston (Orthrelm, Ghengis Tron, Stay Fucked), Team Robespierre spent most of their summer recording an album and playing dance parties. Powered by a dirty punk rock ethos, synth hooks and programmed dance beats, Team Robespierre has helped resurrect a Brooklyn punk scene that has been waiting to embrace the raw energy of our nation's basements and late night warehouse dance parties. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, and after IMPOSE owner Derek Evers saw them play a show in the spring of 2007, he ended up so drenched in beer and human sweat that he had to sign these guys making "Everything's Perfect" the first official full-length.

10 EUR

TERRIBLE FEELINGS - SHADOWS [SABOTAGE RECORDS] 2012 PUNK (SUE)

The album was recorded at Tambourine Stu­dios in their hometown, in January 2012. Co-producer Erik Sunding spurred them to use more than ten different guitars and amps, a quirky violin bass played over a massive amp from the 70s, old beat up drums, farfisa, hammond, piano and tons of rippling percussion. The outcome is 12 quite different songs, somehow all tied together by a common notion; walking hand in hand towards a bleak future. For those with a weakness for melancholic yet danceable punkrock, this record might just prove to be an essential staple in any collection.

10 EUR

TERRIBLES, LES - QUELQUE CHOSE COME ÇA [SCREAMING APPLE] 2012 GARAGE-BEAT (FRA)

They did it again! The french ambassadors of the yéyé beat return with their third album "Quelque chose comme ça"! So, are you ready for an amazing 60's dance party? Well, don't forget to bring this platter to the DJ! LES TERRIBLES deliver an incredible mix of 60's garage-punk & big-beat shouters and give all of you Beatkeller-dwellers an excuse to dust off your winklepickers and give your mojo a workout!The band that includes members of THE NO TALENTS, LES SYNAPSES, DUTRONC, CECILIA UND DIE SAUERKRAUTS & OPERATION S goes back to the sound of the French Beat & Roll when it was bitten by the Big Bad British Bug back in 1965. Imagine how THEM, THE SMALL FACES, THE YARDBIRDS or the early STONESwould've sound if they were from France, never turned professionals and Van Morrison, Keith Relf or Mike Jagger were chicks. All the songs are in French, with that glamorous 'mademoiselle' accent!The band could've been described best as the great french sixties rock band that should have existed but never did. Owing to cultural impediments and lame business practices, there were very few outstanding french rockers from that period. Ronnie Bird, Larry Greco, and a dozen others you've never heard of: LES TERRIBLES cover them all, and every song makes you wanna dance. The band rounds out their set with some originals, as well as their own french versions of some great foreign songs that never got adapted before, all done with a perfect ear for the style. Fronted by the charming and talented chanteuse Rudie this hard-working orchestre delivers the groove that gets the dance floor moving to the Swim, the Jerk, and the Hully-Gully. Les Terribles are sur scene ! (Jon Dragueur).A Top 10 forever-must have this one is. What more can we tell you?

11 EUR

TERROR VISIONS - WORLD OF SHIT [FDH RECORDS] 2011 PUNK (USA)

Back in 2007 FDH released the first and only full length record from Jay Reatard's harsh electropunk project Terror Visions. World of shit was a collection of songs recorded between 2002 and 2006 as a outlet for songs Jay wrote that didnt fit with his current projects (Lost Sounds, Angry Angles, Jay Reatard). The record was released as a picture disk LP and CD limited to 1000 copies each. Within months we ran out of the LP's and had only had the CD available. We are very excited to announce a re-release of this record on vinyl. This reissue is really more of a band complete discography then a reissue. It collects the entire World of shit album (including 2 tracks that were originally CD only tracks), as well as the 2 tracks that were never released, one original and one Brian Eno cover (Baby's on Fire). For this reissue we had new artwork put together for a gatefold cover including a stack on uncirculated pictures of Jay. We went with 180 Gram black vinyl and had the tracks remastered to greatly improve the quality over the picture disk from a few years back.

15 EUR
TESTORS - COMPLETE RECORDINGS 1976-1979 [ALIEN SNATCH] 2014 (USA)

2xLP.This is the official and worldwide exclusive re-release of the TESTORS' 'Complete Recordings' double album, previously out on SWAMI back in 2003, but now with a few more songs and completely renewed and stunning gatefold artwork! There are THIRTY-SEVEN tracks on the vinyl edition of this killer 77 punk/power pop compilation! Limited edition of 300 copies on coloured vinyl, including a download code.

23€

TITLE TRACKS - IN BLANK [WINDIAN RECORDS] 2011 Garage-Pop (USA)

Title tracks is the latest project from front man john davis, who's served time in q and not u and other dc mainstays. This is their third release following a 73 single on dischord and their debut lp on the ernest jennings record label. Well structured / crafted pop tunes recorded at inner ears studios, a mecca for dc recording artists for the last 20 years, so you can trust pure analog warmth at its finest. The lp's first single turn your face defines the simplistic, moderate sound of this band, pounding it out in a desperate calm. John usually records all the instruments himself, but this time, found himself a pretty steady, rumbling rhythm section. Eleven tracks of quality, mind mesmerizing, pop hooks that are easily their best yet.

13 EUR

TNT - UNA NARANJA MECÁNICA [VOMITO PUNK ROCK] 2013 Punk (ESP)

Treinta años después de que se grabara la original cassette de TNT, el contenido pasa a vinilo por primera vez por gentileza de un sello de documentos punk. La grabación se ha limpiado y respetado (en realidad era infinitamente superior a lo que luego publicaría en disco el grupo) e incluye dieciséis piezas entre originales y versiones, y además reproduce el fanzine que servía de presentación del grupo y la cinta, que llegó a ser un hito en circuito alternativo(el de verdad) de la época. TNT fueron considerados una 'Pieza clave en el punk primigenio estatal' como se lee en los archivos de la web La Fonoteca.
Originariamente facturada en 1982 con apenas una pletina de cassette, 'Una naranja mecánica' fue grabada al tirón con un equipo prestado (por el actual guitarrista de la Big Band de Atarfe por cierto) y ofrecía un descaro y un frescor que ni todos los limones del Caribe. Se pude decir que esa cinta puso a Granada en el mapa del pop y el punk, fue todo un éxito en las listas de la influyente Radio3 pero, ay, también resultó una frustración sin remedio.
Editada a través de Drugo Records (tan artesanalmente que en realidad era la casa del amigo radiofonista que la estrenó -¡En Radio Popular avemaríapurísima!- y con cinco pletinas prestadas en serie), se despacharon en serie más de un millar de copias (una barbaridad para la época) que alentaron un futuro más que prometedor para el jovencísimo combo compuesto por José Antonio García 'Pitos', Jesús Arias, Ángel Doblas y Joaquín Vilches. «Nos abrió las puertas de Madrid. Nos hizo conocer gente interesante, éramos la sensación llegada de Granada, como el chico nuevo en la ciudad. Rápidamente intimamos con gente como Carlos Tena, Ordovás o Diego Manrique en prensa, y con grupos como Parálisis Permanente, Radio Futura, Siniestro Total, Alphaville, Glutamato Ye-Yé, Gabinete Caligari, Pedro Almodóvar, o Alaska. Nos trataban de igual a igual. Fue una época muy divertida, aunque sólo éramos cuatro gatos», recuerda Arias.
Pero el servicio militar de Ángel Doblas paralizó el presente de la banda, y la inclusión de su cantante José Antonio en un proyecto nuevo llamado 091 terminó por convertir en imposible la idea que todos tenían del grupo. Se sucedieron nuevos cantantes y finalmente el propio Arias se tuvo que hacer portavoz del grupo, pero el registro vocal y el desparpajo de aquella cinta fue imposible de volver a lograr.
Junto a los tres primeros ases del grupo 'Cucarachas', '1984' y 'Sin futuro (con 20 nada más)' hay versiones de The Clash, Chuck Berry, los Stones, Kinks y Leo Dan. Parte de la edición es en vinilo negro y la otra en transparente rojo para coleccionistas.

12 EUR / 15 EUR

TONGAN DEATH GRIP - CHULA VISTA [P TRASH] 2011 Punk (USA)

Holy fox, this Halifax machete swingers cut right to the chase on their debut album which P. Trash delivers right on time before your Power Pop shakes start kicking in again and you start scratching off the wallpapers on a cold Punkrock turkey. This sounds like the DICKIES holding a lighter under a tin foil where the MARKED MEN are ready to take a big drag while the grinning BRIEFS are throwing peanuts at them. Burning down fast on 45 tokes a minute, the pacing ''Rad moves'', ''I'm not listening'' and ''Pizza jerk'' will cause a head rush and the full pack of melodies and hook-filled choruses in ''Scientology'', ''Something's wrong'', ''Stupid kids'' or ''Watching you'' , mixed with the unknown psychedelic substances of ''Billie's genes'' will keep you nailed on the floor with your own personal Chula Vista projected on the bedroom ceiling of your inner eye. Once more, this is pushing some serious Punkrock stuff to the needy. Rehab is futile.Limd. 500 "Regular Edit." Black wax.

11 EUR

TRACAHOMBRES, LOS - ROCK AND ROLL DESPECHADO [TUCA RACA] 2010 ROCKNROLL (ESP)

2º Lp de LOS TRACAHOMBRES (Valencia) exclusivamente en vinilo y en una limitada edición repartida entre la gentuza de los sellos Discos Calamidad, Sonámbulo Records y Tuca Raca, un puto placer. Después de su anterior trabajo homónimo (2009) LOS TRACAHOMBRES nos asaltan con una nueva propuesta, Rock and Roll despechado, un nuevo Lp mucho más trabajado, con una presentación y sonido más cuidado, coros y registros vocales y unos teclados que trastornarán (aún más) tu jodida masa cerebral. Diseño y arte a cargo de don Rogelio J., guitarra y cantante (podéis ver más diseño en http://donrogelioj.blogspot.com/ y http://www.myspace.com/milcamilos). Ritmos frenéticos y melodías manteniendo el espíritu crudo marca de la casa, parte de la cortante personalidad de la banda. Mete en una vieja batidora de funcionamiento desfasado y cuchillas oxidadas a bandas como LOS SAICOS, LOS CRAMPS, LINK WRAY, GABINETE CALIGARI, TOM WAITS, SEX PISTOLS, CHUCK BERRY& y te haces una idea. Garaje, Rock&Roll y Punk Rock a partes iguales con una personalidad y actitud que acompleja. Un disco que repasa sin pegas las distintas vertientes del Rock a lo largo de sus décadas. Como dijo el poeta: ritmos primitivos, vidas salvajes. Sonidos primitivos que te devolverán a las cavernas los que destilan las 12 canciones (incluyendo una versión libre de MERLE TRAVIS) de este Lp registrado en directo en solamente dos días! Y con una masterización especial y específicamente cuidada para una única edición en vinilo! Cuidando graves y medios para que suene POTENTE, como debe ser! Fresco y salvaje, ácido y dulce, gamberro y maduro&es el resultado plasmando excelentemente un fresco álbum de Rock&Roll salvaje de los que hacía tiempo que no escuchabamos. Con letras dementes y atormentadas que te recordarán a tus pesadillas favoritas, esas de las que te levantas brutalmente empalmao.

7 EUR

TUNES, THE - LOVE UNCOOL [CHEAP REWARDS] 2013 POWER-POP(USA)

Hailing from Topeka, Kansas,THE TUNES were a band that embraced the pop side of the power pop genre. They gigged throughout the Midwest between 1979 and 1983, self releasing a 7" EP in 1982 with the goal of scoring a record deal. Sadly, the industry failed to notice the band's strong songwriting ability and exceptionally catchy pop tunes. After the rejection letters piled up, the band split apart leaving very little to sustain their legacy. Thirty years later, Cheap Rewards Records has unearthed six demos that were previously only heard by club owners and booking agents decades ago.Love Uncool presents these lost gems on vinyl for the very first time along with the four classic songs from their original EP.

13 EUR

TURBIOS, LOS / FURIOSOS, LOS - SPLIT [BLACKULA RECORDS] 2011 GARAGE-ROCK (ESP)

Ya disponible en rigurosa edición limitada en vinilo negro de 12" de estas dos bandas zaragozanas LOS TURBIOS y LOS FURIOSOS con 6 temas por cada cara .Grandes temas mezcla de power pop,garage y mod hechos con mucho cariño.
Estos tres tristes tigres y una pussy cat se llaman Los Turbios. Son una banda de garage stardard de Zaragoza, formada por batería, bajo, guitarra-voz y unos toques de performance- show.
De dónde vienen y a dónde van es lo de menos, lo importante es que están empapados de la música underground mas garaje y psicodélica, de los 60, y 70, desenfadada, hilarante, divertida, o simplemente dispersa, sea del estilo que sea aunque dándole el sonido analógico y valvulero y un buen groove ritmico que les caracteriza.
Prefieren utilizar el castellano como lengua vocal, aunque las letras no están cerradas ya que suelen hacer ciertos guiños a la improvisación, buceando entre sonidos saturados, naturales analógicos y jugos de Wah. Interpretan canciones propias, y alguna versión de grupos como The Stooges, Los Salvajes, Los Flechazos, Los Furtivos, Flaming Groovies, etc…
La idea de Los Furiosos surgio de Francho Furioso(cantante y guitarra de Shepherd's Bush y Sam Peckinpah's Order tambien de los Soul Brothers). era reunir amigos y grabar un disco, Con los temas compuestos cada cancion la toca una formacion diferente, por eso hay tantos musicos, la grabacion se realizo en un dia y entramos a grabar 10 personas, se grabaron 10 temas aunque en el disco solo aparecen 6.

13 EUR

TV IDOLS - 17, DESPERATE AND ALL MESSED UP [SCREAMING APPLE] 2001 PUNK (JAP)

Do you remember the PHANTOM RATS? These guys have put out some of the most impressive punk´n´roll platters of the nineties and together with bands like TEENGENERATE & the 5,6,7,8´S they were responsible for the beginning of the japanese rock´n´roll invasion in America and Europe. Unfortunately they broke up in 1997, but singer, songwriter and guitar player Kazand drummer Tetsu couldn´t do without playing and formed this new and even stronger outfit called the TV IDOLS. 17, desperate and all messed up is their debut albumand it´s the hell of a record. While the PHAMTOM RATS had a strongrock´n´roll influence, the TV IDOLS are more fixed on late 7t´s, earlyeighties US punk, like the DEAD BOYS and the early REPLACEMENTS. Great songs, catchy hooks, a hard edged guitar sound and a real driving rhythmsection, that describes the TV IDOLS sound best. 12 powerful and energetic punk-rock anthems including covers of the DEAD BOYS and the RICH KIDS make thisrecord one of the punkin´ highlights of the new millennium.

8 EUR

TWIN WOLF - S/T [FIERRO RECORDS] 2013 PUNK (ESP)

FR 004 - TWIN WOLF "S/t" LP, 500 copias: 300 en vinilo negro y 200 en vinilo color "splatter". Insert impreso a dos caras con dibujo y fotos de la banda. Edición numerada a mano.

10 EUR

TYRANNA - S/T [RAVE UP] 2011 Punk (CAN)

Whenever Toronto's punk scene of the late 70s is discussed, it's usually the Diodes and the infamous Viletones that get name-checked, while other important bands of the era are overlooked. In some cases, there are good reasons why groups that regularly played the main punk venues of the era like the Turning Point, Larry's Hideaway and the Crash 'n' Burn are now largely forgotten. Tyranna's best work wasn't released on singles at the time, and they rarely ventured outside the city during their brief run in 1978 and 79. This explains why the energetic pop-punk crew led by the snarly Vera Rabies Skye, who split bills with Iggy Pop, Jane County, the Members and the Dils, isn't better known today. The band also appeared on 'My Girlfriend Was a Punk' compilation with the track 'Back Off Baby'. It may be 30 years too late, but Tyranna's long-rumoured early demos, finally being released on album on Rave Up records!

10 EUR

ÚLTIMO RESORTE - DEMO 1980 - DIRECTO 1983 (BILBAO) [VOMITO PUNK ROCK RECORDS] 2012 Punk (ESP)

Bueno en el título queda bastante claro lo que contiene este disco. Un vinilo hecho por fans con cariño (eso se nota) para darle una sorpresita a Silvia. Incluye un libreto extenso con comentarios de la propia Silvia y de músicos de grupos como Desechables, Vomito, Monstruacción, Decibelios, TDEK, Familia Real, Vulpess (ya sabéis, barriendo para casa)... y gente tan sobresaliente como Punkike o TGL. Sin duda lo que más me gusta es la maqueta del 80 (grabado en la sala Garaje y con un tema que no conocíamos (Johnny cogio su fúsil). La etapa que más me gusta de Último Resorte es esta primera, mucho más Punk y menos Hard Core, rozando incluso la Nueva Ola. Las tomas grabadas aquel día no son tan brillantes como las que salen en el Post Mortem (insuperables para mi gusto) y el sonido es mucho más crudo, incluso cavernoso. Sorprende la lentitud con la que están grabados temas que en el PM son superacelerados como Me Excitas, La Quiniela o Año 2000 y no digamos ya los anfétaminicos Cementerio Caliente o Peligro Social que en el single van a una hostia increible y aquí son tan pausados que a veces tienes que comprobar que el disco es a 33 RPM y no a 45 RPM. Eso sí, el que sean tomas más lentas no quiere decir que sean malas. A mí me gustan bastante (porque son temazos, qué duda cabe) y porque ayuda a descubrir matices, entender mejor las letras y verlos de otra manera. Por no hablar que ese sonido (bastante aceptable) a caverna que mola mogollón. En la cara B tenemos el directo del 83 que dieron con Las Vulpess, en donde se dedican a pisar el acelerador (aunque sin llegar a la velocidad de su última etapa). Y en el repertorio comienzan a aparecer ya temas tardios (Una Guerra sin fondo), pero aún se mantienen bastantes clásicos pre-single. Eso sí, a pesar de la velocidad, el sonido (muy muy malo) destartalado hace que todo suene mucho menos HC de lo esperado. La batería parece un tambor de Colón y la voz superalta, tapa las guitarras. Más que UR parecen un grupo de chavalillos de 14 años haciendo versiones de UR en el garaje de su casa y grabándose con un radiocassette situado en el piso de arriba, jajaja. A mí eso me mola mogollón, ya lo sabéis. Pero supongo que a mucha gente le parecerá un poco tomadura de pelo. A esa gente les recomiendo que se centren mejor en la cara A (documentazo histórico), donde el sonido, sin ser la leche, es bastante aceptable para lo que suelen ser estas cintas rescatadas. No es, desde luego, lo mejor de UR, pero sin duda se trata de un documento muy interesante, solo para fans, eso sí. Pero, ¿quién no es fan? Punk!!! Mgrtn.

10 EUR

UNNATURAL AXE - IS GONNA KICK YOUR ASS [Recordings 1978 - 1988] [ALTERNATIVE ACTION] 2011 PUNK (USA)

It is 1977. A scruffy neighborhood of Boston sprouts a band of naive working-class kids who think they can shake up the world with their personal take on the punk rock experience. Not content, or possibly even competent enough, to be another Jam clone or a Clash clone, Unnatural Axe bash out their own brand of two-chord and three-chord rock, and crank it up extra high. Throughout 1978 and 1979 the Axe were playing regularly in New York, and at Cantone's, the Rat, and the Space in Boston as the opening act for the "big" UK and US new wave acts of the time. Their strangest billing must have been opening for The Police at the Rat in Kenmore Square. It is truly unfortunate that Sting squandered this "turning point" opportunity to learn the essentials of punk rock from Boston's finest. Sting's only question of the Axe vocalist: "Did you poop?" But such is the fate for the greatest moments of brilliance of our times: few people recognize it. The big club owners didn't see it and the major record labels didn't hear it. After two short years, the Axe packed it in. As a result, the Unnatural Axe discography is small, but what recordings do exist provide the documented proof that the Axe were, and shall always remain, the most important punk band Boston will ever call its own.

11 EUR

URSS, LA - SONIDOS DE UN DERRUMBE [LA CORPORACIÓN] 2012 PUNK (ESP)

Los granainos atacan otra vez. Un tremendo disco donde superan su fijacion por los Dead Kennedys, aunque siga estando presente, y se adentran en terrenos mas oscuros de la mano de Crisis o Paralisis Permanente. Evidentemente hacen honor al punk nasal de su tierra y los guiños a KGB y TNT estan nuevamente. Impecable presentacion grafica.

10 EUR

USELESS EATERS - ZULU [P TRASH] 2011 PUNK (USA)

Zulu mix a weird post-punk sound to KBD fucking punk. Include the song "The Nausea" recorded together with JAY REATARD! So you will get an unreleased JAY song here, plus 8 other new ones!

11 EUR

V/A - BEST OF BOMP [BOMP] 1978 POWER-POP (USA) REISSUE

REISSUE.Bomp was a singles label prior to 1978; that year's release of this compilation marked our graduation to the 12-inch leagues. Included are all the early classics: 20/20 - giving it all / The Flamin' Groovies - him or me / The Poppees - if she cries / The Wackers - captain nemo / The Choir - i'd rather you leave me / The Rockfield Chorale - jingle jangle / Venus & the Razorblades - punk-a-rama // Iggy & the Stooges - i got a right / Snatch - i.r.t. / The Weirdos - a life of crime / Willie Alexander & the Boom Boom Band - kerouac / Shoes - tomorrow night / The Zeros - wimp / DMZ - busy man / Iggy & the Stooges - gimme some skinplus a few that haven't made it onto any of our later comps. Back in print now, with the classic original artwork.

11 EUR

V/A - BILBAO, MIERDA Y R'N'R [VOMITO PUNK ROCK] 2013 Punk (ESP)

Un disco homenaje..no a las bandas, si no a un local llamado "El Garage" que existio en Bilbao entre 1985-86, por el cual pasaron infinidad de grupos del momento!! El sonido esta sacado de la mesa y masterizado por Kasba studio por Marc Llobera. Con un fanzine 30x30 a todo color explicando la historia y anecdotas de la sala garage contada por sus protagonistas!!! A1 - Kortatu & Vulpess - el ultimo ska A2 - Decibelios - viento de libertad A3 - Gazte hilak - no quiero ser del ONCE A4 - Zer bizio? - joder ke bien! A5 - Jotakie - burrundaie A6 - M.C.D. - vomitare A7 - Radikal H.C. - miedo a la religion A8 - R.I.P. - antimilitar A9 - Irula express - mujer fatal B1 - Cicatriz - escupe B2 - Zarama - latsegui da B3 - Vomito - ama shantalen jaiak 85 B4 - Baldin bada - jotake B5 - Vulpess - warhead B6 - Distorsion - el rey B7 - Primitivos - alucine en el bar B8 - Viciosa - viciosa

12 EUR

V/A - BLOODSTAINS ACROSS EUROPE VOL.2 [BLOODSTAINS] 200¿ PUNK (USA)

ESSENTIAL PUNK RARITIES FROM EUROPE

11 EUR

V/A - BORED TEENAGERS VOL5 [BIN LINER RECORDS] 2009 PUNK (UK)

The vinyl version features 16 tracks. As always, the vinyl version is limited to just 500 copies and come with it's A5 booklet with rare band photos and information. The bands featured are BLITZ who first found fame by playing more gigs than any other band at the famous ROXY CLUB in 1978. Next up is THE VICARS from outta Southend-On-Sea who were featured on the Southend Rock' compilation album way back in 1979. Then we are graced with THE RATS who are from Cornwall and released an amazing track on the rare compilation album Double Booked' in 1977. Then we are treated to old Roxy favourites THE TARTS who feature a very young 'Max Splodge on drums and also released one old 45 way back in 1979 which was the Rolf Harris' hit. PETE NEWNHAM hits us next with his incredibly rare solo single and tracks by his band T.H.E. The interesting thing about Pete is that he was in the first line-up of 'Cockney Rebel'. Now we venture down to sunny Worthing to find THE EGOS who deliver two ultra catch gems! Back up the M6 to find THE REZIZTERS who feature the brother of one of the members of 'U.X.B.' who were on volume 2. Lastly we are overjoyed to feature THE NEGATIVES back again with their long lost first EVER Recordings from 1978!.ALL VINYL COPIES COME WITH A BEAUTIFUL A5 16 PAGE BOOKLET WITH RARE PHOTOS AND BIOGRAPHIES THAT WERE WRITTEN BY THE BANDS THEMSELVES!

11 EUR

V/A - BORED TEENAGERS VOL6 [BIN LINER RECORDS] 2012 PUNK (UK)

VICTIMIZE - DAY I MET GOD / SOCIETY'S CHILD / INTERCITY / WHERE DID THE MONEY GO? / INNOCENCE STEREOTYPES COUNTDOWN / CHAMPAGNE SUICIDE / PARISIAN / TELEPHONE AFFAIR UNORFADOX - I'M A LONER / AT THE ROXY / HARD ON MY HEELS MACHINE - BORED WITH THE CITY / BROWN EYED GIRL F-X - SOUTHS GONNA RISE AGAIN / OBE / SLAG / QUEEN BITCH VOX PHANTOMS - TIME IS RIGHT / NOTHING NEW UNDER THE SUN DEAD AIRMEN - NOT ONLY DRESDEN / SEARCH & DESTROY VILE BODIES - MISS STUPID / OUTLAWED / FRONT PAGE PEOPLE / BLANK SCREEN (8mm Cinefilm Frenzies) THE DAZE - I WANNA BE A STAR / AT THE SEASIDE / THE ALUM ROCK / LIVING MUSIC.INCLUDES A 20 PAGE BOOKLET THAT IS CRAMMED FULL OF RARE PHOTOS AND WRITE UPS BY THE BANDS THEMSELVES!!!!

11 EUR
V/A - BORED TEENAGERS VOL7 [BIN LINER RECORDS] 2014 (UK)

Nuevo recopilatorio con más temas oscuros del punk británico…
The Singles Adolf Hitler / Mercy / In The Gym Don't Go Slow / Playing The Fool /
Katz Talking 'Bout You / I'm So Nasty / I'm Over Here / Hold On (I'm Coming) / White Socks / I'm So Nasty (Alternate version) /
Chaos UK Summer Of Hate / I Wanna Be Left Alone /
The Hobbs (Just) Don't Come It With Me / We're The Hobbs /
The What What Is The Cure / Anything Goes / East Coast Kids /
The Vendettas Such A Pity / Inside Looking Out / I Bin There / Red Lambretta /
Skidmarx No Way / Life's a Farce /
System X Underground / Homage / Got The Evidence / Anything Goes / Threats Of War

11€

V/A - CHAOS IN CATALONIA VOL.1[COMMON PEOPLE] 2014 PUNK (ESP)

Remember the “Chaos En France” and “Chaos In Europe” compilations? Well, that was the 80’s, now it’s 2014 and it’s time for some fun and chaos in Catalonia (Barcelona, Spain) with volume 1 of the new “Chaos In Catalonia” compilation brought to you by Common People Records! Just for the amazing coverartwork this compilation album should get a 10 out of 10, but don’t be mistaken, because not just the artwork is great! Also the the seven bands on this sampler are simply amazing! What you get are some of the best bands Catalonia, or Spain for that matter, have to offer in the form of Secret Army, Von Dänikens, Acero Condal, The Gundown, Crim, The Bite en Pennycocks each performing two tracks, with the exception of Von Dänikens who are with three songs on here. I can’t find a single song on here and with songs sung in both English and Spanish and a fine mix of sounds ranging from ’77 punk to Oi! music I can’t imagine anyone who reads this page not enjoy this album! If you want to know what is up in the streets of Barcelona these days, you better pick this compilation up! I’ll promise you that you won’t be dissapointed! Let’s hope many more volumes will follow, awesome record!

12 EUR

V/A - FIRST BELGIAN PUNK CONTEST VOL.2 [GNOME RECORDS] 2001 Punk (BELGICA)

The previously unreleased complete sets of MODERN WORLD and THE RAZORS, recorded live in March 1978 in the series of shows documented in the original "First Belgian Punk Contest." Mastered from the original master tapes, and pressed in a limited edition of 500.

9 EUR

V/A - GALICIAN BIZARRE II [AUOTEDITADO] 2012 PUNK (ESP)

Segundo recopilatorio que repasa la escena gallega actual, garage,punk, ... El tracklist Sr. Anido - Buraco Negro, Trajano! - Mono, Carrero Bianco - Horse Cum, Wild Balbina - Spit Your Love, Fantasmage - Cambia De Ciudad, Lobishome - La Muerte, Mano De Obra - El Ogro, Mullet - Laioso, Tora! Tora! Tora! - Crematorio, QVEK - Tella, Me Enamoré De Ella, Los Televisores - Mona Lisa, Alarido Mongólico - El Ataque De Los Belenes Vivientes, Terbutalina - Hostias , Los Thyssen - La Bola , Tetra & Freak - Frota Vaginas , Pastillas Mamut - Fiesta De Mierda.

6 EUR

V/A - KILLED BY DEATH #1 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS

The one that reall got the madness rolling. Many records on this are really great and are among the greatest punk rock classics. The first pressing varies a lot from later pressings. Not only did the first press come with an insert, it also has the entire Pollywog Stew ep by the Beastie Boys, as well as a "special bonus track" at the end of side two. Interestingly, the first pressing also has a picture of the Nasty Facts' 7", but doesn't include any of their songs. Later pressing omit the Nasty Facts sleeve, as well as the other records that don't appear, which are the Beastie Boys songs and the bonus tracks(*). This is still one of the greatest comps ever!

10 EUR

V/A - KILLED BY DEATH #33 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS

REPRESS.And again another round from the Redrum Records factory. 500 copies made and the detectives did again a great job and put here 16 rare Killed By Death classics from punk bands around the world on this further essential compilation. The song selection is once again good for my ears and for me there is no filler on it. Especially cool are the tracks from Soldiers Of Fortune, Victim, Charge and the finnish group Cadillac.

11 EUR

V/A - KILLED BY DEATH #2 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS

The one that reall got the madness rolling. Many records on this are really great and are among the greatest punk rock classics. The first pressing varies a lot from later pressings. Not only did the first press come with an insert, it also has the entire Pollywog Stew ep by the Beastie Boys, as well as a "special bonus track" at the end of side two. Interestingly, the first pressing also has a picture of the Nasty Facts' 7", but doesn't include any of their songs. Later pressing omit the Nasty Facts sleeve, as well as the other records that don't appear, which are the Beastie Boys songs and the bonus tracks(*). This is still one of the greatest comps ever!

10 EUR

V/A - KILLED BY DEATH #6 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS

REPRESS.Side One- Kids-This is Rock 'n Roll;Funeral Dress-Army Life;Dirt Shit-Exit;Next-Monotony;Insults-Just a Doper;Ed Nasty & The Dopeds-You Sucker;Hitler SS-Slave;Tampax-UFO Dictator;Revenge 88-Neon Lights Side Two-Screaming Urge-Homework;Schund-Schund;Gism-Exlamations; Frantix-My Dad's a Fucking Alcoholic;Glueams-Mental;Psykik Volts-Totally Useless;Fire Exit-Time Wall;Mark Truth & The Liars-Prisoners of Time;Se-Meilla Voisi Tunaau Olla Hauskaa

10 EUR

V/A - KILLED BY DEATH #8.5 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS

All American punk, no foreign junk.

10 EUR

V/A - LAND OF NOD: AN ATLANTA PUNK AND HARCORE OMNIBUS [SCAVENGER OF DEATH] 2013 Punk (USA)

Local and regional compilations used to connect listeners with obscure punk tunes long before the Internet furthered the reach of fledgling bands. Compilations such as the recently released Land of Nod: Atlanta Punk and Hardcore Omnibus still have a purpose in the digital age, serving as timestamps that capture the state of underground rock music at a certain time and place. Land of Nod showcases 13 different bands, 11 from Atlanta and two based in nearby Athens, compiled by G.G. King and COPS band mates and Scavenger of Death label bosses Ryan Bell and Greg King. It's a pretty cohesive list of local punk acts, as only Resons is conspicuous by its absence.Album opener "Born Dead Generation" by Bukkake Boys captures the now-defunct hardcore band in all its brutal glory and sets the tone for the rest of the album. Punk compilations often contain both bands that have called it quits and the first officially released track by newer acts. Land of Nod is no exception, as it includes what are likely the last two officially released Bukkake Boys songs and the vinyl debuts of Athens-based American Cheeseburger offshoot Shaved Christ, local grind standard-bearers God's Balls and Predator spin-offs Acid Freaks and G.H.B.Speaking of Predator, their two offerings show the group coming off a lengthy hiatus sounding stronger sonically and lyrically. Whether this is the intention or not, these songs should sway several listeners to pick up a copy of another new Scavenger of Death release: a Predator cassette featuring new songs and unreleased demos. Other punk and hardcore highlights include G.G. King's dim yet catchy "Eternal Feeling," which stacks up well against both sides of the band's stellar "Joyless Masturbation" seven-inch, and Ralph's hilarious, eponymously titled slice of 1980s hardcore that cements that the band's name is a reference to puking.Not every band on the compilation can be considered hardcore or, depending on whom you ask, punk. Still, everything from bands on the noisier end of the spectrum (Vincas and Wymyn's Prysyn) fits the flow of the album. This is probably less of a surprise than the seamless inclusion of a song by power-pop songsmith Gentleman Jesse Smith. The track in question, "Fence Yourself In," owes more to catchier Killed By Death deep cuts than Stiff Records power-pop.Overall, this is a solid collection of modern local punk songs. Like 1980's Standard Deviations, which captured the aftermath of the Sex Pistols making their U.S. debut two years earlier in a Buckhead shopping mall, and The View: An Atlanta Compilation, 1984-1990, a Lunchbox Records cassette that showed a local shift from early American hardcore to the sounds associated with more visible acts on SST and Dischord Records, this will someday serve as a history lesson to young Atlanta punks. Until that day comes, Land of Nod will be an exciting listen for the bands' peers and, if we're lucky, will let outsiders know that more goes on in Atlanta than a now slim garage-rock scene.

13 EUR

V/A - OH NO IT'S MORE FROM RAW [DAMAGED GOODS] 1999 PUNK (UK) REISSUE

Raw Records was one of the UK's first ever independent labels, having been formed in 1977 by Lee Wood. This was the second compilation they issued in early 1978 following up the Raw Deal!' album (Damgood 209). This reissue includes 4 bonus tracks including the ultra rare Into the 80's' by The Now. 16 of the label's best tracks feature here alongside a comprehensive discography of one of the most important but vastly underrated indie labels of our time. Bands such as The Users, Killjoys, Lockjaw and The Unwanted later provided members for the likes of The Cure, Psychedelic Furs, UK Subs and Dexy's Midnight Runners whilst the scarcity of Raw's releases made them highly prized collectors' items.Two Soft Boys tracks from one of the rarest Raw singles fetaure here, unavailable elsewhere. The CD also features original photo's, posters and adverts from 1978. As with the RAW DEAL compilation the vinyl version comes in two different colours, Red and Blue

9 EUR

V/A - QUE PAGUI PUJOL [VOMITO PUNK ROCK-2xLP] 2014 PUNK (ESP)

DOBLE LP que recoje parte de la historia punk de Barcelona de los 80 basado en el libro Que Pagui Pujol de Joni Destruye.
Una gran seleccion tanto de temas, como de bandas del momento. Casi todos los temas son ineditos, de ensayos o directos e incluso maquetas.
En él encontrareis un tema inédito de Desechables: Fuera de la ley. Fue grabado en los estudios de doblaje cinematográfico de una tía de Dei-Pei en 1982 y perteneció a la primera maqueta de la banda (no confundir con 'La Maqueta' de Anarchi Records) que no se llegó a comercializar. Sonó en Radio3 gracias a Jesús Ordovás, y fue el primer material que se escuchó de Desechables en todo el país.
En 1988 se grabó en estudio para el último LP de la banda 'Amor Pirata', pero no fue lo mismo. En este caso se trata de la primera formación con Tere (voz), Miguel (guitarra) y Dei Pei (batería).
Podéis escuchar el tema mediante el siguiente enlace. ¡Disfrutadlo! (Gracias a Alex Montes por pasarnos este preciado tema)
http://vomitopunkrock.bandcamp.com/track/a4-desechables-fuera-de-la-ley
Tambien podras encontrar grupos como , EPIDEMIA (Pre-Anti/dogmatikss), Sindrome toxico, Joni Destruye y los repugnantes (Autor del libro), Napalm (no dieron muchos conciertos)...etc...etc...

17 EUR

V/A - RADIO READY - LOST POWER POP HITS 1979-1982: WISCONSIN, VOL 2 [CHEAP REWARDS] 2014 POWER POP (USA)

RADIO READY is a regional power pop compilation series from Cheap Rewards Records. This volume includes rare and unreleased power pop songs from Wisconsin, 1979-1982.

17 EUR

V/A - RUSSIA BOMBS FINLAND [HOEHNIE RECORDS] 2012 Punk (FIN)

Recopilatorio de bandas Finlandesas, editado en 1983, por el sello Propaganda. Clasico! Reeditado por Hoehnie Records.

10 EUR

V/A - SICHER GIBT ES BESSERE ZEITEN... Vol #2 [HOEHNIE RECORDS] 2002 Punk (DDR)

The long-awaited SK-smasher with 19 cult-songs from the practice-room in Gotha from 1988-90 in fantastic sound- quality! No doubt this is the best stuff that a GDR punk-band has ever recorded! Much more authentic than the "Abfallprodukte"-album that was recorded later in theWest (Hannover!). Including the original versions of classics like "Ata, Fit, Spee", "Schwarz-Weiss", "Der Diktator" + "Mein Weg"! First issue in yellow-piss vinyl, others in black! Each new pressing will have a new vinyl- colour! To order this goodie is an absolute must! Due to high royalties upfront, this record is more expensive than others!

12 EUR
V/A - SOUNDS THE ALARMS!! [MAXIMUM ROCK'N'ROLL] 2014 (USA)

Maximumrock’n’roll returns to comp land with a brand new 32-band / 14-country collection of global punk rock mayhem. You get cuts from MÜLLTÜTE, SILLA ELÉCTRICA, SYNTHETIC ID, TOTAL WAR, NO STATIK, DICTADURA, PERMANENT RUIN, VIVISEKTIO, GIFFORDS TREATMENT, QUESTION, THE FIGHT, LOTUS FUCKER, RUIDOSA INMUNDICIA, ANTI YOU, VERRUGAS, ORDEN MUNDIAL, KUUDES SILMÄ, NUCLEAR SPRING, GUTTER, ENTRE REJAS, ESTAMPIDO, SIETOKYKY, HONDARTZAKO HONDAKINAK, I.R.A., ?????MI?/PANDIMIA, DHK, KVOTERINGEN, KONTATTO, LEI DO CÃO, CÜLO, MAAILMANLOPPU, and OBEDIENCIA. And of course it comes with a newsprint, magazine-sized insert with a page from each band, including pictures, lyrics, graphics and more!

14€

V/A - SPANIARD PUNK OLE 1983 [BOOTLEG] 2011 Punk (ESP) 2LP

Few copies of this spanish punk lost gem. Unreleased stuff of classic 80's spanish bands like Vulpess, IV Reich or Familia real, along with other rare stuff of obscure bands like Slip & Sperma (pre MG15), Alma y Los Cadaveres (pre Cocadictos), Radio Oceano, Los Niñatos... Do yourself a favour and get it.

18 EUR

V/A - THE WORLD'S LOUSY WITH IDEAS Vol. 8 [ALMOST READY] 2009 LO-FI/POP/GARAGE (USA)

9 songs - 31 mins. Vivian Girls - Lake House;Blank Dogs - Ages Ago;Pink Reason - Going Home;Guinea Worms - Soiled Sender;Times New Viking - A Lot of Paintings; Tyvek - Flowers (different/better version than cd-r);Intelligence - The Beetles;Sic Alps - STREPIX;Thee Oh Sees - Schwag Rifles.Basically I think comps are pretty worthless these days. Maybe ever. Unless you are attempting to sum up the state of a 'scene'. Which is what records like All The Presidents Men did. And what "The World's Lousy With Ideas Volume 8" does. For this record features the cream of the cop in the new Yankee garage / lo-fi - pop / indie scene, and it's not just a bunch of throwaway crap like on various comps what have been released over the years. Vivian Girls open up and present us with "Lake House" which is a gorgeous slice of fuzzed out laziness that could have come straight off of that awesome Katie the Pest CD that not enough people know about. Rectify that please, if you enjoy this sound you need to be listening to Katie the Pest. The absurdly prolific Blank Dogs bounce off the end of that with their typical synthy "dark wave" or whatever you're supposed to call it, basically they sound like Joy Division gone wrong. I can't say I regularly sit down to listen to Blank Dogs, but I do enjoy them and in small doses they are particularly enjoyable. If you listen to that 2 x 12" thing in one sitting, you are a tougher person than I. Times New Viking may steal the show on here with the stunning "A Lot Of Paintings". I've struggled with this bands albums but this song is so super sweet. No production, messed harmonies, complete failure - plenty of bands do the thing where they record into something with the fidelity of a dictaphone, but Times New Viking are capable of writing an awesome song, and that is what sets them apart from the knuckle dragging masses. Intelligence did a fairly unremarkable LP on In the Red recently, but this loping fuzzy garage rock piece is eminently listenable, good work chaps! Guinea Worms wind down side A with a lumpen, loafing punk effort, great bassline and it sounds pretty drunk. I reckon this is somewhere between Moss Icon and something hipper. I like this a lot.Flipping to side B, Sic Alps do the throw away track of the record, pointless noise and feedback, zzz. Easy to skip them to the ultra hip Thee Oh Sees, who actually disappoint with their effort, a fairly average slice of their garage rawness with echoing vocals. You'll find far better on their most recent LP, but that's not to say this is terrible. An average Thee Oh Sees effort is of more interest than song A by generic garage band B. Next is Tyvek (you should be getting the picture by now, the line up on this comp is astonishing), who deal a slow burning effort that meanders and like Guinea Worms is somewhere between Moss Icon and something hipper. This band is seriously impressive, and I just wish their LP on Siltbreeze had been a bit better. Rounding things out on here is Pink Reason, who do this towering epic, spiralling guitars and stoned vocals, there is so much to like on this track, teetering on the edge of falling apart. The way it builds and with the tribal drumming, this sounds really in the ball park of any number of mid 90s emo bands that anyone who likes this kind of music would be so quick to disown. It's just the vocals that differ. I'm not making this up. This could have been on Goldenrod or something. Best track on the record.So, um, easily the best comp I have heard in a lot of years. This record makes me very excited about new music. I hope it does for you too.

12 EUR

V/A - TURIST I TILLVARON VOL3 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE)

Yet another compilation from Turist i Tillvaron are now released. The different genres are significant for this compilation collection. I find both old and new acquaintances. The Negatives who've belong to one of my favorite bands for a long time give me strong pogo feelings with their brilliant punkrock. Hyrda Knektar, another punkrock band, but with more pop feelings than The Negatives suprise me in a positive way. Uppgång & Fall have that classic swedish 80.s punkpop sound and the female/male vocals make it really good. Vervain, who use to be a good band isn't good this time, I think they have to decide how they wanna sound, it's the vocals who disturb me most it just doesn't sound good. The crust/hardcore bands on this volume is the mediocre Total Aggression, the good Träshers and another good band Livet som insats who play really raw and fast kängcore. Just like Uppgång & Fall have Vånna Inget that old punkpop sound, and I think it's allt the bands from that genre I like most from the Turist i tillvaron compilations. I didn't realize how good Vånna Inget really are, I wanted more and found more on Spotify, I have to buy their records when I get more money. Antipati is the last band on this volume, and if you've read all reviews in this issue do you already know how much I like them.

11 EUR

V/A - TURIST I TILLVARON VOL4 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE)

Cuarto volumen de esta serie sueca Sida 1 Desperat - Anarkist javisst Desperat - Panikångestattack? Din Skevf - Idag börjar livet? Burning Kitchen - Vacker dag? Rännstensorkestern - Tony 2ton? Le Muhr - Varför kan jag inte få båda två?!!? Crash Nomada - Trivseldöden? Kapitano - Jag blundar inte mer? Gamla Pengar - En vacker grav Sida 2 The Great German Re-Research - Jag är ett problem (Mesk) The Great German Re-Research - Raggare is still a bunch of motherfuckers? Tiger Bell - Na na na? Makabert Fynd Maktbegär Makabert Fynd - Oljud? Våldsamt Motstånd - Revolver? Bombfors - Kuka ur? Nobelkommittén - Sparka neråt? VA!? - Du är inte min Hitler? Aggrenation - Bridgeburner

11 EUR

V/A - TURIST I TILLVARON VOL5 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE)

V/A- Turist I Tillvaron Vol. #5 LP. Wanna know what Sweden has been up to lately? Well this is a pretty good place to start. This is the fourth in a series of compilations that will document the Swedish punk landscape in all it's facets. On here you'll get raw punk, catchy punk rock, wierd punk and a bit of hyper fast hardcore. It's a great way to get to know the Swedish scene at the moment with pretty solid contributions overall. The bands on the comp. include Angelpiss, Blaslampa, Brottsvag, Fredag Den, Math And The Blah Blah Blahs, UX Vileheads, Spinkykter, Lurken Boogieband, Gatans, Vinnarcirkeln, Sub Alert, The Volcano, Hjartattack, Ned Slagsplats, Utbrott and Jealous Cowards. All exclusive tracks and LIMITED TO 500 COPIES IN A SNAZZY LOOKING GATEFOLD SLEEVE.

11 EUR

V/A - TURIST I TILLVARON VOL6 - A SWEDISH COMPILATION [TURIST] 2013 Punk (SUE)

 Svart Städhjälp, Utanförskapet, Dobermann Cult, Ligisterna, Planet Trash, Alison Blaire, The Sweetshow, The Guilt, Knivderby, Svartlistad, Psykbryt, Pusrad, Lysande Utsikter, Inkvisitionen, Kaos Kris & Helvete, Söderberg

11 EUR

VANDAALIT - NAMUJA LAPSILLE [SVART RECORDS] 2013 PUNK (FIN) REISSUE

Vandaalit was a group of youngsters in the mid-seventies playing rock'n'roll, but hearing Leave Home by The Ramones changed everything, and soon the band changed style to rough, simple punk rock. This is their debut album from 1979, and it's also one of the rarest Ramones-influenced punk records in Finland. The Svart reissue is an exact replica of the original, with the rare 12 page booklet.

13 EUR
VÅNNA INGET - INGEN BOTTEN [P TRASH] 2014 (SUE)

In 2011, Vånna Inget released their debut album ""ALLVAR"" and quickly became a name associated with great expectations in their native Sweden. Three years on and they have been nominated for a Grammy in their home country and played all over Europe and The U.S.Where ""Allvar"" found power in its urgent and relentless delivery, ""Ingen Botten"" is a more nuanced affair. Sharp guitar riffs and shimmering organ melodies are woven together with an attentive and dynamic rhythm section and the band has taken the tempo down in a few places and left room for the arrangements to breath a bit more. Karolina's vocals have grown to reach even higher levels of poignant intensity and the band compliments this by nurturing their songs to a maturity between raw, punkish nerve and melodic sensibility. The band proved their recording prowess by tracking the entire album live, straight down on to 2"" tape at the legendary Swedish studio, Varispeed. Sonically, the recording stands with some of the best punk records ever produced. Coupled with Vånna Inget's universal appeal and ability to turn claustrophobic themes of confinement and desperation into something that feels uplifting and liberating, ""Ingen Botten"" is sure to win over new and old fans alike.

13€

VAPID - PRACTICALLY DEAD [DERANGED RECORDS] 2009 Punk (CAN)

Cuatro chicas de Vancouver, CAN, forman Vapid en 2006. Un par de años después editan un single de punk sencillo y quedón y en 2009 consiguen sacar su primer largo, Practically Dead, con el que añaden cierto empaque y sustancia a la constante. Punk con sensibilidad pop y no pop con toques punk aderezando el conjunto para la ocasión y el pegolote. Completan el aliño ecos al bubblegum, al hardcore americano de primera generación, el garage punk marca de la casa de la factoría Billy Childish, sutiles toques ramonianos -sobre todo los que aluden a las girl bands de los 60- y mucha actitud Riot Grrl. Rabia y ternura en un mismo nanosegundo. Y una propuesta que engloba distintas y variadas influencias en un conjunto ya no sencillo, sino maravillosamente simple. De ese modo recuerdan a los Samoans en Choke, alardean doblando voces melódicas en Die, garagean ala Monks en Take a Walk, Baby y con Bruises destruyen el mito para los que creen que la chicas no saben roquear. Y todo esto es sólo la mitad del camino.www.myspace.com/xxxvapidxxx

9 EUR

VERMA - COLTAN[TROUBLE IN MIND] 2013 POP (USA)

Many people may not realize, but Tuscon native MATT RENDON has been making some of the world's greatest pop music since 1997, having released 6 full-length albums and 3 singles under the moniker THE RESONARS. What started as a band, became a solo effort with Rendon playing everything his own damn self and this 14-song compilation gathers together some of his greatest compositions from the opening guitar scree & wall of vocal harmonies of "Definitely Crescent Ridge," to the cascading guitar jangle of "Marina," all the way to the winsome chords of "Paint My Window Green." Hits. All of 'em. Limited edition of 1,000 copies on randomly colored vinyl. Includes a download.

14 EUR

VIGILANTES, LOS - S/T [SLOVENLY] 2011 Garage-Punk (PRI)

The debut full-length bruiser from San Juan, Puerto Rico's LOS VIGILANTES. Fourteen original tracks of juvenile delinquent garage-punk smash. Heavy on the '60s side with a healthy dose of droopy / 50s doo-wop back-up vocals, rocked with additional organs, tape loops and swagger. Jota Vigilante filled in for DAVILA 666's lead guitarist on their maiden European tour and played lead guitar on Davila 666's Tan Bajo LP.

14 EUR

VINCAS - BLOOD BLEEDS [DOUCHEMASTER RECORDS] 2012 POWER-POP (USA)

You would think that because only about 60 miles separate the cities of Athens and Atlanta, Georgia that maybe the same sphere of influence would affect both. In the past decade, Atlanta has seen the growth of a creatively sustainable music scene, and we sort of forgot about our neighbors up the road. There is no shortage of great bars, restaurants and clubs in Athens, but it's been a little while since an Athens band made me want to jump in my car and make the trip. Vincas have given me that much needed excuse. Blood Bleeds is a monster of a record. They are playing dark and heavy songs that at once will draw Birthday Party and Gun Club comparisons. I'd bet they have some later Scientists records in their collections too as there is a discernible element of swampishness weaving itself throughout the record. It's sexy in a super-bitter dark chocolate kind of way and has a pounding cohesiveness throughout. Vincas demonstrate total control from start to finish, and it's pretty clear that they didn't just stumble onto a style of music like this. We truly hope the folks over in Athens realize what they've got on their hands. Vincas self released the first 100 copies with screen printed covers. Good luck finding them. We do not have any. There are 500 total. All copies are on black vinyl and come with a download code.

13 EUR

VIOLATORS - SINGLES 82/83 [VOMITO PUNK ROCK RECORDS] 2014 PUNK (UK)

Nueva edicion del sello Vomitopunkrock Records, saldra en Abril!! Solo 300 copias de pedazo banda de OI! inglesa. Todos sus singles y 5 temas en directo, lo unico que editaron, por fin despues de muchos años en vinilo! Todo un clasico de punk de los 80!

12 EUR

VISITORS - YETI [IT'S ALIVE RECORDS] 2013 PUNK (CAN)

A killer, steady boppin' pop punk assault, with some heavy metal guitar shredding thrown in for good measure, delivered by a lady and two dudes from Ottawa.

12 EUR

VIVIAN GIRLS - S/T [IN THE RED] 2008 Rock (USA)

As usual, things always happen faster in New York, and this week's Breaking Sounds feature shines the spotlight on a group of three upstart females who have taken the noisy pop mantra and dipped it in pure gold, the Vivian Girls. If you're familiar with outsider artist/Chicago janitor Henry Darger's bizarre paintings (he coined the term 'Vivian Girls') that have turned the art world on it's ear over the past decade, it's prime time for those oddly alluring innocent nuances to be absorbed and reconfigured in a most pleasant musical format, contrary to the similarly-named bands HERE and HERE. With their debut 7" on their very own Plays With Dolls Records already sending out waves of panic and adoration to the outer limits of the underground pop contingent, they have become the newest breakout sirens of the New York loft-pop brigade. Within seconds of hearing their seductive three-part vocal harmonies lushly interwoven with chest-pounding rhythms of beautiful feedback, it's obvious that their songs are hard to resist, especially if you find yourself keen on the mid-80s noise pop trifecta of Jesus And Mary Chain, Black Tambourine, and most notably, The Shop Assistants. As anticipated, the Vivian Girls' debut LP surfaced this month on Mauled By Tigers Records, and is available from the band on their current nationwide tour for an essential pop platter that your bummer of a summer won't be complete without. Swirling noise topped with sweetly angelic vocals is practically a can't-miss concoction, so expect your fruity neighbors and your attention-starved friends to chime in with unabashed praise. As a matter of fact, In The Red Records has already snatched up the 'Girls with plans to reissue their debut album within the coming months, after the first MBT pressing inevitably sells out. With another action-packed tour in the works for August along with cohorts, Crystal Stilts, look for the Vivian Girls to be everywhere you want to be this year, and catch them live before they blow up like their predecessors. Fanning the flames of their grassroots support circuit, the added help of extra publicity from the similarly-titled play As Told To The Vivian Girls (which just ended a month-long run in Chicago by the Dog & Pony theater group) pushes their presence ever further to the forefront of modern pop. Pick up the LP from Mauled By Tigers, right HERE or better yet, buy it from the band on the West coast this week, and on throughout their Midwest tour next month for a lethal dose of female-powered raw pop perfection that breaks out like few others have before them.

11 EUR

VOMITO - DEMOS 1984-1986 [VOMITO PUNK ROCK RECORDS] 2013 Punk (ESP)

Contiene las dos maketas de VOMITO, la primera como VOMITO SOCIAL y la segunda ya recortando su nombre a VOMITO. De esta edicion de 500 unidades hay una edicion limitada de 200 unidades con vinilo transparente + fanzine + un poster de 90x60. Tenemos que dar las gracias a Miguelon de ANTI REGIMEN, por pasarnos las demos, ya que eran muy dificiles de conseguir, ni el propio grupo las tenia. Cada maketa consta de 10 temas, en la bandcamp podras escuchar algunos temas del vinilo. First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! First #protex single in 30 years .first 50 copies on pink sleeve next 75 on red. the rest on white.done in the old good vibes style sleeve !!!! DDDDDDDDDDDDDDDDDDDD El fanzine contiene fotos ineditas del primer concierto que realizo VOMITO SOCIAL en 1984, ademas de comentarios de amigos y gente cercana al grupo. Es un pequeño homenaje tanto a Victor (cantante) y Dani (Bateria) fallecidos los dos.

12/ 15 EUR

VONBRIGOI - O REYKJAVIK [MAUERSTADTMUSIK] 2010 Punk (ISL)

A1 - Originally released on Hugrenningur Rokk Í Reykjavík Compilation in 1982, text by Didda A2, A3, B3 - Recorded by Kjartan Kjartan in 1982, different from the 1983 lp-versions B1, B2 - Originally released on Gramm Records in 1982 B4 - Demo tape recorded in 1981, text by Didda

Mannskeppnur and Kjöt remixed by Ragnar Jónsson.The tracks here are taken from different sources and may vary in audioquality.Re-Mastered by Sven Mühlender at Not Not Fun Studio, Berlin. Record produced by Thomas Pargmann.A4-Insert included

10 EUR

VULPESS - BARBARELA 83 [PUNKAWAY RECORDS] 2012 Punk (ESP)

12 temas en directo que dieron en Mallorca en 1983. Fotos ineditas y vinilo de 180 gr. Editado por Punkaway.

12 EUR

WARM JETS, THE - WANNA START A WAR [RAVE UP] 2010 Punk (USA)

Philadelphia's punk rock finest band! Started in 1977, the band was really popular at the The Hot Club', one of the main punk venues in USA. They had a punk ethos, but laced with a potent pop mentality and a big sense of pure theatricality that reminded one of suck disparate outfits as Sparks, The Weirdos, Lance Loud's Mumps and The Dickies, not to mention The Monkees! Unfortunately the band recorded only one acetate and few studio tracks that you can find in this anthology that contains the best production of their unlucky career!!! Pure US punk genius, grab this!!!

10 EUR

WARSONG - ANCIENT TIMES [THE PRESSION RECORDS] 2011 Punk (ESP)

Warsong are a relatively new band from Spain featuring members of Insomnio and No Escape. Warsong deliver the goods with their debut Lp entitled Ancient Times. Ancient Times features 9 tracks of melodic and anthematic songs that have definite Strike Anywhere, Dag Nasty, and Red Tape Parade type influences. The nine songs on Ancient Times make Warsong easily accesible and will appeal to fans of both hardcore and punk in a way bands such as Strike Anywhere, Avail, and Hot Water Music can do. The guys in Warsong craft some really well done melodic hardcore/punk with a slight rock edge to it. Ancient Times is a definite must for fans of Strike Anywhere, Hot Water Music, and other rock leaning bands of that nature. Good stuff. Enjoy!

7 EUR

WHITE FACES - S/T [WINDIAN RECORDS] 2011 Garage-Pop (USA)

White Faces debut S/T LP is a perfect mixture of pop  gone blasted, from the fiery L. A. swagger vox, to the driving bass, to the completely under-out-of-control drum bashing, this album lives up to the hype, and  will be spinning on your turntable for quite some time. From the furious, out of the gates riff of Disconnected this album will keep your attention as one after another of well written, pop laden, cock-sure rock n rollers are feverishly screaming out of your speakers. The albums Happy and Ain't Havin' Me are the perfect example of the bands direction, tight, dance-able pop garage with a West Coast swagger. Also includes a cover of Milk N Cookies Nots!

13 EUR

WHITE TRAINERS COMMUNITY, THE - THE LONG PLAY [TIME FOR ACTION] 2012 MOD (RUS)

Pre-THE RIOTS!!! Moscow´s newest sensation provide a foretaste of their upcoming album. The Libertines meets the Jam with powerful distorted guitars is a way to describe the sound of the youngsters. If you dig bands like the Jam, Secret Affair, Chords, Circles, Cigarettes & all the 1-Hit singles from this era, then this LP should not be missing in a well-stocked collection. Songs like "Modern Boys" and "Face to Face" could be the soundtrack for the next revolt. Go! Put on the Parka, jump on the scooter and ride straight to the club.

Limited fully remastered reissue for the first time ever on vinyl, which comprises the debut album plus 5 bonus songs as well as an inlay sheet with lyrics and photos. Note: we´re the WTC !!!

10 EUR

WHITE WIRES - I [DOUCHEMASTER RECORDS] 2010 Garage-Pop (CAN)

What a sigh of relief these are finally here. If you're still in the dark on this one, The White Wires are a three piece from Ottawa. This LP was originally released by Going Gaga Records on Novemer 8, 2008 in a quantity of 325 copies. Those of you lucky enough to score a copy before it went out of print were well aware of how urgently this record needed to be available again, and we are flattered to be the people responsible for that. It's a perfect summer time record yet it is just in time for the holiday season for the second consecutive year. The White Wires have found a harmonious balance somewhere between the lands of goofy and cool, and their songs reflect that brilliantly. This LP features nine songs of maximum sing-a-long-ability without a trace of pretense. A couple of listens and you'll be planning imaginary BBQ's with The White Wires as your entertainment and guests of honor. 100 are on limited edition red vinyl, so buy them up before the November 3rd release date. This album is also available for download pretty much anywhere that you can download music.

13 EUR

WHITE WIRES - II [DIRTNAP RECORDS] 2011 Garage-Pop (CAN)

Tras la meteórica edición y reedición de su primer lp, ya había ganas de escuchar este nuevo disco que el sello de Oregon anunciaba como nuevo fichaje. Entre medias, pequeños disparos de punk con nervio en formato de siete pulgadas. Portada de esas que a un servidor le encantan y temas que giran a 45 revoluciones en formato de lp y el trío de Ottawa que sigue el mismo esquema que nos atrapó con su primer álbum, guitarras rudas pero sin complicarse en buscar nada nuevo, melodías arrebatadoras, canciones de poco más de dos minutos y temas para caer en sus redes como  Did you forget my name, I can tell, Be true to your school (til you get kicked out), Popularity, si cuando eras un chinorris te gustaban los Buzzcocks no tienes excusa para pasar por alto este disco, que a medida que sigue sonando  con temas como Hands y Summer girl hace que mi cabeza vuele por completo.(Oscarkotj-2011)

13 EUR

WHITE WIRES - III [DIRTNAP RECORDS] 2013 Garage-Pop (CAN)

Starting out, we had a deliberate intention to make an album a little bit different than our previous two. This time, the intention was to make a pop album. We wanted to make a record that had some dynamics, with lots of ups and downs. At the same time, we wanted to still have a lot of variety on the album from one song to the next. I think these are some of our best songs yet.

12 EUR

WICKED - ARE YOU? [SPRINTER RECORDS] 2008 Punk (SUI)

Brand new 9 track mini LP by this long running swiss punkrockers ! Every songs is a real winner ! A must have !

7 EUR

WIDOWS- FUN? [SVART RECORDS] 2013 PUNK (FIN) REISSUE

One of the first English language punk rock bands in Finland, Widows put out a few 7 inches before recording their first and last album 'Fun?' on Poko Records in 1980. Side A features studio material while the flipside has new songs performed live in Helsinki 1980. The Svart reissue features the original layout expanded to gatefold and featuring rare photos and news clippings.

13 EUR

WIMPS - ROLLIN' ON [INCOGNITO RECORDS] 2003 Punk (HOL)

Algo más melódico que el material al que nos tienen acostumbrados los de Incógnito records, llegan los Wimps. Desde los países bajos, pero sonando alto, llega esta mezcla entre el Lo Fi R'N'R de Steve McQueens y la melodía sucia de Burger Kings (el grupo paralelo de Steve McQueens). Para completar el cocktail añádele a eso un toque a lo Supersuckers pero en plan meloso y unas gotitas muy suaves de Country. Se les puede emparentar con los Demonics, incluso, a veces llegan a aburrir tanto como ellos; pero cuando llegas a la versión de Rezillos ("Somebody's gonna get their head kicked in tonight") descubres que tienen más estilo y clase que aquellos demonios de tercera división. Si te gusta el punk melódico con algo de suciedad, te gustará.

5 EUR

WRONG WORDS, THE - EVERYTHING IS FREE[TROUBLE IN MIND] 2013 POP (USA)

This time out, THE WRONG WORDS have enlisted a string section, horns, & woodwinds to carefully guide them through the pop landscape. Songwriter JOSH MILLER still burns with the fiery restlessness that peppered his tunes on their 2011 s/t debut, but rather than bash & crash their way thru a two-and-a-half-minute pop ditty, they ease their way from verse to chorus without sacrificing any of their token pop smarts. For most pop bands, "maturing" comes at a cost; sacrificing hooks, watering down the sound, or altering their look—The Wrong Words have dodged that bullet by acknowledging these new elements as pre-existing in the nature of song, ready to be plucked from the tree from which they sprung at no cost whatsoever.

13 EUR

X-BELIEBIG - OH TANNEBAUM [RAVE UP] 2012 PUNK (ALE)

X-BELIEBIG was founded in Wiener Neustadt in 1980 by the two then-17-year-olds Rene Adamecz (guitars/vocals), Franz Heuschneider (bass), as well as Bernd Bechtloff (drums) Bechtloff had just turned 13 years old at the time. The primary musical focus was at first German-language punk, although none of the musicians considered themselves punk rockers.They rehearsed for several months and, in 1980, gave their first concert at the Snack-Bar, a highly popular venue in Wiener Neustadt at the time. Performances near Wiener Neustadt with various smaller bands from Wiener Neustadt (among them Zerbrechlich and Dämmerattacke), mostly in self-organized concerts, followed. The band later went on to perform in Vienna, at the Amerlinghaus, Metropol, Gassergasse and the U4.In the spring of 1981, the original bassist [close] Franz Heuschneider switched to the Wiener Neustadt band Dämmerattacke and was replaced by Zoltán Daróczi. Starting at this time, a clear change in the band's musical focus, away from punk and towards music inspired by the band Joy Division but with German texts, could be observed.In the spring of 1981 a cassette recording was recorded for the Panza-Platte label, and the single Leben ist Blut / Illusionen (english: Life is Blood / Illusions) was recorded in the summer of 1981.

11 EUR

X-CERTS, THE - RATED XXX [BRISTOL ARCHIVE RECORDS] 2011 PUNK (UK)

As 1978 wore on, we thanked God for the likes of UK Subs and Angelic Upstarts, and here in Brizzle...the mighty X-Certs! With Clive Arnold (vocals and guitar), Simon Justice (guitar), Taf (bass) and Neil Mackie (drums), The X-Certs served up welcome blasts of Clash-style punk anthems. They were politically charged and passionate, friendly and down to earth, and a great live act, but for some reason their recordings were relatively few and far between. One track, Blue Movies, on Hearbeat Records' 4-Alternatives EP, and another called Anthem on the same label's acclaimed Avon Calling compilation album. And that's yer lot with the original line up. This edition includes a Limited Edition Insert with stories from all four members of the band, Introduction by Shane Baldwin and never seen before pictures. Artwork completed by the legendary Bristol designer Sam Giles

13 EUR

X-PRAYS - S/T [BOWERY RECORDS] 2011 PUNK (ESP)

X-Prays son un trío madrileño de Punk formado por miembros de Webelos, Grupo Sub-1, Obediencia... Surgen de las cenizas de los desaparecidos Asiatics con una propuesta más agresiva, más directa y, definitivamente, más Punk. Las flipantes voces femeninas son las protagonistas absolutas y en seguida traerán a tu memoria a grupos KBD como VKTMS, Electric Deads o UXA. Tampoco desentonarían compartiendo cartel con bandas más actuales del calibre de Spastics, Tyrades o Gorila Angreb. A pesar de ello, no renuncian en ningún momento a tener un sonido propio y composiciones originales, que combinan, de un modo bastante original, la sencillez instrumental con unas audaces melodías vocales. El resultado: hits instántaneos tan pegadizos como inmediatos. Pero lo mejor es que eches una escucha y juzgues tú mismo. http://soloespunk.bandcamp.com/album/x-prays

8 EUR

X-RAY SPEX - I AM A CLICHE! [FAN CLUB] 2011 Punk (UK)

A1-A4 Peel Sessions 20-02-1979 A5-A7 Peel Sessions 06-11-1978 B1-B2 Backing Tracks B3-B4 Rough Mixes B5 Re-recorded version for 1980 Polystrene LP B6-B7 Mari Elliot 7" aka Poly Stryne 1976

Tracklist: Genetic Engineering, Art-i-ficial,I Am Poseur,Identity,Germ Free Adolescents,Warrior In Woolworths Age,Prefabricated Icon,I Can't Do Anything,Obsessed With You,The Day The World Turned Day-glo Age, Silly Silly,What A Way

13 EUR

YEAR ZERO - YEAR ONE [P TRASH] 2011 PUNK (CAN)

Great new band featuring current and ex members of the SEDATIVES, STEVE ADAMYK BAND, LAST COMMUNION and MOTHER'S CHILDREN. Combining elements of early-90s Lookout-era punk (Green Day, Monsula, Samiam, Cringer) with a prominent 70s/80s UK influence, Year Zero effectively crams three decades of punk into one digestible mass for the ears. If you like any of the aformentioned bands, or bands like the Replacements, Husker Du, the Jam or the Buzzcocks, you'll dig this.

11 EUR

YELLOW MELODIES, THE -THE CHAMPIONSHIP CUP [CLIFFORD RECORDS-10"] 2008 Pop (ESP)

The Championship Cup nos devuelve a The Yellow Melodies después de un largo periodo de inactividad, tiempo que a la vista de lo aquí presente ha sido aprovechado. Las seis canciones que integran The Championship Cup logran atraer nuestra atención de modo sincero, The Championship Cup es una perfecta muestra de cómo no complicarse la vida en este oficio del Pop, directa, enérgica y con bonitos toques de cuerda que acompañan un estribillo que incita a ser seguido por el oyente.

6 EUR

YPÖ-VIIS - HALPAA LYSTIÄ [SVART RECORDS] 2013 PUNK (FIN)

Released in early 1980, this is the only studio album by this early Finnish Ramones-influenced new wave punk band. The Svart reissue of this rarity has been remastered for vinyl from the original master tapes, and the package features a 16 page booklet with random interviews and pictures from the era.

13 EUR

YUM YUMS, THE - PLAY GOOD MUSIC! [SCREAMING APPLE] 2013 POWER POP (USA)

Oh no& it's THE YUM YUMS again! The world's most famous power-pop band is back with another album! Their fourth full-length is called THE YUM YUMS &Play Good Music, and it's absolutely true! It's stacked with catchy hi-energy, guitar-driven power-pop songs, complete with sugary multi-layered harmonies and lyrics that seems to be stolen from some 12 year-old girl's diary. Like Joss Hutton once wrote in Bucketfull Of Brains Magazine, Let's consider the three minute pop-song for a second or two: so simple in it's construction, so inscrutable in it's perfection, so many who have tried and failed! For me the YUM YUMS have been THE band to watch over the past few years, their perfect (yep, it's true) take on the "power-pop" thang is a source of constant pleasure and amuzement.                                A pretty good description that is, but what more can we say about those ambassadors of power-pop?  They deliver REAL POWER-POP, with the word power written in capital letters. Putting together the essential ingrediences of the music of the RAMONES, the PLIMSOULS and the OHIO EXPRESS, the 6t's and the 7t's, bubblegum and punk, pop and rock'n'roll, just to create their very own YUMMY sound. So, what we're talking about is extremely catchy pop-music with a fat, rockin' guitar sound, well executed vocal-lines, ridin'-on-the-waves drums and a crunchy punk feel to it. It simply makes you feel good! Their previous album "Whatever Rhymes With Baby" took THE YUM YUMS touring through Spain, Italy, Germany, Japan and USA.

11 EUR

ZACK ZACK - WIR HABEN ZEIT [DIRTY FACES] 2011 PUNK (ALE)

Zack Zack is the new band from Smail and Lotze from the legendary Berlin Punk outfit THE SHOCKS. They were completed by Andy from THE CREEKS and the drummer from THE MINUS APES. This is the continuation of the last Shocks album, but instead highspeed Punkrock you'll get more poppy melodies. The album contains 10 originals plus a cover from the New Zealands finest 60s garage Punk Band THE BLUE STARS. Most songs are sung in German, but there are some English parts as well.

10 EUR

ZEBRASSIERES - I AM A HUMAN [P TRASH] 2013 PUNK (CAN)

Good news for all Sexbots out there: ZEBRASSIERES are back & surprise, surprise: it’s called “I Am A Human” - a full length packed with 10 crisply new songs of their synth-driven frantic power-pop.
This new party platter brings some upgrades especially in song writing, which is rich in variety so the artwork is more colourful. Even more microphones are in the zoo, so this comes with additional & perfect fitting male/female vocal parts to let the party get closer to your eardrums before you go completely nuts.
From the handclaps guided intro-stomp of the titletrack, via the REATARD-ish “Enter The Third Dimension” and two more bouncing poppers through to the psychedelic head-banging finale “Opinion” on side A.
One thing is for sure: It’s not a test! It’s ZEBRASSIERES at their best! Maybe, there’s only one urgent desire awaken right now. Don’t worry!
The first song on side B name it & the whole thing is to accomplish it – “We Want More” – so the party continues without a changed mood... “Do You Wrong?”.
It is recorded by Paul "Yogi" Granger @ The Meatlocker, Ottawa (URANIUM COMEBACK, STEVE ADAMYK BAND, WHITE WIRES) and mastered by Hajji Husayn Mastering at the North London Bomb Factory (RED DONS, MOTHER'S CHILDREN).

11 EUR

ZORRAS ADOLESCENTES - AULLOLUNASOLO [DISCOS REGRESIVOS] 2012 PUNK (ESP)

Por fin un LP de las zorras mañas, 5 años después de sacarles un single, Discos Regresivos tiene el honor de sacar este LP (junto con Bazofia,Go Mongo y Collectors Series) a estos punkis verdaderos.Discazo!!

7 EUR